老松意象的审美特征与文化意蕴

先秦至魏晋六朝松树审美的核心是常青、劲直,从唐代开始,老松的沧桑、丑怪、雄奇之美受到文人更多的关注,体现出以怪奇为关、以新异为关的时代新趣尚。老松的物色关主要体现在形体美、姿态关和神韵美三个方面。老松意象还在长期的风俗承继和文学创作中积淀了一定的文化意蕴和比德内涵,指示着相应的符号意义。     

Effects of Gay Identity,Gender and Explicitness of Advertising Imagery on Gay Responses to Advertising

Abstract

The present research draws from literature relating to gay identity in psychology and sociology and feminist theory to consider the effect of gay identity and gender on gays' and lesbians' attitudes toward various types of advertising content that are most commonly used to target gay consumers. As such, this study empirically tests whether gay males' and lesbians' responses to gay-oriented advertising content are moderated by individual characteristics: (1) the degree to which they identify as gay, and (2) their gender, and by the explicitness and gender of the gay-oriented advertising imagery.     

Accuracy of edge detection methods with local information in speckled imagery

We compare the accuracy of five approaches for contour detection in speckled imagery. Some of these methods take advantage of the statistical properties of speckled data, and all of them employ active contours using B-spline curves. Images obtained with coherent illumination are affected by a noise called speckle, which is inherent to the imaging process. These data have been statistically modeled by a multiplicative model using the G0 distribution, under which regions with different degrees of roughness can be characterized by the value of a parameter. We use this information to find boundaries between regions with different textures. We propose and compare five strategies for boundary detection: three based on the data (maximum discontinuity on raw data, fractal dimension and maximum likelihood) and two based on estimates of the roughness parameter (maximum discontinuity and anisotropic smoothed roughness estimates). In order to compare these strategies, a Monte Carlo experience was performed to assess the accuracy of fitting a curve to a region. The probability of finding the correct edge with less than a specified error is estimated and used to compare the techniques. The two best procedures are then compared in terms of their computational cost and, finally, we show that the maximum likelihood approach on the raw data using the G0 law is the best technique.     

文化语境下语词转换的情感与意象选择

语词的转换依赖于它所存在的文化语境,特定文化语境下的语词被赋予特定的文化含义,于是,文化语境的语义制约作用使得文字符号的转换演变为文化符号的转换。文化语境的民族性、广泛性、系统性决定了译者倾向于从本民族的文化视角去观察其他文化,并且在语词的转换中作出选择。较为突出的影响有语词的情感与意象选择两个方面,前者指语词的情感色彩与信息转换中的情感参与影响着语词的选择;后者指意象确立的文化关联对不同民族文化记忆的激活影响着信息转换中的语词选择。因此,修正语词转换中的译者民族文化视角倾向,避免语词转换中的文化操纵现象,文字符号的转换需要重视文化语境的参与和文化诠释的平衡,这样才能确保语词情感意蕴与意象联想不被随意增减,源语文化的传递真实完整。     

中诗英译意境缺失浅析

在文化交流全球化的今天,很多人都在通过各种各样的方式努力学习其他国家的文化。用本国语言来学习本国文化的确是最好的理解方式,所以有很多人就把一些他国文化翻译成本国的文字加以学习。可是在这当中会出现很多的文化元素的缺失甚至是误读。以汉诗英译为例来探析这种语篇中的文化意境的缺失,就具有特定的意义。     

试论泰戈尔短篇小说中的审美意象

正像世界上所有的文学大家都创造有自己独特的审美意象一样 ,泰戈尔也不例外。泰戈尔短篇小说中出现的“恒河”、“童婚”、“寡妇殉葬”、“种姓”、“奶牛”等意象及诸多的“僧侣”意象所体现出来的浓郁的“印度性”和印度意味 ,不仅令中国读者耳目一新 ,且难以忘怀。鉴于他的短篇小说现实主义的创作风格和他的诗人气质 ,作品中往往多“仿象”、“喻象”和“兴象” ,则很少“抽象”。泰戈尔短篇小说中的审美意象之所以令人着迷 ,主要在于它具备了这样四个审美特征 :1 绘画美和音乐美的完满结合 ;2 强烈的抒情色调的诗意笼罩 ;3 浓郁的宗教意蕴和人性意味 ;4 令人目不暇接的奇思妙想     

论朱熹诗歌意象与意境

朱熹在诗歌意象和意境创作上有自己个性化的风格。在构筑意象言词上的倾向性选择 ,对表现意象有强烈的象征意味和自比意识 ,形成其诗歌意象色彩丰富 ,或孤凄、悲寒 ,或幽淡、宁静 ,或奇伟非常 ,或神通广大 ;同时其诗歌意境或苍寒幽深 ,或悠适淡泊 ,或雄奇豪壮 ,或古典雅致     

余秀华诗歌谱系与疼痛美学--以《诗经》、海子、“梨花体”为参照

余秀华是新近爆红的诗人,她的诗歌理应纳入一个比较系统的评价体系之中。从互文与弃妇诗传统、意象选择与陌生化以及疼痛与戏仿三个方面分别将她的诗歌放在《诗经》、海子,以及与之同时而稍早的“梨花体”诗歌系统中,看她的诗对《诗经》以及当代诗人作品的继承、发扬和疏离,并由此衡量其诗歌创作的谱系、特色和得失。     

奥尼尔戏剧的意象营构与审美特征

本文对尤金.奥尼尔戏剧的象征意象进行了透视与剖析,探讨了奥尼尔戏剧意象营构的四种主要方式:主导意象、重复意象、伴随与并置意象和各种意象的典型例证,阐述了奥尼尔戏剧意象所具有的多元性、整体性及内驱性等审美特征,旨在探索奥尼尔戏剧意象的独特性和功能以及它们所体现的审美意蕴。     

李宪乔诗歌雨意象评析

李宪乔喜写雨诗,所写雨既有愁雨、苦雨,亦有诗雨、美雨、禅雨。其雨诗笼罩着阴郁的基调和迷离的朦胧美。