Beyond High School

Abstract

This study examined interpersonal heterosexist discrimination by examining self-reported anti-gay behaviors of heterosexual college students. Respondents were 226 college students; 94.9% had perpetrated some form of discriminatory behavior and 32.7% had committed a behavior that was rated as moderately harmful or higher. A higher amount of self-reported discriminatory behavior was associated with being male, having more homophobic attitudes, and having lower GPAs. Discriminatory behaviors were not related to political ideology, religious influence, or interaction with gay men and lesbians. Neither discriminatory behaviors nor homophobic attitudes were related to academic year, age, membership in a social fraternity/sorority, or membership on an intercollegiate athletic team.     

原版电影听说教学中交际法的渗透

就交际法理论而言,把文化因素和社会因素融会到交际情景中去是外语教学的一个难题.利用真实的视听材料如原版电影安排教学活动,较好地解决了师生教与学中部分教材学习情境的创设问题,丰富了学习情境,为师生教学提供了强有力的支持和服务.由某一话题入手,对影片中出现的语言信息加工处理,用交际性任务来组织课堂教学,使电影、语言素材、教学活动以及涉及到的文化知识、情感态度等有机地融合于教学的整个过程.     

Exploring Gay Male Erotic Art: An Interview with Edward Lucie-Smith

The last twenty-five years have seen the emergence of a transnational gay/lesbian/bisexual/transgender (GLBT)/queer cultural movement unprecedented historically in its scope and openness. This interview with British art historian and critic Edward Lucie-Smith examines the role of gay male erotic art and film within that movement. Taking its start from the centrality of same-sex sexual orientation to the sense of gay identity and the importance of erotic art in validating that identity, it explores the historical, psychological, and social significance of a branch of visual art that until recent decades was not even acknowledged to exist, much less considered an appropriate subject of scholarly interest. By discussing gay male erotic art within a serious art-historical context, the article aims at providing a framework for examining the topic more systematically within the GLBT/queer studies domain.     

从“天使”到“魔鬼”的蜕变对《末路狂花》的女权主义阐释

《末路狂花》是一部典型的女权主义电影,它展示了两位原本符合传统男权理念中"安琪儿"形象的现代女性遭遇的无所不在的男权压迫和她们以"疯狂"的方式反抗男性歧视与凌辱的历程,暗示了"双性同体"的理想女性模式.     

AM混合相Si:P:H薄膜的制备与分析

本文介绍了SiH_4/PH_3混合气体的高频辉光放电法,在硅、玻璃衬底上淀积的掺P氢化非晶硅膜的结构和特性,并对样品作了高温退火试验。应用x射线衍射和红外吸收,对淀积膜的结构性质作了探讨和分析。结果表明,所淀积的是一种微晶——非晶混合相掺P氢化非晶硅膜(AM-Si:P:H),这种膜具有良好的光电性能,较高的掺杂效率。经退火后,光电性能有所改善,是P-i-n太阳能电池所希望的n~ 材料。     

电影《香水》的奇观美学

小说《香水》为读者构建了一个荒诞神奇的黑色童话,影片基于原著进行改编,再现小说中曲折离奇的故事。影片用精致的画面和宏大的交响乐使观众产生强烈的视听感受,在对原著的改编上,除导演原有意义外融入了自己的思考,使观众不再只停留在影片美妙的视听语言和曲折离奇的情节建构上,而对影片进行深入挖掘。本文将从奇观美学的角度,对电影《香水》进行整体的分析研究。     

From leprosy to The Willow Tree: decoding disability and Islamic spirituality in Iranian film

The lack of attention in academic discourse to representations of disability in films from the Middle East has led to an incomplete picture of representations of disability in global cinema. For instance, the diverse meanings of disability in Iranian cinema and the influence of disability on the emergence of Iranian New Wave cinema have been almost completely ignored by scholars. A number of award-winning films from Iran have featured disability as central to their narratives – such as The House is Black (1963), Taste of Cherry (1997), The Color of Paradise (1999), The Willow Tree (2005), and The Painting Pool (2013). Disability in these films serves alternatively as a symbol of spiritual possibility, a mark of marginalization, and a covert social critique. These films examine the emotional, physical, and social implications of disability, while celebrating the cultural power of film to challenge social, religious, and artistic barriers.     

采访在现代电视纪录片中的作用

采访在现代电视纪录片中具有重要作用。这是因为它具有如下功能 :采访影响主题的确定 ,直接构成纪录片的主要内容 ,推动情节发展 ,传达特定信息。因此 ,应该重视采访手段在纪录片中的运用     

电影片名翻译中的创造性叛逆

中西方思维方式的差异是电影片名在英汉两种语言中表现为不同特点的深层次原因,即创造性叛逆在片名翻译中的指导作用以及灵感思维在创造性叛逆中的运用,在电影的片名翻译的过程中起着至关重要的作用.     

等效原则下的片名翻译

作为一种特殊文本的翻译,片名的译文处理有其特殊性,表现在翻译过程中更多地强调译者的主体性。片名的成功与否的标准在于译者是否从整体上把握住了原片的主题,而不是形式上是否等同。等效原则能更为合理地解释片名译文处理中的“另类”现象。