金秀大瑶山各族群语言使用状况的调查 --对统计数据和问卷数据的分析

随着人口流动的加快和族际交往的日益频繁,广西金秀大瑶山各族群的语言使用状况正发生显著的变化,一定比例的瑶族成员已经不会瑶语,而瑶、汉、壮等族成员普遍具有使用多种语言进行社会交往的能力。在族际交往的过程中,汉语方言(主要是桂柳话)目前仍维持着强势的地位,并成为大瑶山各族群人口重要的通用语言。     

洞口方言研究综述

文章从通论性研究和专题性研究包括洞口方言的分区分片研究、语音研究、词汇研究、语法研究和方言与文化研究等各方面对洞口方言做了较为全面的综述,并对洞口方言今后的研究提出看法。     

湘语邵阳话中量词的“AXA”式重叠--兼谈量词“AXA”式重叠的方言类型学意义

邵阳话中量词“AXA”重叠武的形式十分丰富,能表达多种语法意义,并体现很强的主观性,其语法意义与重叠式中的“x”、量词的次类以及重叠式所充当的句法成分均有着十分密切的关系。与其他汉语方言相比较可以发现,各方言量词的“AXA”重叠式在其内部构成、语法意义等方面既有诸多相同之处,又存在不少差异。量词的“AXA”式重叠具有方言类型学意义,可以为学界将汉语方言区分为北方方言和南方方言的观点提供又一依据。     

明清方言副词探源二则

方言副词"多分"产生于元代,并一直沿用至现代吴语里。它是由处于状语位置上表大体义的名词"多分"逐渐虚化而成的。方言副词"难说"产生于明代,在现代吴语和江淮官话里仍有使用。它的形成,是同义副词"难道"类化的结果。     

佤语马散土语元音松紧对立的声学分析

文章就记音时出现的佤语马散土语中的＂紧元音＂进行了研究,采用声学实验的方法对a-a、ε-ε、i-i、■-■4组元音的区别特征进行了分析,证实了马散土语音点的发音人存在紧元音的例外现象,并通过共振峰的分布验证了语言学家提出的＂紧元音舌位略低于松元音＂的结论。     

河东方言古语词考释

河东方言属于北方方言的中原官话区,保存了大量的古语词。本文举例分析河东方言中的部分古语词,考证其在古文献中的应用状况,从而为汉语史及河东方言的研究提供一定语料。     

Voice quality as a marker of ethnicity in New Zealand: From acoustics to perception1

This study is the first acoustic analysis of voice quality in the two main ethnic dialects of New Zealand English. In a production experiment, narratives from 36 speakers were analyzed and H1‐H2 spectral tilt measures were calculated for each vowel. The results provide instrumental evidence for impressionistic claims about the differing voice quality features of the two main ethnic groups, showing that Maori English speakers are creakier than European New Zealanders. A perception experiment was also carried out to determine the perceptual salience of voice quality for the identification of speaker ethnicity. The results of regression analyses confirm that listeners are sensitive to the phonation differences, and are able to rely on phonation cues in an ethnic dialect identification task. The study demonstrates the role of voice quality as a critical sociolinguistic variable, and highlights the importance of listeners’ previous dialect exposure in terms of sensitivity to prosodic cues. Ko tēnei pūrongo te tirohanga tuatahi ki ētahi āhuatanga o te reo e puta ana i te korokoro o ngā kaikōrero o ngā reo ā‐iwi e rua o te Reo Pākehā i Aotearoa. I tētahi whakamātau i āta tirohia ngā oropuare o ētahi kōrero nō ngā kaikōrero 36, ā, kua tatauria ngā ine H1‐H2 e kīia ana ko te spectral tilt. Ko ngā putanga he taunakitanga mō ngā whakaaro o te tāngata e pā ana ki te rerekētanga o ngā reo o te hunga Pākehā me te hunga Māori, e whakaatu hoki ana he kekē atu te reo o ngā mea e kōrero ana i te ‘Māori English’ i te reo e kōrerohia ana e te iwi Pākehā. He whakamātau whakarongo i whakahaerehia kia kite mena he āwhina tēnei āhuatanga o te reo kia mōhio te kaiwhakarongo ko wai te iwi o te kaikōrero. Ko ngā whakaputanga o ngā tatauranga e kī ana kei te tino mārama tēnei āhuatanga o te reo e puta ana i te korokoro o te tāngata, ā, ka taea ēnei rerekētanga te whakamahi kia whakawehea te tangata Māori i te tangata Pākehā. Nā tēnei ka kitea he āhuatanga motuhake te reo o te korokoro, ā, he mea nui hoki mena kua tino wāia te kaiwhakarongo ki ngā reo ā‐iwi. [Māori]     

湘中曲艺音乐地域特征浅析

以娄底市辖区为中心地域的湘中地区的曲艺音乐,是湖南民间文化艺术中的一朵瑰丽的奇葩.湘中曲艺音乐在曲式调式的基本特征、曲调和方言俚语的结合关系,衬词衬腔的运用、唱奏时滑音、颤音的运用等方面,都有着浓郁的地方色彩.     

陇东方言中的体貌助词“来”

从"普通话——方言——古代汉语"大三角上对陇东方言的体貌助词"来"所负载的四种不同体貌意义进行细致的剖析,并试图回答动词"来"向体貌助词虚化的义理和规律。     

关中方言对果摄开口一等歌韵字的读法

端透定泥来精清晓匣影十声纽多数字读作合口呼,这是关中51处的特点;见溪疑三声纽字,西安、咸阳、渭南、商州等多数方言点读作[γ]韵母,丹凤、洛南、华阴、黄龙、洛川、凤县、宝鸡、麟游、千阳、陇县、富县、定边读作合口呼韵母,凤翔读作[uo、■]韵母,岐山蔡家坡读作[γ、■];关中方言读作[a]韵母的字限于透定影三声纽的＂他大阿＂,＂大＂字在关中中东部白读如＂堕＂或＂唾＂;＂哪＂字在绝大多数方言点音变如＂阿＂,在东部合阳等处音变如＂γ＂;＂那＂字在许多方言点读如＂奈＂。＂舵＂字在关中方言里读作阴平或阳平调,＂左＂字在关中许多方言点读作去声调。