电影产业开发的资源利用与文学选择——以陕西为研究范围

现代意义上的电影产业是不需要投入传统的能源、原材料,却能吸引众多高素质的劳动力,形成高附加值的精神产品的＂绿色产业＂。世界电影产业从发现其潜在的价值内容到自觉投入规范性生产,已有近半个世纪的正常运行轨迹。当下中国电影产业已经步入快速发展期,如何更好地从深度和广度上不断扩展它的价值,首推电影产业开发的观念创新。     

Ethical–aesthetic critique of moral organization: Inspirations from Michael Haneke's cinematic work

This paper looks at the work of the Austrian film-maker Michael Haneke as an inspiration for developing an ethical–aesthetic critique of organization. Haneke's practice of film-making is located in the tradition of an ‘ethical parrhesia’, the courageous and often dangerous ‘truth-telling’, which aims at the transformation of being. Haneke's approach is then illustrated with an analysis of his film The White Ribbon. This example is taken to illustrate an ethical critique of moral organization and for analysing strategies that seek to instigate the open-ended moral reflection. By discussing implications of this form of critique, the paper contributes to the development of a critical aesthetics of organization that seeks to open a reflexive space on how we are formed in social and organizational life, and at what costs.     

电影与文学：一个“艺术概论”课程的教学主题

电影与文学的关系是大学艺术概论课程中无法回避的理论主题。电影与文学在形式、内容、呈现对象及手段等方面具有显著差异，这令它们被归入不同的艺术门类。电影工业的兴起离不开对文学叙事和表现形式的吸纳与运用，也离不开文学家对电影工作的参与。与此同时，电影这一新兴媒介的发展与变迁还在不同历史阶段启发了文学创作，推动文学形态及表现手法的变迁。两者之间的关系，将为理解当代文艺生态的整体状况提供参照。     

普通高校影视教育改革的必要性

近三十年来，在教育部和相关部门的推动下，中国普通高校的影视教育取得了飞速发展，但同发达国家相比，在教育观念、教师素质、教学内容、教学方法等方面仍存在着很多问题，必须进行改革才能解决这些问题。     

Making E.T. Perfectly Queer

In the wake of E.T.'s 1982 debut, film critics Marina Heung and Vivian Sobchack established that the enduring appeal of E.T. inheres in the dissolution of the nuclear heterosexual family over the latter half of the twentieth century and the film's “fairy tale” stand-in for the “mythology of family relations” that Dana Cloud terms “conservative familialism.” As Carl Plantinga puts it, E.T. offers a “virtual solution … to [a] traumatic problem.” Despite this, however, E.T. remains for many an inconsolable tragedy. Approaching E.T. from the perspective of the queer child who grows “more sideways than up,” in the real absence of a fairy tale solution to the traumatic problem of conservative familialism, I here seek to identify and celebrate E.T.'s “complex range of queerness” that has until now remained largely closeted.     

关于当代小说创作的思考——论影视影响下的创作主体和小说主题

大众文化的兴盛带来了影视的繁荣，影视的繁荣直接影响到当代的小说创作，作家们的创作观念与创作内容发生了深刻的变化。创作时更加重视小说的通俗化和可读性，自觉地追求小说的影视化效果，小说的主题由原来注重对人类复杂的心灵图景和精神世界的探索，而转变为对普通百姓日常生活的细致描摹，书写人的本能，展示人的欲望，内容平庸，主题变得朦胧、肤浅。因此创作主体在影视文化的夹缝中保持自己文学创作的独特性，维护独立的文学精神，显得尤为重要。     

高校英语课堂开展影视教学的利弊分析

结合教学实践,对高校英语课堂开展影视教学的利弊进行了分析,认为使用原版英文影视教学为已经具备一定词汇量和语法常识的大学生创造了轻松愉快的学习氛围,解决了听力资源有效性的问题,是学习英语文化的新途径,并为课堂活动的开展提供了生动的素材,在一定程度上也有助于词汇的积累。     

Exclusion of HIV-positive people with disabilities in the media

This current issue piece aims to address the harmful exclusion of people with disabilities in the Iranian media. In a case study, this author collected news related to statistics of HIV-positive people covered by popular news websites written in the Persian language between June 2011 and June 2012. Within the analysed electronic texts, no reference was made to the number of HIV-positive people with disabilities. Under the rubric of critical discourse analysis, one can argue that this lack of representation may also be linked to a more general level of discourse that constitutes the marginalization of people with disabilities. This damaging exclusion both legitimizes and reproduces the ideology that people with disabilities are social minorities who can be excluded to the benefit of powerful people. This current issue piece also discusses the potential negative consequences of excluding HIV-positive people with disabilities from the discourse of HIV/AIDS in the media. Ultimately, the conceivable reasons for the Iranian government failure or refusal to publish the statistics of HIV-positive people with disabilities will be provided. Studies from various countries could shed more light on the exclusion of HIV-positive people with disabilities in the media and the interplay between HIV/AIDS and disability issues.     

梁实秋事件：抗战议题设置与“学术民主”的缺失

梁实秋事件得出的教训,除了议题设置一方没严格按“学术民主”的程序出牌外,其在大众文化传播学意义上的教训必须深刻检讨。这就是：在大众媒介的强势宣传之下,如果掌控舆论强势的一方对不同意见的另一方面施加强大的政治情绪威慑力,并形成指导性主流压力,那么弱势的一方就会感到恐惧和孤独;由于支持他的人越来越少,于是他就只能面临两种选择：一是被迫放弃自己的意见,向主流意见屈服,一是继续孤独、顽抗下去,最终落荒而逃。     

文化创意产业视角下的山东影视业发展对策

文化创意产业浪潮为山东影视业带来机遇与挑战。山东影视业既享有政策扶持以及体制改革、内容创新所带来的广大发展前景,也面临来自自身及国内外同行的挑战。只有在理念、体制、内容等方面不断创新,山东影视业才能在竞争中立于不败之地：作为核心要素的鲁剧创作要实现不断创新与跨越式发展;作为资金保障的投融资渠道需拓展,体制需完善;作为未来发展重点的后影视产业开发更亟需借鉴与创新。