文化全球化的挑战与跨世纪的中国文化战略

伴随经济全球化的进程,文化全球化对国家文化主权形成了挑战,并削弱了文化主权。中国应该建立跨世纪的文化战略,坚持文化的开放性与民族性的统一;捍卫文化主权与尊重世界文化的多样性的统一;发扬文化的人文精神与倡导大众文化的统一。在文化的良性互动中捍卫文化主权,维护国家利益,反对文化霸权主义和文化孤立主义。     

圣王·正统·神仙--论秦汉时期黄帝传说的政治文化内涵

秦汉时期的黄帝传说以黄帝的生平、功德、政事、世系为核心,构成了一个独特的文化系统.在黄帝传说中,圣王、正统、神仙三者被有机地联系在一起,体现了大一统政治所应遵循的基本政治原则:天人关系原则,政治道德原则,权力分配原则.依据黄帝传说所体现的政治原则和政治象征意义,秦汉时期的统治者和儒生、方士进行了积极的政治实践,促成了一种独特的政治文化模式的形成.     

On Masking and Revealing the Culture of the Cross-Culturalist

There is a gulf between the analytic and experiential aspects of cross-culturalists' functioning that is reflected in the split between explicit scientific rules for studying the culture of others, while following an informal oral tradition for considering our own cultural makeup. This article discusses both a possible strategy for correcting this situation and the barriers that are likely to prevent such a correction. Structured cultural self-study procedures are presented as a possible resource in the continuing development of graduate students and professionals, and these have already proven highly effective in teaching cross-cultural psychology to undergraduates. Fostering commitments to standardized self-study and to applications of experiential learning is currently not likely to flourish due to complex academic and epistemic traditions, discussed as six cultural self-masking factors. A specific self-study protocol is offered to provide a beginning point for generating improved reflexive methods and for individual trial use. Through disciplined reflexivity, benefits might emerge in the form of better bias control in research, enhanced external validity, and a new theory about the interplay of investigators' self-knowledge and the conduct of cross-cultural research.     

Towards a Cultural Analysis of the Modern Family: Beyond the Revisionist Paradigm in Japanese Family Studies

Under the influence of the "new history of the family" of the past few decades, a revisionist view of the "modern family" has emerged among family theorists in Japan. In spite of the significant merits of this new paradigm, I have argued that the failure of its proponents to address certain theoretical and presuppositional issues has discouraged a cultural analysis of the modern family. In recent years, one of the foremost theorists to attempt to bring cultural analysis fully into sociological discourse has been Jeffrey Alexander. I have drawn extensively on Alexander's discussion of Durkheim's later thought as the key to a cultural program in the field of sociology. In doing so, I have suggested that one effect of the transition to modern society is the sacralization of what Durkheim termed the "domestic order". Furthermore, in considering the mechanism by which the central emotional axis of the family comes to revolve around either the parent–child bond or the conjugal bond, I have postulated the existence of a "sacred" dyad—in the Durkheimian sense—within the family unit.     

列宁关于文化革命的实践对我国精神文明建设的现实启迪

列宁晚年的文化革命思想内容十分丰富，对我国社会主义初级阶段的精神文明建设具有重要的指导作用，而我国现阶段的精神文明建设又是对列宁文化革命思想的继承和发展。     

民国时期江南农村信用合作社述论

上世纪二三十年代 ,为挽救江南农村经济 ,在国民党政府的倡导下 ,江南农村信用合作社兴起并发展起来。江南农村信用合作社在组织、经营和监督上有自身的特点 ,它对江南农村经济的复苏起了一定的作用 ,但不能从根本上解决江南农村经济中存在的问题。     

文化素质教育:科学教育与人文教育融合的起点

促进科学技术教育 (简称科学教育 )与人文教育的融合 ,是 2 1世纪高等教育改革与发展的必然趋势。本文认为 ,文化素质教育是在新的历史时期促进我国科学教育与人文教育融合的切入点。作者在此基础上对如何在高校推进文化素质教育作了若干探讨     

论赛珍珠非小说作品中的文化精神

赛珍珠是一位精力充沛因而多产的作家。除创作出成功改变了西方人心目中的中国和中国人形象的小说，她也写过许多非小说作品，发表大量的演讲辞。这些作品在精神上与她的小说创作的宗旨是吻合的，它们体现了她毕生所倡导的差异共存和互相尊重的文化精神。     

文采风流今尚存——曹雪芹氏族文化研究提纲

为纪念曹雪芹逝世240周年，应当对这位特立独出的中国伟大小说家在以往研究的基础上作出新的审视和理解。本文认为，曹雪芹的文学成就并非个人的才华所至，而是一种氏族文化特色的丰厚积累的高层造诣。本文即以此为出发点，提出应从氏族文化的角度纵观弘览，方能认识曹雪芹的才华、造诣是一种三千年的中华文化珍贵积累；若将他“孤立”起来，把《红楼梦》视为一个“个体”的一时的偶然的文艺产物，必致失于肤浅甚至走样失实。本文从周初武王克商为始，以“诗礼簪缨”为表现为脉络，论证了曹氏自周初至明末的曹姓氏族文化概貌、文化特点，抉示了他们的“门风”“世德”——即曹雪芹开卷即特笔标出的“诗礼簪缨”之族的具体历史内容及其意义，从而显示了《红楼梦》是中华文化小说这一命题的实义。     

价值重估的尺度──论五四人学思想及其现代意义

五四新文化运动是一场价值重估运动。五四新文化运动重估一切价值的尺度是什么？在这个问题上，中国学界一直缺乏必要的认识，因而导致了对新文化运动阐释的许多混乱。其实，五四新文化先驱者们的实践早已证明：人，是五四新文化运动的基本出发点和最终目的，也是重估一切价值的最高价值尺度。五四新文化运动的先驱者们用以比较和判断东西方文明优劣的价值标准不是别的，是个人的独立、自由和权利。这是新文化运动的基本态度，因此也决定了新文化运动的根本性质。正因为这样，新文化运动才在中国文化史上具有了划时代的意义。