韩非政治权术思想初探

韩非是我国古代法家思想的代表,由于他的强国思想不能得到韩王重用,因此精力用于对政治的研究,他的权术理论贯穿于他的政治思想的始终,君本思想与对术的偏爱便构成韩非学说的基本内容。本文从韩非的人性观入手对其权术思想作以探讨。     

韩非"忠"思想研究

韩非基于战国时期的历史条件,对前人"忠"思想做了批判总结,并从法家立场出发,对"忠"规范做了新的界定,使得原本内涵相当丰富的"忠"规范在他这里几乎完全归结于"忠君",而且,他还将"忠"规范纳入"法"的轨道,强调重视"忠",但更应"明法","忠"法"并举思想对秦国政治产生了深远影响.其君本论"忠"思想一提出,立即得到统治阶级热烈欢迎,在中国推行了两千余年.     

《明妃曲》文化意蕴解读

《明妃曲》二首饱含着王安石对社会人生的慨叹,具有很强的哲理性。它对昭君命运进行了新的评价,倾注了作者满腔的同情和赞誉之意,因而该诗立意新颖且迎合了北宋天下太平歌舞欢娱佳人侍奉的时尚,而为毛延寿翻案是王安石反传统精神的集中体现,同时诗中还批判了汉元帝好色、不识人才的本性。《明妃曲》在描写昭君形象及寓事于议论等方面充分显示出其艺术奇特的一面,历史存在与当代意义的结合是该诗真正魅力所在。     

Beer and Tea: Harmony and Contradiction Among Two Unlikely Counterparts

This essay begins by examining the representations and interpretations of women and men in two sets of images: the Women's Institute Alternative Calendar and a television commercial for Guinness beer. Both of these compositions are exceptional in their own right, and have captured the imaginations of wide audiences. Taken together, the counterpointing of culture and nature, serenity and intensity, and feminine charm and virility creates a montage of images that both reflect and represent traditional forms of femininity and masculinity. This essay draws on a variety of sociological and interdisciplinary theoretical approaches, with an emphasis on the storied nature of lives, sexuality, and life change. C. Wright Mills declares that the sociological imagination is necessary in order to grasp history and biography and the relations between the two within society (Mills, 1959, p. 6). The author's aim in this essay, following through on Mills's idea, is to provide insight into the lives of earlier cohorts of women and a glimpse into how personal and social change comes about.     

略评韩非非道德政治观

韩非反对道德主义的政治观,认为政治的目的不是追求道德上的良善,而是争取国力强盛,维护君主的权势。韩非的非道德政治观超越了先秦其它思想家的道德政治观以及贤人政治理论的局限,肯定了追求利益行为的正当性。     

话本小说与江南文化

话本小说与江南文化有着很深的渊源关系。江南文化对话本小说的内容及艺术都有影响,同时还存在消极作用。      

Telling a modest story: accounts of men's upward mobility from the National Child Development Study

While the pattern of social mobility in postwar Britain has been extensively studied, revealing considerable upward mobility, much less is known about the subjective dimension to mobility. In this article, we employ a new sample of in-depth interviews with 50-year old men from the National Child Development Study to examine in detail the link between objective mobility patterns and the way the upwardly mobile narrate their life trajectories. In contrast to the mobility ideology suggested by the Oxford mobility survey of the early 1970s, in which the upwardly mobile recognized and internalized their success as a project of the self, we report how members of this later generation of men with highly successful careers prefer instead to articulate 'modest' life stories. By treating the career as a narrative device, we are able to show how the disavowal of the dominant, linear hierarchical career model by these men allows them to tell particular and distinctive stories which establish their individuality and personhood, while, paradoxically, recognizing the cultural power of the dominant model. In particular, we highlight the use of 'linear contingent' narratives by these men, in which specific events, especially those connected with occupational and geographical transitions, are deployed as contingent thresholds to mark out key shifts and passages in their lives. We then compare their accounts with those of immobile and downwardly men, who instead deploy 'ghostly' stories, preoccupied by the past, or defensive accounts, displaying unease with their failure to live up to the expectations of the linear career model. Having shown that men's accounts of mobility are suffused with an awareness of their need to establish their own individuality through repudiating the social trope of the instrumental careerist, we conclude that the links between career identities and objective mobility patterns are not straightforward and need careful unravelling.     

废名新诗理论与中国“自然”诗学传统

废名新诗理论与传统"自然"诗学有着极深的渊源,主要表现在其提倡情感的自然性、感兴的当下性、境界的不隔性以及主体的自由性等方面.度名自觉接续古代诗学生命,带有极其强烈的建构目的,只有从其利用传统诗学资源、创造现代新诗学的"目的论"角度,才能真正理解废名诗学的理论意义.     

青年学生的彷徨:五四社会主义论战中的费觉天

青年学生的思想自然未成型,很容易出现转变且其思想内容复杂。以五四时期社会主义论战为场域,对参加论战的北京大学学生费觉天的思想进行研究,可知他曾经是社会改良主义者中之一员,但其后来又公开与之论争,明确地反对社会改良主义者的主张,他的不少观点形似马克思主义,而且深受马克思主义者的影响,但他却反对马克思主义的阶级斗争学说并对唯物史观进行了系统地批判。通过对费觉天思想的研究,能够对当时青年学生的思想有一个比较清晰的认识,同时也有助于重新审视五四社会主义论战中的某些定论。