The Existential Side of Kohut's Tragic Man

This article explores the way in which Kohut's concept of Tragic Man functions as a response to criticisms of self psychology as proffering a partial, utopian, strife-denying theory of human development. After citing several representative critiques in this respect, I review the concept of Tragic Man as defined by Kohut, and then seek to deepen the clinical usefulness of this concept through a discussion of affects, empathy, and free association. A clinical vignette concludes the paper, through which some of these ideas find illustration.     

从“生活空间”到“文学空间”——“空间理论”:作为文学批评方法

文学空间来源于生活空间,文学空间是生活空间的变型、转化和升华。生活空间要转化成文学空间必须经过作家的遴选、厘定和创造并且包蕴着作家的审美观、世界观和人文观。"空间理论"立足于从生活空间向文学空间的过渡,充分发掘作家的空间想象方式及其表现手段,探讨作家内心世界的外化规律和价值取舍。     

我们究竟需要什么样的文学批评——对《十美女作家批判书》的批评

中国当代一些被称为美女作家的,其创作思想和作品存在这样或那样的问题,对她们进行批评是完全必要的。但是,《十美女作家批判书》的作者对这些所谓美女作家和她们的作品的批判少有对作品和作品中的人物形象的具体分析,大都是翻来覆去、不厌其烦的讽刺、谩骂、侮辱甚至人身攻击,以及颠来倒去的武断的断语,完全背离了文学批评的真谛。文学批评应该回到文学批评的本原上来,真正正常而健康地发展。     

多样性·批评性·学术性－评《文艺湘军百家文库·文艺评论方阵》

《文艺湘军百家文库·文艺评论方阵》及先此出版的《当代湖南文艺评论家选集》丛书,集中汇聚了湖南文学批评50年的主要成果,展示了老中青三代批评家的探寻的风姿。其主要特点突出地表现在异彩纷呈的多样性、真诚鲜明的批评性、科学严谨的学术性等方面。     

On Masking and Revealing the Culture of the Cross-Culturalist

There is a gulf between the analytic and experiential aspects of cross-culturalists' functioning that is reflected in the split between explicit scientific rules for studying the culture of others, while following an informal oral tradition for considering our own cultural makeup. This article discusses both a possible strategy for correcting this situation and the barriers that are likely to prevent such a correction. Structured cultural self-study procedures are presented as a possible resource in the continuing development of graduate students and professionals, and these have already proven highly effective in teaching cross-cultural psychology to undergraduates. Fostering commitments to standardized self-study and to applications of experiential learning is currently not likely to flourish due to complex academic and epistemic traditions, discussed as six cultural self-masking factors. A specific self-study protocol is offered to provide a beginning point for generating improved reflexive methods and for individual trial use. Through disciplined reflexivity, benefits might emerge in the form of better bias control in research, enhanced external validity, and a new theory about the interplay of investigators' self-knowledge and the conduct of cross-cultural research.     

网络文学与文学本质

网络文学的出现再次激起我们对“文学本质”的追问。网络文学文本的生存形式从一个全新的层面给我们提供了一个较全面关照和认识文学 (及其传统 )的视角 ,只有以开放的心态和宽容的态度面对文学现实本身 ,我们才能更清楚地看清文学自身的逻辑 ,从而更接近和理解文学的本质。     

论宋元之际江西遗民词的内容特质

文学作品是作家本性、人格精神的复现。江西遗民词作为江西遗民词人群个性、心灵之诗意表现 ,其中所表露出的欲挽狂澜于既倒、重整乾坤的雄心与壮志、对自身归属感的积极寻求和对自己所处时空的理性反思、及对社会人生的执著与关注等内容 ,正是这个词人群体在江西独特的地域文化环境中生成的豪逸之气、忠义之心、耿直之性等群体特征的文学表达 ,具有鲜明的地域共性与特色。     

试论建筑防灾中的人群管理和应急管理

从社会心理学和行为心理学视角分析紧急灾难情况下人群的心理反应,阐明控制人群恐慌的人群管理方法,并结合国内外实例从正反两个方面说明人群管理方法在建筑防灾方面的有效性,进一步论述了应急管理在国内的发展方向和重点。     

当下文学消费时尚化的四个特征

文学消费是一种特殊的精神产品消费，当人们以时尚的方式来对待文学的阅读或欣赏时，文学消费的时尚化就会日渐其隆，而且呈现出四个方面的特征：文学消费主体日趋“小资”化、低龄化；消费对象日趋偶像化、明星化；消费方式日趋视听化、影像化；消费目的日趋娱乐化、消闲化。对当下文学消费的时尚化现象，我们不应给予简单的否定或肯定，而是应以辩证的观点、发展的眼光进行积极引导。