赛博空间体现现象学——兼论技术与体现的关系

介绍了国外学术界关于赛博空间体现与非体现的争论.探究了赛博空间体现现象学的哲学基础,认为现象学特别是梅洛-庞蒂的知觉现象学为赛博空间的体现理论提供了思想基础和理论平台.揭示了技术与体现的关系,提出了技术与体现是相互依存和相互作用的,一方面,体现是技术产生与发展的本质条件,另一方面,技术也纠正或增强了身体的知觉能力.     

修竹:杜甫的山林密友和精神化身--杜甫爱竹心理之解秘

杜甫爱竹,诗作中言及的树木以竹为最多,是因为竹所蕴涵的文化精神--劲节、虚心、坚忍以及形体上的瘦硬特征与杜甫的人格理想、性格特征恰到好处地融合在一起.杜甫一生,重视风节操守,为人谦虚,性格坚忍,艺术审美追求"瘦硬".竹就是他的精神化身.     

二语情感抽象概念加工的具身认知研究

基于具身认知框架下的概念隐喻理论，对中国英语学习者抽象情感词加工的具身认知进行了实证研究。结果发现:（1）二语情感抽象概念存在“积极在上，消极在下”的垂直空间隐喻映射；（2）不同水平组对二语抽象情感词的加工成本存在不对称性；（3）中国英语学习者对不同效价的抽象情感词加工成本趋异。实验结果证明了情感抽象概念能够通过隐喻的方式建立与感知运动信息的联系，情感模拟对二语抽象情感词的加工具有促进作用。     

Vulnerable relational knowing that matters

This paper explores vulnerable relational knowing, and in it we open up our own embodied habits and experiences as feminist academics. We discuss how displaying our academic bodies as naked, both symbolically and physically, enhances and appreciates—instead of hiding—vulnerability. We also discuss how our academic bodies entangle with a range of more-than-human creatures and material surroundings to highlight the multispecies and material nature of vulnerable relational knowing. Two detailed stories, “Intimate sharing of academic knowledge: A recumbent study circle” and “Keropirtti: A place and space to work differently” provide unique examples of the enactment of alternative ways of working in academia, and their analysis demonstrates the potential of vulnerability for embodied relational knowing in academia, which has, to date, been commonly analyzed in the context of writing.     

Digital identities – overcoming visual bias through virtual embodiment

ABSTRACT

This study sheds new light on the role of identity in virtual environments when virtual representation of self is in support of disabled individuals and the potential impact of their virtual identity on work opportunities. It is widely understood that individuals who live with disability often experience a lifetime of bullying, exclusion, marginalization and rejection. They often experience workplace bias and discrimination. Yet, when they can create an identity and experience embodiment in virtual environments, the results can be extraordinarily powerful – even life-changing. This research builds on nearly a decade of ethnographic research in 3D online immersive social virtual worlds; seven of those years working with disability communities to answer the following: RQ1: In a virtual world where one can choose any avatar form, how does that visual sense of self-representation influence one’s ability to gain access to a social network, to be a leader in that network, and to find work? RQ2: How does realism in representation influence work experiences in these digital worlds? The results reveal the importance of choice in online representation of avatars in creating work and online social engagement. Implications contribute to our understanding of visual bias in the workplace and how emerging virtual reality technologies may open new avenues for meaningful work and social interactions for people with disabilities.     

"化身"阅读:后现代主义小说的读者体验

传统意义上的读解过程仅仅是对文本预设意义的找寻和发现,而后现代主义小说不仅在文本形式与内容上最大程度地解放了读者,而且提供了读者自由出入文本内外,化身为多重身份的可能性。科塔萨尔的《公园的延续》在内容上游离于真实与化身、相关与相离之间,形式上竭尽自由之能事,读者在体验到文本的非延续性、消解性、虚构性的同时,亲自化身为被谋杀的对象,"读者之死"的主题播散于文本内外。     

Incorporating the Period Eye

ABSTRACT

In recent years, museums have staged a number of “exhibitions of exhibitions.” These experiments in institutional, curatorial, and artistic revivalism have ranged from allusions to and quotations from past installations to full-scale re-enactments and reconstructions. The motivations of the curators and artists responsible for these diverse projects have included the desire to recuperate both famous and forgotten shows and also to reproduce past modalities of display and spectatorship, and thus build an archive of the immaterial through retrospective and performance practices. Some of the most interesting “exhibitions of exhibitions” have focused on the historical conditions and institutional conventions of spectatorship, with the objective of alerting the contemporary viewer to differences in the performativity of spectatorship, past and present. By evoking former practices of looking, walking, and touching, these exhibitions also remind us that techniques of the museum visitor are both embodied and acquired. They require the contemporary viewer to recalibrate their choreography of their looking and moving; put another way, they activate what Michael Baxandall termed the “period eye” in order to decode the visual effects of the exhibition and to relocate oneself in the position of the historical spectator. This article explores how a number of recent exhibitions have redrawn attention to the corporeality of museum visiting and viewing, as well as to the historical acquisition of competences and attitudes that we take for granted today.     

译者主体性的关联认知考量与重构——基于RT的建构主义视角

关联理论（RT）为译者主体性研究提供了一个崭新的视角,并为“翻译的认知取向研究”开辟了道路。RT关照下的译者主体性具有“多元”认知变际和“有限理性”的建构主义本质;译者主体性的“度”是由译者认知成本与语境效果来确定的。基于关联认知范式并且通过分析和借鉴国内外现有译者主体性的认知模式,提出了“双重认知体验-推理交际模式”。此模式具有自主性、交往性、体验性、动态性等特征,这些区别性特征不仅使之有别于其他同类模式,而且使之具备较强的心理现实性。     

The Japanese Touch

ABSTRACT

Touch, as it is conventionally conceived, appears to be lacking in everyday Japanese intimate relationships. Here, the “touching spaces” between Japanese people are explored, challenging assumptions about closeness and intimacy. Based on ethnographic research conducted in Japan, this review suggests that “finite” conceptions of touch, body, and subjectivity limit our understanding of experiences of closeness in a Japanese cultural context. Instead, how the space between people is inhabited, and the feelings in this space, seems much more significant. In sum, Japanese experiences of touch, particularly in a familial context, should best be seen as a tangible and sensuous connection that is not just felt in the body. Focusing on two body practices, this review explores the connection and embodied experience of closeness in the Japanese family vis-à-vis co-bathing and co-sleeping. It ends with a summary of the design of these sites of intimacy and some ways in which communication and bonding can be enhanced.     

Amazonian Native Youths and Notions of Indigeneity in Urban Areas

The indigenous presence in urban areas of Amazonia has become more visible as Indian populations have negotiated their own spaces and acted in new contexts previously reserved for the dominant society. This article looks at ways in which today's young Indians in an urban area define and interpret their new cultural and social situations, drawing from research conducted with Apurinã, Cashinahua and Manchineri youths in Rio Branco, a city in Acre state, Western Brazil. These young people occupy a variety of “native” and “non-native” habituses and develop their notions of indigeneity within complex social networks as part of their strategy for rupturing the otherness associated with indigeneity. The text contributes to the discussion on the theory of practice and identity politics, as well as embodiment. Young Indians in urban Amazonia constitute their agencies in multiple ways and use various embodiments based in the practices and knowledge of their native groups and those of urban national and global society. The young natives break with the image of Lowland South American Indians as peoples uncontaminated by urban influences and help promote new interactions between native populations in the reserve and the city.