Sex similarities in occupational status attainment: Are the results due to the restriction of the sample to employed women?

Research on sex differences in occupational attainment suggests that working men and working women attain essentially the same mean level of occupational attainment and do so through quite similar processes. A possible explanation for these similarities is that the sample of working women contains an overrepresentation of successful women, since women who can afford not to work will stay out of the labor force unless they find a job commensurate with their education. This we define as a censoring problem. By extending a technique developed by Heckman, we can estimate the structural parameters for all women, regardless of current employment status. This procedure allows us to assess the impact of the censoring problem on women's occupational attainment equations.     

Theory Trimming

This paper attempts to show that the “Theory Trimming” technique makes little contribution to theory in sociology. A brief history of the technique is given, and several key assertions of its proponents are abstracted. These assertions are shown to be highly questionable. The general alternative to Theory Trimming is shown, and the relationship between Theory Trimming and more general orientations to research is discussed.     

编辑学理论研究——组稿机理

阐述了读者需要、作者需要、编者需要存在的形式.通过分析三种需要的特点、区别与联系以及各自在组稿工作中的地位与作用指出,三种需要有其各自相对的独立性,但相互之间又有着密切的联系,相互制约、相互依存,并且三者都根植于社会,有机地统一于出版物之中.认为以出版宗旨为原则、稿件价值为基础、作者需要为动力、读者需要为依据、编者需要为准绳,达到三种需要的有机统一,是组稿工作必须遵循的客观规律,也即组稿机理.     

宋代文学选本形态刍论

宋代文学选本形态在继承前代选本形态的基础上，又有新的变化与拓新。在分门别类、以类相从方面，宋代文学选本对作品的分类依据更为多样，类目更为细密；在层级结构方面，宋代文学选本的层级结构方式更为灵活，既有对前代二元层级结构的翻转，又更多地采用一元层级结构；在区分等次方面，宋代文学选本对作品的区分既有等级分明、壁垒森严者，又有纯为逞才竞技而排列名次者。宋代文学选本这种既相对稳定，又创意出新、灵活多变的文本形态，对后世文学选本的编纂多有启发、示范之功。     

中朝汉籍交流的文化史章

第一次公布了西北大学图书馆珍藏的朝鲜汉籍 49种 35 7册 ,按经、史、子、集四部分类研究了其独特的学术价值 ,特别是对收藏的李朝“奎章阁”皇家藏书源流作了系统论述 ,指出了中朝传统文化双向交流的源远流长 ,以期引起国际汉学界的重视     

以意逆志与过度诠释--对韩愈《送董邵南序》批评的检讨

韩愈所作<送董邵南序>,历来为后人交口称誉,但其主旨却众说纷纭.或以为是韩愈对董邵南的挽留,或以为是韩愈对藩镇的深讥,或以为是韩愈对天子的婉讽.种种诠释都显示出批评家们对"知人论世"、"以意逆志"等手段的娴熟运用.不过,对作者意图的过分迷恋和反复挖掘,往往难于避免过度诠释的现象.     

屈辞《招魂》新辨

楚辞《招魂》用于为楚怀王举行国丧活动中招魂仪式第一阶段。诗序叙巫觋扮演怀王亡魂、上帝、巫阳,交代招魂事由。招魂活动始于楚境旷野秦、楚交接灵车时,由巫阳招魂至郢都修门,转由巫官工祝引魂回故居。该诗是屈原在祭辞基础上改创而成。其题旨是:外陈四方之恶,内崇楚国之美;明招怀王之魂,暗寓忠君爱国之意。