美国高校价值观教育的实现途径与启示

大学生价值观教育问题是高校思想政治教育中的一项重要内容.美国通过导师制、课程设置、学校管理和校园文化等全方位渗透的教育方式,使高校价值观教育取得了很大成效,也给我们很多启示.借鉴美国的经验,通过提升价值观教育的德育地位、变革教育观念、实现以人为本、加强校园文化建设、从传统中汲取营养等方法和措施,可改进我国高校的价值观教...     

作为非政府组织的美国智库与公共政策

智库是指那些独立于政府、利益团体以及政党等力量从事公共政策研究的组织。它具有非政府性、非营利性、非党派性、客观中立性以及中介性等特征。美国的传统智库包括学术型智库和合同型智库,而六七十代产生的当代智库大多数具有意识形态性质,属于倡导型智库。美国智库在公共政策领域具有很重要的影响力,在政策研究、政策倡导、政策网络、政策评估中都发挥着重要作用。     

取代三联吡啶光度法测定铬(Ⅵ)

研究了 6 ,6″—二甲基— 4′—苯基 - 2 ,2′ :6′ ,2″—三联吡啶 (TPY)与Cr(Ⅵ )的显色反应。在pH5 .0 6 .2的HAc -NaAc介质中 ,Cr(Ⅵ )与该试剂形成稳定的橙色络合物 ,其吸收峰波长λmax=36 7nm ,表观摩尔吸光系数为 1.72× 10 5L(mol·cm) -1,Cr(Ⅵ )浓度在 1.3～ 76 μg/L内服从比尔定律。精密度和准确度实验结果表明 ,该方法准确 ,可用于环境水及电镀水中铬 (Ⅵ )的测定     

中国城市化进程中影响CO2排放的政策分析

城市化进程是中国CO2排放快速增长的重要影响因素。基于自回归滞后(Autoregressive-Distributed Lag, ARDL)协整模型, 重点分析了政策因素在城市化进程中对CO2排放的影响。ARDL方法更稳健, 更适合对小样本数据进行分析。ARDL协整模型构建中以人均CO2排放量为因变量, 以城市人口占总人口比重、第二产业占GDP比重、城镇固定资产投资占全社会固定资产投资比例、政策变量等作为自变量。基于1978-2010年的样本数据所得到的研究结果显示:中国1997年节约能源法的颁布对CO2的排放起到了有效的抑制作用;同时, 城市人口比例的增长是影响CO2排放快速增长的最重要原因。因此, 制定针对城市人口增长的节能减排政策, 例如鼓励实现节约型的能源消费模式, 对实现中国CO2的减排目标具有重要意义。     

基于csQCA的P2P网络借贷平台信用影响因素

针对P2P网络借贷平台成交量及数量减少的现象,运用网络爬虫技术等方法,获取了上市系、国资系、风投系、创业系4个类别共40个P2P网络借贷平台的实际数据;建立了基于品牌信用、交易信用、人气信用、服务信用4个维度的P2P网络借贷平台信用评估模型;运用csQCA方法对其平台信用影响因素进行构型分析。研究表明:交易信用中的信息透明度是影响P2P网络借贷平台信用的主要要素,其次是品牌信用中的合规程度;高品牌信用是上市系和创业系P2P网络借贷平台高信用值产生的必要条件;高交易信用是国资系P2P网络借贷平台高信用值产生的必要条件。政府和P2P网络借贷平台应重点关注品牌信用和交易信用的变化,为借款人和出借人营造良好的交易氛围。     

从《父子之间》看早期生活对奈保尔文学创作的影响

《父子之间:家庭书信集》为我们研究奈保尔提供了最为真实可信的历史材料。通过分析这部家庭书信集,揭示出作家少年时代特立尼达生活的"文化悬挂",青年时代留学英伦经历的"文化祛根",以及父亲在文学上对儿子的影响;所有这些对于奈保尔精神气质和文学理念的初步形成,有着不可低估的作用。更重要的是,作家后来的"文化无根"状态,与这一时期的生活有密切关系。对这部书信集的研究,是全面了解奈保尔的必要起点。     

A Lower Bound for the Wrap-around L2-discrepancy on Combined Designs of Mixed Two- and Three-level Factorials

The objective of this article is to study the issue of employing the uniformity criterion measured by wrap-around L₂-discrepancy to assess the optimal foldover plans. For mixed two- and three-level fractional factorials as the original designs, general foldover plan and combined design under a foldover plan are defined, and the equivalence between any foldover plan and its complementary foldover plan is investigated. A lower bound of wrap-around L₂-discrepancy of combined designs under a general foldover plan is obtained, which can be used as a benchmark for searching optimal foldover plans. Moreover, it also provides a theoretical justification for optimal foldover plans in terms of uniformity criterion.     

二维奇异非稳态问题有限元解的误差估计

二维奇异问题的有限元方法是实际中经常会遇到的一类问题,对其解决有重要意义.本文讨论二维奇异非稳态问题的有限元方法,证明了弱解的存在唯一性,并给出有限元解的加权L2-模估计.     

On gart's test for interaction of second order

Gart (1972) ottered a Statistic on testing the hypothesis of no second-order interaction in a 2×s×t contingency table. The statistic was tn be used as an asymptotic chi-square with (s-1) (t-1) degrees of freedom. We show that this statistic suiters from the drawback that unless certain side conditions hold, the statistic would reject the null hypothesis with probability approaching one asymptotically even in the null case. Hence the statistic is not strictly valid for the hypothesis for which it was intended.     

RIDICULING THE ‘WHITE BREAD ORIGINAL’

The 1994 US Supreme Court decision in Luther Campbell et al. v. Acuff-Rose Music, Inc., written by Justice David Souter, reversed a lower court decision and argued in favor of the rap group 2 Live Crew's playful critique of Roy Orbison's ‘Oh Pretty Woman’ by its function as parody. This essay seeks to contextualize that decision by showing the roots of 2 Live Crew's recording in the practice of ‘covering’ – the re-recording of an existent popular composition – and thus the possibilities for redefining authorship that arose with the advent of digital technology. The compositional techniques allowed by computer programs led to the proliferation of sampling in the hip-hop community, thereby liberating sounds from the original content and reconfiguring them in new songs. The technique allowed a critical, and in some cases adversarial, stance to be taken towards long-standing Western definitions of authorship and ownership. 2 Live Crew added to this rich stew of possibilities the familiar and time-tested genre of parody. Their piece took what one judge referred to as the ‘white bread original’ of the Roy Orbison record and twisted about the implicit point of view with regard to gender and sexuality. Discussion of the legal complications that followed upon the suing of the group by the holder of the copyright in the Orbison song, Acuff-Rose Music, Inc., includes the apparently sanctioned use of the song in the Disney-produced film Pretty Woman as well as the use of other Orbison material in director David Lynch's Blue Velvet. The essay concludes with suggestions as to how the language of Justice Souter's decision allows not only for future parodies but also a reinvigoration of speech, one which calls into question power relationships codified in US copyright statutes.