中国现代思想史解释模式与革命史观的变迁

在20世纪80年代中期李泽厚提出中国近现代史是“救亡与启蒙的双重变奏”以后,中国史学界对近代以来“造反有理”的革命史观进行反思,以新启蒙话语接续“开民智”;随着90年代初“反激进论”成为压倒性优势,现代化的路向由“破旧立新”转向“传统的创造性转化”;此后反思“现代性”以思考全球化背景下中国“自性”的维度,视角再度转向晚近“传统”,以扬弃革命史观中的合理因素与糟粕。经过否定之否定的发展过程,中国现代思想史解释模式由革命史叙事到现代化叙事,进而转向现代性叙事,革命史观的消解与现代性史观的形成直接推动了中国思想文化界议题和热点的转移。     

论《西游记》的叙事模式

古典文学界对《西游记》叙事模式的研究相对薄弱,本文从叙事方式切入,指出它的叙事模式主要有个性神话的叙事模式、传奇式的叙事模式和程式化的叙事模式。     

从复调理论看《献给爱米莉的玫瑰》

复调理论是俄国哲学家、文论家巴赫金在《陀思妥耶夫斯基诗学问题》一书中最早提出的。本文以此为切入点,对威廉.福克纳的著名短篇小说《献给爱米莉的玫瑰》进行重新解读。解构这篇小说的写作方式,印证了复调小说理论的某些观点——对话,主体性,环境描写和叙述时间。     

论新闻个性的社会文化成因

任何国家的新闻都成长和发展于一定的社会文化土壤之中,并形成鲜明的新闻个性。社会文化对一个国家的新闻个性形成的影响因素主要表现的三个方面：一个国家的政治观念文化镕铸,一个社会的道德价值文化表现,一个民族的叙事体系（思维与表现方式）文化传承。     

法国新小说对中国先锋小说叙事手法的影响

20世纪50年代崛起的法国新小说派对中国当代先锋小说产生了很大的影响。主要表现在弱化小说的人物和情节、“故事套故事”的写法和小说元素的再现三个方面。对中国小说不断融进世界文学的有机成分,形成自己的新的艺术表征具有重要意义。     

反讽：《无名的裘德》的叙事策略

在《无名的裘德》中，哈代成功地运用了反讽这个叙事策略，具体体现在小说的环形结构的安排，全知视角和限知视角的交替使用和叙事距离的控制。反讽策略的成功使用更加深了主题的表现。     

The Power of Stories: Using Narrative for Interdisciplinary Learning in Health and Social Care

This paper discusses the aims, process and outcomes of an interdisciplinary workshop day held for undergraduate students from Social Work, Mental Health Nursing, Adult Nursing, Midwifery and Occupational Therapy courses. The day's activities focused on mental health and were based on the use of service user narrative within three different workshops. The feedback from the students showed that the day was relevant to the curriculum that they were engaged in; allowed them to interact with and explore the perspectives of different professional groups; assisted them in understanding the lived experience of mental health difficulties; offered them the opportunity to consider implications for practice; was enjoyable and added ‘value’.     

The Multiple Relationships Between the Discipline of Social Work and the Contributions of Michael White

Abstract

Michael White, the Australian narrative practitioner, died in April this year. Given White trained in social work and has had a large impact on many social workers, it is timely to investigate the opaque relationships linking White and his work with his discipline-of-origin. The present examination proceeds in three steps. First, a schematic outline of White's intellectual influences and achievements is set out; second, the alignments, as well as tensions, between White's work and his discipline-of-origin are considered; and, third, it is argued that White was informed by, and went on to produce a body of work that further informed, the contesting spirit that is the wellspring of the discipline of social work. This conclusion is reached mindful of the fact that White remained antagonistic to the role played by the professions in general and that he did not identify with the title ‘social worker’ in particular.     

SPEAKING OF BODIES,PLEASURES, AND PARADISE LOST: EROTIC AGENCY AND SITUATIONIST ETHNOGRAPHY

This ethnographic account of a love story of two elite-level bodybuilders addresses the ways in which broad cultural histories are relevant to understanding contemporarily situated problematics of sex and sexual identity. Specifically I argue that strategically placed historical and cross-cultural studies are useful in understanding in this context how: (1) subjects are configured as gendered, sexed, and sexually-oriented; (2) subjects make love; and (3) attempts to remake love outside the episteme of sexuality are confined. The love story, configured as a ‘paradise lost’ narrative, provides evidence suggesting that the occularcentric and muscularcentric practices of bodybuilding within this specific setting combined to offer the featured couple the material grounds upon which to venture temporarily beyond the pleasures circumscribed by the historical shift in subjectivity associated with Modernity. I conclude the piece by looking to the 1960's European revolutionary aesthetic movement of the Situationists to suggest how a ‘situationist ethnography’ might be used to create conditions of possibility for progressive work in the area of sexuality.