Dressing and Undressing the House

Based on anthropological fieldwork within a museum collection, this article discusses the changing nature of the rural household in central Romania. Through a detailed examination of its interiors, it provides an understanding of local perspectives on traditional households. Tracing the historical process of undressing and remaking this space, the article highlights the shifting local attitudes toward domesticity and different sentiments toward the house voiced by source communities and museum professionals. It aims to illuminate the contrasting time-spaces in which rural households are embedded and to provide a context for rethinking this material in the museum setting.     

现代中国瓷上绘画装饰的发展

现代中国瓷上绘画装饰仍然以传承传统为主导,没有真正融入现代陶艺的理念.不再是主流艺术的中国瓷上绘画装饰将向何方向发展?几千年的传统文化孕育了中国陶瓷艺术,现代瓷上绘画装饰必须传承传统;但要获得新的生机,瓷上绘画装饰必须融入时代的发展,体现现代文化;世界文化的大融合是这个时代的特征,吸纳外来文化会让中国现代瓷上绘画装饰更具活力.     

新石器时代彩陶鱼纹装饰特征探析

新石器时代彩陶鱼纹的装饰特征，主要体现在装饰涵义、装饰技法、装饰形式三个方面，装饰涵义是原始先民通过彩陶鱼纹装饰反映出的精神需求．表达了人类自身的希望与渴求；装饰技法是鱼纹在彩陶上的绘制技法．当时人们主要采用毛笔之类的绘画工具进行彩绘；装饰形式包括彩陶鱼纹的构图方式、鱼纹的造型和鱼纹的组合形式。     

The architectural form and landscape as a harmonic entity in the vernacular settlements of Southwestern Saudi Arabia

The paper aims to describe the architectural form and landscape as a harmonic entity in vernacular settlements of southwestern Saudi Arabia. The qualities of vernacular settlements and their integration and responsiveness to the physical, social, economic and cultural environment are demonstrated in this study. The socio-economic activities and customs in southwestern Saudi Arabia are presented as part of the historical process. The paper looks at the major elements of the vernacular villages and landscape as cultural-specific images. While appreciating this, the author laments the way this harmony has been disrupted not least aesthetically as a consequence of modernism which had an impetus on changing life style and social expectation. The cultural-specific images involve direct relationships between the architectural and urban forms as systems and events that are taking place in or around that form. One thesis is that each element of the vernacular village and landscape is linked to an image that shapes and influences human behavior and appreciation, thereby helping to shape larger environmental patterns. Beyond the meaning that specific elements inherit, they have functional and economic values. As a result, their visual qualities are believed to be effective in enhancing behavior through their visual attributes. One of the most important conclusions is that, there are many features of modern village extensions and landscape elements that enhance the interaction with the physical environment that ordinary citizens value, and there are elements of the vernacular villages and landscape that people regret to lose, such as ‘qasabahs', weekly markets, cultivation of terraces, etc. This is inspite of today's, modern planning and design techniques that are being sought to produce new architectural forms and landscape elements. Any attempt to substitute vernacular forms without taking into account the values that the older forms held is considered a failure of adopted modernist attitudes.     

建筑批评中空间符号三角模型的构建及其应用

在奥格登和里查兹符号三角理论的基础上,可以构建了空间符号三角模型,并将其拓展到建筑批评的研究中,以使建筑批评中内容、形式和意义之间相互矛盾乃至相互对立的关系得到和解,为建筑批评构建了一个清晰的基本框架与参照体系.     

释家文化与中国古桥关系探析——以潮州湘子桥为例

释家文化自进入中国以来,对中国社会的影响广泛而深远,在中国古桥建设中,释家文化中的积德行善、普渡众生、吉祥祈福等思想起到了重要的作用。潮州湘子桥历史悠久,是中国著名古桥之一,其身上凝结了丰富的传统文化信息,关于湘子桥与释家文化关系的分析研究对于说明释家文化对中国古桥的影响有一定的作用。     

周原强家墓地双鸟戈形玉饰的定名及其它

周原遗址黄堆强家西周墓出土的双鸟戈形玉饰，在以往周原遗址发掘中未见。如何命名和认识这件器物的功用及价值，对西周玉器的研究无疑具有重要作用。这件玉器应定名为双凤玉戈干首，是旗竿顶端的装饰物，非实用器，其功用既有祥瑞之意，也是等级身份的象征，时代约在西周中期的孝夷之世。     

建筑装饰行业电子商务应用系统的设计和实现

根据电子商务的一般应用模型并结合我国实际国情 ,提出了建筑装饰行业电子商务应用模型 ,并据此应用模型 ,提出了该模型设计原则及实现方法。     

建筑设计课程教学改革与思考

在总结建筑设计课程存在问题的基础上,提出创造性思维模式培养、与相近专业融贯的观点,对教学模式中设计前期和过程中的改革实践进行了介绍,对教学中引入实际项目以及教师在教学中角色的转变也进行了探讨,以期进一步提高建筑设计课程的教学与研究水平。     

岭南传统建筑装饰雕塑艺术的关学特征

岭南的传统建筑装饰雕塑艺术具有自己独特的风貌,有着重要的民俗学、民族学、历史考古和文化人类学的价值和意义。在科学和信息高速发展的今天,人们的自然观、价值观和审美观都发生了巨大变化,在现代文明对传统文化冲击的浪潮中,岭南的建筑装饰雕塑艺术同样不可避免地经受着考验。因此,对岭南传统建筑装饰雕塑艺术的表现形式、艺术特色以及美学特征进行深入的探索和研究,对于继承和发扬民族民间艺术的优秀传统文化显然有着十分重要的意义