劳伦斯探索的末路

英国作家劳伦斯为拯救英国社会提出回归大自然、改善男女性关系、领袖救世、建立"拉纳尼姆",但这些对解决英国的社会问题却是无济于事。     

柯尔伯格道德认知发展理论及其启示

柯尔伯格是当代西方道德认知学派的创立者和最具有影响力的代表人物,他提出了道德发展的“三水平六阶段”,并提出两种道德教育模式：道德讨论模式和公正团体模式。柯尔伯格的道德认知发展理论对高校德育工作有重要启示。     

《马贩的女儿》的语料库检索分析

语料库检索分析方法用在文学批评领域,可以对文学文本进行检索、取样、统计及分析。本文运用语料库检索软件Ant Conc3.2,对劳伦斯的短篇小说《马贩的女儿》进行检索分析,直观地统计了小说的基本文本信息和出现频率最高的前六十个实意单词,在语料库统计的基础上进一步分析了小说如何巧妙地选取不同叙述视角以及在小说的不同阶段如何运用丰富的意象来深化主题。运用语料库分析文学作品,可以为文学研究提供新的思路。     

王阳明与科尔伯格德育思想比较初探

王阳明是中国封建社会主观唯心主义德育思想的集大成者,科尔伯格是当代西方道德认知发展理论体系的创立者。从德育目标、内容、方法及儿童教育思想特色等方面比较这两种不同文化背景下的道德教育思想,对于我们挖掘传统德育资源,合理借鉴西方先进德育理论、增强道德教育效果具有重要的现实意义。     

从安娜和康妮的结局看托尔斯泰和劳伦斯的妇女观

安娜和康妮是西方文学史上两个颇具争议的女性形象。她们对幸福爱情的大胆追求,反映了在女权主义运动冲击下渐趋开放的时代特征。但是,她们两人最后的结局却不尽相同,这在一定程度上反映了两位作者不同的妇女观：安娜的惨死体现了托尔斯泰比较保守的妇女观;康妮的结局体现了劳伦斯相对自由、开放的妇女观。     

Caring for Cultural Studies

This essay both inaugurates the editorship of Ted Striphas and reflects on the contributions of Cultural Studies’ longtime editor, Lawrence Grossberg. It opens by reflecting briefly on the journal's transformations over the last 28 years before taking stock of the wellbeing of Cultural Studies, the field. The claim here is that Cultural Studies devotes less time and attention than it used to in thinking through first principles, and thus that the future of the field hinges, in part, on asking whether core concepts are up to the task of answering to the urgent political questions of our time. The essay then recontextualizes the concept of culture, specifically with respect to the much-maligned (indeed, deservedly-maligned) ‘high culture’ tradition. In its recesses the author identifies a fugitive theoretical line in which culture signifies care, as opposed to subordination to patrician interests and aesthetic styles. This conceptual move sets the stage for the central argument of the essay, namely, that for Cultural Studies to live up to both its name and intellectual-political ambitions, it must devote significant time to caring for the infrastructure that sustains its body of ideas. The piece concludes by highlighting some of Lawrence Grossberg's efforts, as an infrastructuralist, to care for Cultural Studies and by observing how, moving forward, neither the field nor this journal will take care of itself.     

The feeling of the incommensurable: Lawrence Grossberg on affect and incommensurability

This essay analyzes Lawrence Grossberg's work on the concept of commensuration, and especially his suggestion that we face a generalized crisis in our mechanisms for commensurating values. In making explicit the ways in which Grossberg's reflections on commensuration connect with his recent assessment of the contemporary social landscape in the United States – particularly the affective landscape that he describes in his work on the election of Donald Trump – I suggest that Grossberg's approach is, in part, distinguished by its attentiveness to the affective dimensions of commensuration (and of incommensurability). It can thus be contrasted with many previous approaches to commensuration, which view it exclusively as a problem at the level of practical reason, focusing on how we adjudicate between different bearers of value and how we justify, or give reasons for, our choices among them. Although such questions are also present in Grossberg's work, I argue that his writings contain a subtle treatment of the moods, attitudes, and tacit dispositions that characterize what if feels like to live through significant breakdowns in established logics of measure and comparison. Following Grossberg, I claim that having an adequate account of this affective dimension is crucial if we are to construct political alternatives that can address the felt sense of crisis in American political life.     

极端科学理性工具的否定与社会生态失衡中的抗争——生态批评视角下的《查特莱夫人的情人》解读

睿智而叛逆的文学大师D·H劳伦斯是20世纪英国最独特和最有争议的作家。传统上对于劳伦斯的研究总是将他与性相提并论。现在从生态批评这一新视角解读劳氏的《查特莱夫人的情人》这部作品,进一步揭示作品中所反映出来的生态危机的思想文化根源,批判极端科学这一理性工具,从而表达作者在社会生态失衡下的自我抗争。劳伦斯面对纷扰喧闹的世界,以他犀利的目光观察和审视着人类的发展,并不断地对自己所处时代进行反省,表达了他对人类返朴归真,建立人与人、人与自然和谐相处的美好理想。     

文明废墟中的生命回归－－重解《查特莱夫人的情人》的主题

《查特莱夫人的情人》不是“有伤风化”的色情之作 ;它以独特的精神信仰和思想理论为基础 ,描述出现代人在资本主义制度下精神贫瘠的生命状态 ,进而揭示出只有男女间完美的性行为才能拯救人类的内在主题。     

Unknown outcomes,no guarantees: Lawrence Grossberg and experimentation

This article explores notions of experimentation embedded in Lawrence Grossberg’s writings. It begins by proposing that experimentation is a particularly relevant expression of the stakes of Grossberg’s research, and also one that embodies the ‘unknownness’ characteristic of rigorous intellectual work more broadly. By embracing unknownness in its contextual specificity (the shorthand for which is the phrase ‘without guarantees’), one seeks to open the present to a range of potential futures – a process requiring interdisciplinary collaboration and institutional risk-taking. This article then moves on to consider how Grossberg’s work brings to light the relationship between popular imagination and experimentation; that is, he understands the popular as a territory where people can be won for experimentation in paradoxically unknown but knowable futures. Finally, the piece heeds Grossberg’s warning against the fetishization of experimentation in certain political and theoretical formations, notably his repeated cautions against experimentation divorced from the specificity and requirements of the conjuncture. The article concludes by calling for a rigorous mapping of the terrain of Cultural Studies in order to foster and sustain the interdisciplinary, well-grounded experimentation to which its future must be bound.