寻找新的自我——伍惠明《骨》中莱拉的文化认同的解读

伍惠明(Fae Myenne Ng)是继汤亭亭、谭恩美之后的又一位优秀华裔作家。其作品《骨》自问世以来,被多数美国评论家和读者认为仅是一部个人自传,而鲜有人会注意深藏于这个文学文本内的全新的华人移民的文化认同观。     

走出边缘的"她"写作——探寻美国华裔女性文学传统

美国是一个种族成分较为复杂的多民族移民国家,在以英裔白人主流文化占主导地位的国度里,由有色人种构成的少数族裔处于从属地位和社会的边缘地带.随着种族平等和性别平等的呼声越来越强烈,美国华裔女性作家用自己的创作表达了对种族身份认同的诉求,逐渐走出边缘,形成了美国华裔女性文学独特的创作传统,使得人们得以从多维角度挖掘和探索人类生存意义的复杂性.     

论美国英语中的民族语言创新

美国是一个经济发达、政治多变,文化、语言丰富的多民族国家。美国英语在英语史中发挥了举足轻重的作用。     

从宗教文化透视美国高等教育捐赠传统

慈善捐赠在美国高等教育发展进程中具有十分重要的意义,它支撑了美国的近代高等教育,拓展了美国高校的服务职能,加速了美国研究型大学的诞生。从文化心理思考,美国的高等教育捐赠植根于美国浓厚的宗教文明,导致了美国近代高等教育的诞生和现代美国高等教育的高度发达。     

Critique on the notion of model minority: an alternative racism to Asian American?

This research note attempts to probe how contemporary racism has evolved to replace physical characteristics with cultural traits by examining the notion of model minority in America. The analysis begins by positing that this notion manifests a problematic deployment of cultural differences. A short historical review justifies that model minority is generated and maintained by a stereotyped understanding of Asian tradition, especially Confucianism. Racial antagonism and class consciousness are then invoked by fostering essentialist ideas of cultural traditions. While America advocates its democratic system of inclusion, the logic of ‘model minority’ suggests an ‘internal exclusion’. The implications of model minority are thus that: (1) ‘race’ is replaced by ‘cultural difference’ – when cultural racism replaces biological racism, race is subsumed into a pure realm of cultural difference and race as a sociohistorical category becomes obscured; (2) the deployment of cultural differences creates an illusion that US society has already reached ‘color-blind’, and therefore neglects the social oppression and inequality along racial lines; (3) in the transforming process from a biologistic conception of race to a culturalist one, cultural differences are deployed to differentiate Asia(n) from American(n). Cultural differences are by all means essentialized, and race is furthermore reduced to essentialized cultural differences.     

Paradoxes of American Individualism1

I point to contradictions in American individualism not unlike those suggested by Robin M. Williams Jr. I go on to suggest how twenty‐first‐century sociologists might better understand this aspect of American exceptionalism: not as an egoistic, asocial individualism, but as a covenantal, social voluntarism.     

美语词汇中的美国民族特性分析

美国英语虽来源于英国英语,但它在长期的发展过程中由于受美国民族独特的地理环境、生活习惯、语言心理、行为规范、道德价值、政治观念和文化传统的影响,又形成了很多独具特色的词汇,这些词汇深深地印上了美国民族特性的烙印。从语言学、社会学、心理学的角度探讨美语词汇中折射出的美国民族特性,可以更好地理解这些词汇,学习借鉴那些优秀的民族特性。     

超越族裔性--华裔美国文学母题内涵演变探究

20世纪90年代以降,华裔美国作家打破美国主流社会强加在华裔美国人身上的刻板形象,力图展示真实的自我,同时通过超越文学作品母题的族裔性,表达了对于种族之间和谐共处的诉求,及其实现的可能性。他们的作品,体现出具有包容品格的族际性。其具体表现为：超越族裔性,走向融合性;能够满足多种族群审美期待的人物塑造。     

The Permeable Border: Examining Responses to North American Integration in Video Art

Abstract

In this essay, I suggest that artistic production provides valuable insights into the nature of the Canada-US border during the late-twentieth century when significant changes were occurring to dominant understandings of Canada in relation to North America. Focusing on the medium of video art, I trace the sustained engagement of Canadian contemporary artists to respond to and comment on the move towards continental integration through free trade. I contextualize my discussion in relation to trade developments that opened Canada’s border with the US, such as the 1989 implementation of the Canada-US Free Trade Agreement. This agreement, along with the later North American Free Trade Agreement, led to increasing continental integration at the end of the twentieth century, as well as hope for hemispheric integration with the subsequent negotiations towards the Free Trade Area of the Americas. With attention to works by Lisa Steele and Kim Tomczak, Eva Manly, and Clive Robertson, I foreground cultural contributions to redefining the Canada-US borderlands. Here, I chart the artists’ intention to echo narratives of the border’s porousness and address the power dynamics between the Canadian state and its trade partners. Examining themes of cultural imperialism, colonialism, and national identity, I point to the importance of cultural production in assessing the borderlands and, more broadly, histories of free trade in North America.     

以海洋自由为原则——试论美国早期对外条约中的海事条款(1776—1815)

美国建国伊始便把海洋自由视为外交活动的主要原则之一,主要体现在捍卫中立国权力和航行自由权益方面。在欧洲,美国同英法等传统强国就航行自由与中立国权益开展积极的外交乃至军事行动;在地中海,美国先同巴巴里海盗国家虚与委蛇,待国力强盛后通过武力彻底解决了这些国家对美国在地中海贸易的骚扰。这些外交和军事行动虽起因不尽相同,但最后签订的条约多有维护美国外贸、航运的条款,也表达了美国早期朴素的海洋自由思想。