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91.
诗人对自然有着与生俱来的虔诚与顶礼膜拜,徐志摩在自然中显得逍遥而拘谨,体现出一种乐观式的悲观情思,而雪莱在自然中显得沉静而放达,渗透着一种悲观式的乐观情怀。他们通过诗歌在一种独特的体验下建立属于他们各自的自然意象群落,并且都带上了强烈的主体意识色彩,其艺术表现方式由此也各具特色。  相似文献   
92.
起源于欧洲中世纪教堂建筑中的哥特艺术,是以建筑实体形式凝固下来的一种文化存在。由于不同时期社会思想的影响和建筑技术的推动,哥特艺术总以不同的姿态和气质出现在各类建筑中。逐渐地,人们对它的情感体验超脱了建筑特定空间。当充满黑暗、恐怖、神秘色彩的哥特小说问世后,哥特艺术开始在音乐、电影等大众流行文化中蔓延。它所包含的内容和意义也在与社会意识和风尚的结合中不断地拓展和延伸。  相似文献   
93.
There is a vast empirical literature investigating the effects of child care costson female employment. Day-care costs are usually treated as a reduction infemale wages and are supposed to reduce a woman's propensity to participatein the labor market. In this paper we argue that an analysis of the effects ofchild care on the employment of mothers in Germany should focus on theavailability rather than the affordability of care, due to peculiarities of theGerman day-care regime. Our empirical findings cast doubt on the effectivenessof the current German day-care regime. Specifically, we question the extent towhich it enables mothers to participate in the labor market.  相似文献   
94.
冯雪峰是“修正主义文艺”批判运动第一阶段( 1956~ 1962)主要的批判对象.作 为唯一的参加过长征的左翼文艺理论家,冯雪峰于1957年遭遇清算,除了他那不合时宜的革命 现实主义理论的启蒙倾向,还有一个重要的原因,就是19世纪30年代已然形成、长期以来没 能解决的宗派主义从中作祟.  相似文献   
95.
In recent decades a style of preparing and drinking tea modelled largely on gongfu tea associated with the Chaoshan region of north-eastern Guangdong Province, China, has been taken up as a contemporary tea art in Taiwan, Hong Kong, the Chinese mainland and elsewhere. This paper draws on fieldwork conducted in Chaoshan to examine gongfu tea as contemporary practice in its home setting. Three aspects are considered: gongfu tea as an everyday practice, as a refined practice, and as commercialised leisure in tea-houses. I argue that, as an everyday practice in Chaoshan, gongfu tea primarily serves to nourish social connectedness with family, friends and associates. It is regarded as an integral part of day-to-day life rather than a tea art. However, some people separate it from the everyday world by cultivating discernment and knowledge with regard to selected aspects, such as high-quality teapots or appreciation of different teas.  相似文献   
96.
Although public relations and marketing trade presses regularly discuss the conflict between the functions (e.g., Ecker, 2013; Havartin, 2013), academic researchers focused on the issue primarily in the 1980s and 1990s. The drop in public relations and marketing encroachment research does not parallel a drop in encroachment in practice, especially in light of today’s social media environment. In fact, historic tension between public relations and marketing intensified with the incorporation of social media into communication efforts. This paper updates the study of encroachment by reviewing the historical views of the topic, proposes ways that social media use has intensified issues related to role encroachment between public relations and marketing professionals, and outlines questions to guide future study of these topics.  相似文献   
97.
This study examines when and why employees engage in external communicative behaviors during the periods of a corporate crisis. Combining a cross-situational factor (i.e., pre-crisis relationship quality) and a situational factor (i.e., crisis-specific perceptions), this study segments internal publics to understand employees’ motivations of becoming advocates for or adversaries of their organization. The results of an online survey demonstrated that employees’ pre-crisis relationship to their organization plays a critical role in encouraging them to advocate for their company; meanwhile, their crisis-perception—whether they feel fewer constraints in solving a crisis—is more likely to make them share negative information externally. Segmented groups of employees with high levels of both relationship and activeness are most likely to engage in both positive and negative external communication behaviors. Theoretical and practical implications for public relations and internal crisis communication are suggested.  相似文献   
98.
对于“无厘头”影片作为一种文化现象的研究很多,但却少有涉及穿插“无厘头”桥段如何对影片造成影响以及如何形成最终审美效果等观影过程的探讨。自电影符号学之后开始出现影片细读和精神分析取向,而德勒兹哲学则试图对传统的精神分析模式进行改造,将电影的观看视为强度流的物质实践活动。基于此,“无厘头”电影的观看可以看作镜头流与观看的观众身体流的汇合。把镜头流视为叙述文本,通过内在于文本的叙述逻辑(符号意指链的断裂/重组)之间张力的解读,在大量的镜头分析中总结出影片穿插“无厘头”桥段、形成审美效果的规律,并在三阶段的区分中分析张力强度与剧情认同程度关系所造成的影片整体审美效果变动。  相似文献   
99.
ABSTRACT

The article examines Anya Ulinich’s graphic narrative Lena Finkle’s Magic Barrel and the novel’s use of visual culture from both the author’s Russian and US American backgrounds. The article interrogates the use of history and timelines, Russian art history and Russian art education in Ulinich’s text. It also analyzes other literary constructs that influenced Ulinich’s novel: US American comics/graphic novels and their use of stereotype, and novels by Russian-speaking Jewish American writers, with their thematized Jewishness.  相似文献   
100.
This study examines how preadolescent African American students in Washington, D.C., used a linguistic practice called ‘joning,’ a style of verbal play similar to ritual insults, in peer interactions. Sociolinguists have focused on how children socialize each other into vernacular styles appropriate for peer group use but often assume that they disalign with social and linguistic norms for classroom behavior. Drawing from a nine‐month ethnographic study that the author conducted in an after‐school program, this article analyzes the structure and function of joning as a vernacular style of African American Vernacular English and its uses in constructing classroom identities. Joning often facilitated student learning, but it was perceived as a socially and physically risky linguistic practice because of its uses as conflict talk in the local community. Focusing on preadolescence as a key stage of language socialization, this article shows how minority students modify peer‐learned linguistic practices to pursue academic success on their own terms.  相似文献   
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