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11.
王文涛 《湖南科技大学学报(社会科学版)》2005,8(2):23-26
美国哈佛大学已故教授史华慈是当代最著名的现代中国问题研究专家,其名著<中国的共产主义运动与毛泽东的崛起>是其博士论文并是其成名作.该书中,史华慈首次提出"毛主义"的学术范式,对其形成、内涵和意义进行了最早的论证.他强调"毛主义"在革命的理念上与斯大林主义有着明显的差异,毛主义是"由农民所进行的革命",而不仅仅是"为了农民而进行的革命".前者强调农民自身就是革命的主体、性质和动力,而后者则只把农民利益当作革命的重要目标之一.显然二者的意义有着本质的不同.史华慈的这些论点对西方毛泽东研究领域影响极大,并引起了广泛争论. 相似文献
12.
本文根据四川的自然条件和国内的小麦育种现状,从育种途径、育种目标、亲本选配、杂交后代选择以及株型等方面阐述了我省今后的小麦高产育种策略,提出了培育“连续优势型”品种的战略设想。 相似文献
13.
In this article, the ruin probability is examined in a discrete time risk model with a constant interest rate, in which the dependent claims are assumed to have a one-sided linear structure. An explicit asymptotic formula is obtained for the ruin probability. Generalized Lundberg inequalities for the ruin probability are derived by martingale and inductive approaches. 相似文献
14.
A simple computational method for estimation of parameters via a type of EM algorithm is proposed in restricted latent class analysis, where equality and constant constraints are considered. These constraints create difficulty in estimation. In order to simply and stably estimate parameters in restricted latent class analysis, a simple computational method using only first-order differentials is proposed, where the step-halving method is adopted. A simulation study shows that in almost all cases the new method gives parameter sequences monotonously increasing the Q-function in the EM algorithm. Analysis of real data is provided. 相似文献
15.
AK Thompson 《Social movement studies》2020,19(5-6):537-555
ABSTRACT Although rarely considered within the existing scholarship on social movements, even a cursory analysis of protest activity suggests that movements regularly invoke historical citations (whether consciously or not) while working to clarify aims and mobilize constituencies. In order to make sense of this process, and to account for the variations that arise among the different citation modalities favored by movements on opposite ends of the political spectrum, I draw upon the theoretical contributions of Marxist cultural critic Walter Benjamin and, in particular, on his exploration of ‘wish images’ and ‘dialectical images,’ their attributes, and their interrelationship. According to Benjamin, such images summoned the past either to project visions of future happiness (as with the wish image) or to deposit the witness before a moment of decisive, present-tense reckoning. After outlining the role of historical citation in social movements and in the broader cultural field through which these movements find expression, I analyze two recent protest events – the ‘Unite the Right’ rally in Charlottesville, VA, in which wish images were actively deployed, and the 2017 Women’s Strike in New York City, where a dialectical image arose from the constellated nodes of the march’s route – to consider the relationship between citation modality and protest outcome. Following from this analysis, and in keeping with the unapologetically partisan nature of my investigation, I conclude by advancing some strategic recommendations for movements seeking – as Benjamin once enjoined – to ‘improve our position in the struggle against Fascism.’ 相似文献
16.
AbstractThis essay explores a series of sovereign ‘machines’ – slaves, puppets, automata – in political theory from Benjamin to Agamben. It is now well-documented that the philosophical question of ‘the machine’ – of whether a complex system requires a human operator or whether it can function autonomously – is also a crucial political question that haunts every discussion of sovereignty from Hobbes onwards. However, my wager in what follows is that this machine is not just a metaphor for a metaphysical situation – whether it be rationality (Hobbes), bureaucratization (Weber), neutralization (Schmitt), historicism (Benjamin) or governmentality (Foucault) – but a material phenomenon that carries transformative political promise and threat. To summarize the argument of this essay, I contend that ‘sovereign machines’ like slavery (Aristotle, Hegel, Kojève, Agamben), puppets, automata or clockwork (Descartes, Hobbes, Schmitt, Benjamin, Derrida), lens, optics and mirrors (Hobbes, Kantorowicz, Benjamin, Lacan, Foucault) and so on do not merely reflect but change our understanding of the causal relationship between sovereignty and governmentality, decision and norm, exception and rule. If the self-appointed task of the modern political theorist has so often been to obtain or regain sovereignty of, or over, the machine – to jam its gears – I seek to expose what the later Derrida calls the ‘machine’ of sovereignty itself. In conclusion, I argue that political theory’s attempt to reveal or retroactively invent the sovereign person at the heart of the machine only ends up revealing the sovereign machine at the heart of the person. What – if anything – is really inside the machine of sovereignty? 相似文献
17.
Maurits van Bever Donker 《Social Dynamics》2013,39(1):55-67
This essay poses the question of the ethical in relation to the work of memorialising the University of the Western Cape (UWC) after apartheid. Drawing on Gilles Deleuze’s statement on the ethical in The Logic of Sense and reading its implications through Walter Benjamin’s ‘Theses on the Philosophy of History’ and Jeremy Cronin’s ‘Even the Dead’, I argue that the ethical entails becoming adequate to the fracturing of event, leading to an understanding of the subject effect prior to its stamping by race, gender and identity. The ethical, in this formulation, reckons with the materiality of the past as its weight orders the present. It is this possibility of becoming adequate, of ‘not being unworthy of what happens to us’, which is offered in Ingrid Masondo’s photo-essay on UWC. I read Masondo as offering an encounter with images of the Leibnizian world as they appear at UWC, an encounter that registers alternate trajectories as they are expressed in ‘point of view’. Becoming adequate, here, involves registering the role of UWC (both conscious and unconscious) in the subjectification of persons during and after apartheid. This essay punctuates the rhythm of the memorialisation of UWC, by asking that this weight of the past be reckoned with while articulating alternate trajectories for both the university (and particularly the disciplines of the humanities) and for the understandings of subjectivity that attend to it, a demand that cannot be settled cheaply. 相似文献
18.
李菡 《湘潭大学学报(哲学社会科学版)》2006,30(5):98-101
本雅明的文学批评区分了“批评与评论”,作品的“真理内容与物质内容”;并在弥赛亚救赎的神学思想视野内构想了批评的本质和任务。《论歌德的<亲和力>》一文集中蕴含了本雅明文学批评思想中的神学维度。 相似文献
19.
David Lloyd 《Cultural Studies》2013,27(1):12-32
This essay considers the applicability of postcolonial theory to Irish culture and history. It develops the concept of multiple rhythms or temporalities of social struggle for which only that of nationalism is determined punctually by the struggle for the state. The domination of Irish historiography by state-oriented narratives occludes the histories and the formal or organizational aspects of other forms of social movement, such that the postcolonial project is directed simultaneously towards the mapping of such alternative movements and to the critique of statist historiographies, whether imperialist, nationalist or ‘revisionist’. Where postcolonial theory has tended to emphasize the ‘hybrid’ nature of colonial cultures, this essay prefers to focus on the productive interface between the incommensurable social and cultural formations of colonial modernity and colonized non-modernity. At this interface emerge continually both new subaltern social formations and practices, which cannot be understood as ‘traditional’ and new forms of colonial state institution that are summoned into being by anti-colonial practices, for which the model of an advanced state coming to bear on a backward population is clearly inadequate. The essay draws from the history of agrarian movements in Ireland and banditry in the Philippines and from contemporary techniques of state surveillance and resistance to it in Northern Ireland. 相似文献
20.
《Home Cultures》2013,10(3):287-309
ABSTRACTIn Central Slovakia, homes “grow” and get cluttered with age. Cabinets and closets are used to house this profusion of possessions. However, their very role as containers for precious and meaningful objects—such as expensive cut glass or family heirlooms—gives them a poetic and symbolic weight that belies their modest appearance. Based on anthropological fieldwork, this article investigates how practices of collection, storage, and display of particular genres of domestic objects create spaces of intimacy in the home that work to perpetuate a sense of family history amongst middle-aged Slovaks in and around the provincial town of Banská Bystrica. Inspired by the historiography of Walter Benjamin, as well as his biographical writings, the focus of the study lies on the relation between memory and material culture in the home. Rather than relying on narratives of consumption and aesthetic choice recently popular amongst anthropologists studying domestic decor, it forms an attempt to reengage with literature that looks to the home as a site for the poetic imagination in order to grasp sentiments that are rarely verbalized. 相似文献