关于当代小说创作的思考——论影视影响下的创作主体和小说主题

大众文化的兴盛带来了影视的繁荣，影视的繁荣直接影响到当代的小说创作，作家们的创作观念与创作内容发生了深刻的变化。创作时更加重视小说的通俗化和可读性，自觉地追求小说的影视化效果，小说的主题由原来注重对人类复杂的心灵图景和精神世界的探索，而转变为对普通百姓日常生活的细致描摹，书写人的本能，展示人的欲望，内容平庸，主题变得朦胧、肤浅。因此创作主体在影视文化的夹缝中保持自己文学创作的独特性，维护独立的文学精神，显得尤为重要。     

文化创意产业视角下的山东影视业发展对策

文化创意产业浪潮为山东影视业带来机遇与挑战。山东影视业既享有政策扶持以及体制改革、内容创新所带来的广大发展前景,也面临来自自身及国内外同行的挑战。只有在理念、体制、内容等方面不断创新,山东影视业才能在竞争中立于不败之地：作为核心要素的鲁剧创作要实现不断创新与跨越式发展;作为资金保障的投融资渠道需拓展,体制需完善;作为未来发展重点的后影视产业开发更亟需借鉴与创新。     

影视动画的思想政治教育功能及实现途径

影视动画作品因生动、直观的特点深受观众的喜爱,其思政教育功能也具有较其他载体所无可比拟的优势。我国的影视动画作品一直都肩负着思政教育的功能,通过资料收集和整理指出不同时期我国影视动画作品的思政教育功能及其表现,并通过分析近年的国产影视动画作品资源,得出目前作品教育功能弱化这一论点。针对思政教育功能弱化的具体表现,探讨了创作者如何借鉴中国传统文化之精髓强化影视动画寓教于乐的功能,尤其是对未成年人价值观教育的功能。     

论中国电视综艺节目中的公共领域概念

针对电视综艺节目公共领域问题的争论,从理论上分析了考察传媒公共领域的伦理维度,阐述了电视综艺节目公共领域的存在形式,进而提出平民大众的变化与成长使电视综艺节目建构公共领域具有了可能性,平民大众追求一种自由和善的生活是电视综艺节目公共领域的内涵,情感共鸣、认同与形塑是其表现形式。     

河北省普通高校影视课程调查研究

对河北省20所普通高校的影视课程进行调查研究,发现主要存在课程目标各不相同、课程内容各自为政、教学方法贫乏单一、课程考核简单随意、课程评估形同虚设五方面的问题,为了促进河北省普通高校影视课程的建设和完善,必须统一课程目标、规范课程内容、丰富教学方法、细化课程考核、改进课程评估。     

Risk and the Media: A Comparison of Print and Televised News Stories of a Canadian Drinking Water Risk Event

This article explores the utility of using media analyses as a method for risk researchers to gain an initial understanding of how the public may perceive a risk issue or event based on how it is presented and communicated in news media stories. In the area of risk research, newspapers consistently provide coverage of both acute and chronic risk events, whereas televised news broadcasts report primarily acute risk events. There is no consensus in the literature about which news format (print vs. televised) may be better to study public conceptualizations of risk, or if one format (e.g., print) may be used as a surrogate measure for another format (e.g., televised). This study compares Canadian national televised and newspaper coverage of the same risk event: the E. coli contamination of a public drinking water supply. Using a content analysis, this study empirically demonstrates the overall similarity in story content coverage in both televised and print coverage, noting that televised coverage promotes primarily emotional story themes while print coverage tends to also include coverage of analysis and process. On this basis, the research draws two conclusions: 1) given its more comprehensive coverage, newspaper broadsheets may provide a better measure of media coverage of a risk event than televised coverage (if only one format can be studied); and 2) when the risk area of interest is chronic, and/or if the scale of analysis is at a community/local level (i.e., when it is unlikely that archived televised coverage is available), then a researcher may find the print media to be a more useful format to study.     

Rehearsals in Citizenship: BBC Stop‐Motion Animation Programmes For Young Children

This paper examines new managerial discourses and practices in which the dialectic of labour is reconstructed as a series of acts of self‐understanding, self‐examination and “self‐work”, and through which the “self qua self” is constituted as the central object of management technologies. We interrogate concepts such as “excellence”, “total quality”, “performance”, “knowledge”, “play at work” and “wellness” in order to decipher the ways in which managerialism deploys what we term therapeutic habitus, and projects a new horizon of “human resourcefulness” as a store of unlimited potentialities. We invoke management’s wider historical–cultural context to situate managerialism within the framework of modernity as a cultural epoch whose main characteristic is what we term “derecognition of finitude”. It is the modern synthesis — with the “self” at the centre of its system of values — that provides the ground for current elaborations of subjectivity by managerialism. The paper examines how current vocabularies and practices in organizations use “work” to rearticulate discursively the human subject as an endless source of performativity by configuring work as the site of complex and continuous self‐expression. Management thus acquires a new discursive outline: instead of appearing as an authoritarian instance forcing upon workers a series of limitations, it now presents itself as a therapeutic formula mediating self‐expression by empowering individuals to work upon themselves to release their fully realized identity.     

电信与广电业务融合及其走向

电信与广电的业务融合受到多方面因素的制约，融合模式值得探索。从业务融合形态出发，基于电信与广电在业务融合中的优势、劣势，分别就电信与广电融合的业务模式、合作模式、盈利模式进行分析并提出建议，指明电信与广电业务融合模式的方向。     

西部影视文化研究说略——代“西部影视文化研究”栏目开篇语

"西部影视"是相对于"中国影视"外延而言略小的一个概念,"西部影视文化研究"则包容了电影电视艺术研究的所有命题与范畴,研究重点在于涉及西部影视文化艺术现象的所有对象,突出地探讨电影电视创作和理论发展中的新现象、新经验。栏目的学术定位为影视艺术的专业性研究园地,刊发在当今中国影视艺术研究领域具有前瞻性、指导性、独创性学术观点的论文。     

策划时代说策划 --中国电视节目策划的缘起及其作用

人们都说当今社会是"信息的时代",是"知识经济的时代",同时又是"策划的时代".在这样一个时代里,策划正扮演着越来越重要的角色.那么,什么是策划?什么是电视节目策划?中国的电视节目策划又是在什么条件下和怎样兴起的?在今天,面对中国入世后的严峻挑战,中国的电视节目策划应该担当起怎样的重任?这些正是本文所要探讨和说明的问题.