国外女性人类学的发展过程

结构语言学催生了施特劳斯的结构人类学。随后,在女性主义和结构人类学的推动下,以妇女人类学为基础的女性人类学便作为一门新的分支学科产生和发展起来。它先后经历了结构主义和后结构主义这样两个发展阶段。从９０年代起,后结构主义所面临的一些理论难题又使后结构女性人类学开始进行新的反思,这预示着女性人类学将步入新的发展阶段。     

嵇康《声无哀乐论》的主体意识

嵇康《声无哀乐论》不但是音乐的,而且是哲学的,隐含了嵇康对生命哲学中人的主体性的觉醒与价值认同,代表了魏晋士人探索主体性价值的成就。其中所展现的生命意识和主体性认识的新的理论趣味,既奠定了嵇康音乐新解的历史价值,也建构起他所主张的个性自由和逍遥的理想"音乐"人格。     

20世纪末关于中国考古学走向的争论--以俞伟超和张忠培的观点为中心

自20世纪80年代起,中国考古学界出现了对本学科的整体反思.俞伟超与张忠培被分别视为"新派"和"传统派"的代表,他们的争论成为反思中的焦点.分析两位先生的观点及研究论文后,可以发现他们的实际取向相近或可互补.考古学研究应同历史学、人类学更紧密地联合,还是应返回资料本身,建立自己的理论体系?这两种主张以对立的面貌出现有其学术史上的原因.曾为一代学者所熟练运用的多学科结合的研究方法反成为现今学者的未来目标,提示出学科设置乃至社会思潮等对学术研究的影响,这些均是造成上世纪末考古学反思中产生分歧的因素,且对理解中国考古学的未来走向相当重要.     

Anthropological Theories of Low-Wage Work

This review assesses the use of anthropological theories in the examination of low-wage work. Due to the vast differences existing between different cultures in low-wage work, this review focuses on theories that have been applied in Western, and mainly American, contexts. There are primarily three fields from which this literature is drawn: economic anthropology, gender and race anthropology, and theories of power—the last integrates all these theories. Differences and controversies over the applicability of these theories are also highlighted. The review concludes with a conceptual map describing the interrelatedness of these theories and how they explain the realities of low-wage workers.     

What do we call post-apartheid?

In this paper, the author examines the different uses and meanings of the usual expression “post-apartheid.” It has been used extensively in the social sciences, political discourse and the media since the mid-1980s. But what does it refer to, and has it always meant the same thing over the last 20 years? To answer that question, the author reviews the different ways she has used the notion in her research into workers’ forms of thinking and political subjectivities in South Africa since 1996. She distinguishes between its use as a chronological marker, an academic concept open to various problematics and epistemological decisions and a notion used by interviewees under various acceptations. She concentrates more specifically on the sequential implications of the adverb “post” in her work and argues that there have been political sequences in what she (with others) has named “post-apartheid.” She concludes that she intends to stop using this term in order to concentrate on identifying the current political sequence in South Africa.     

英语电影对白的语调功能初探——以“The Sound of Music”（《音乐之声》）为例

本文以电影＂The Sound of Music＂（《音乐之声》）对白为例,从语义和语用角度对英语语调所蕴含的各种意义加以探讨。     

A Comparison of Ambient Casino Sound and Music: Effects on Dissociation and on Perceptions of Elapsed Time While Playing Slot Machines

This research examined the effects of a casino’s auditory character on estimates of elapsed time while gambling. More specifically, this study varied whether the sound heard while gambling was ambient casino sound alone or ambient casino sound accompanied by music. The tempo and volume of both the music and ambient sound were varied to manipulate temporal engagement and introspection. One hundred and sixty (males = 91) individuals played slot machines in groups of 5–8, after which they provided estimates of elapsed time. The findings showed that the typical ambient casino auditive environment, which characterizes the majority of gaming venues, promotes understated estimates of elapsed duration of play. In contrast, when music is introduced into the ambient casino environment, it appears to provide a cue of interval from which players can more accurately reconstruct elapsed duration of play. This is particularly the case when the tempo of the music is slow and the volume is high. Moreover, the confidence with which time estimates are held (as reflected by latency of response) is higher in an auditive environment with music than in an environment that is comprised of ambient casino sounds alone. Implications for casino management are discussed.     

对汉乐府"感于哀乐,缘事而发"的新阐释

根据《乐府诗集》的统计数据 ,汉乐府诗歌中本事和作品共同流传下来的占其总数的 44 %以上 ,班固“感于哀乐 ,缘事而发”的评价确是至评。汉乐府作者的创作动机以自我抒情为主 ,少数为了满足社会需要 ,其传播方式呈现出文事结合的特点 ,有的甚至“文依事存” ,诗文不具备独立传播的资格。分别从创作和传播的角度来看 ,对“感于哀乐 ,缘事而发”的古评可以赋予新的含义。     

吉林林区劳动号子音乐的整理与研究

劳动号子在整个传统民歌中占有十分重要的地位.吉林林区劳动号子也是我国诸多劳动号子中最有代表性的一部分.本文通过对吉林林区劳动号子的形成和发展的分析与研究,为人们进一步认识吉林地区独特的音乐形态提供有关参照.     

结构主义文学批评与二项对立

二项对立是结构主义分析中最重要的关系和最基本的方法 ,它在结构主义文学理论中是个重要概念 ,它被广泛应用于结构主义人类学、结构主义诗学和结构主义叙事学。