论民族区域自治制度蕴含的当代民主政治理念

民族区域自治制度作为当代中国的基本政治制度之一,也是有中国特色社会主义民主政治的重要组成部分.它不仅具有历史合理性、现实合法性与中国特殊性,而且这一制度本身还蕴含了符合当代民主政治发展的基本政治理念:公平正义、自治共和与集分适衡.     

论新形势下我国民族区域自治制度的发展与完善

民族区域自治制度是我国三大基本政治制度之一,它既是政治制度又是法律制度,这项制度的贯彻落实对推动我国少数民族地区经济社会全面发展起到了积极作用.面时新形势,我国民族区域自治制度存在着自治权未能得到有效实现、民族自治地方获得利益补偿机制不健全和民族区域自治制度贯彻落实的监督机制不完善等问题,这些问题有待于我们加以解决,以实现我国各民族真正的平等、发展与共同繁荣.     

新时期女性作家对女性身体美学的重构策略及意义

在男权社会中,女性身体美学也是由男性的历史之手制造并且是符合其男权中心主义需要的,这种男性的美学表现出对病弱女体的偏爱。新时期女性作家重构了女性身体的美学范式。这一美学重构是通过女性身体的健美与男性身体的丑弱对比．以新的眼光设置女性身体描写的空间来实现的。当代女性作家通过对女性身体形象的重塑,传达出女性建构新的自我的努力。     

在深切体验中建造自己的艺术世界——论蔡世平的旧体词创作

蔡世平的旧体词感受生活的真实,抒写真性情,追求一种终尚自然的艺术境界,建造起一个既丰富又纯净的审美世界,体现了作者关于旧体词创作的独特的审美理念。他的成功是能够给旧体词创作带来重要启示的。     

云南边疆民族区域自治深化运行的思考

以自下而上的视角考量云南边疆民族区域自治中,少数民族权力保障的状况,观察少数民族群体和个人权力是否通过"民族区域自治"制度机制得到恰当的表达和关护,是云南民族区域自治深化运行的必然要求。     

中国现代经典长篇小说的审美构成与艺术贡献

中国现代经典长篇小说的审美构成源自于文学经典审美构成的四个要素,即审美性、时代性、典范性和永恒性,以之审视中国现代长篇小说的经典性及艺术贡献将使我们对中国现代长篇小说的历史地位有更为清晰的认识。     

The powerful relational language of ‘family’: togetherness,belonging and personhood

This article examines the notion of ‘family’ to consider how it may be understood in people's everyday lives. Certain recurrent and powerful motifs are apparent, notably themes of togetherness and belonging, in the context of a unit that the person can be ‘part of’. At the same time, there may be important variations in the meanings given to individuality and family, evoking differing understandings of the self and personhood. I consider these ideas further through globally relevant but variable cultural themes of autonomy and relationality, suggesting the term ‘social person’ as a heuristic device to distinguish the sense of ‘close‐knit selves’ that may be involved in some understandings of personhood. I argue that this version of personhood may be powerfully expressed through ‘family’ meanings, with a significance which can be at least provisionally mapped along lines of inequality and disadvantage within and between societies around the world. These forms of connectedness may be hard to grasp through those theoretical and methodological frameworks which emphasize the (relational) individual. I argue that, in affluent English speaking societies, ¹ there may be little alternative to the language of ‘family’ for expressing such forms of relationality and connection.     

Diaspora as aesthetic formation: community sports events and the making of a Somali diaspora

This paper uses the concept of aesthetic formation to examine the practices through which diasporic imaginations become tangible and experienced as ‘real’. The authors interpret sport as an embodied aesthetic practice through which diasporas materialise, with important implications for identification and belonging. Drawing on ethnographic fieldwork on a transnational community-based sports event, the Amsterdam Futsal Tournament, the paper discusses how articulations of Somali diasporism become tangible and embodied in subjects who participate in this event. The authors conclude that these materialisation practices can simultaneously elicit multiple forms and levels of belonging that also foster a sense of integration and belonging to the nation.     

Distributed intervention: networked content moderation in anonymous mobile spaces

Given recent public focus on the use of digital tools to engage in discrimination and harassment, online platforms have come under increasing scrutiny to address online incivility. Many of these efforts have been critiqued for relying too heavily on technical tools or burdening individuals with the responsibility for reporting inappropriate actions. This research examines practices of digital bystander intervention on the anonymous localized mobile app Yik Yak. Through an analysis of the firsthand experiences of college students in the United States, this research identifies and investigates practices of networked intervention—that is, strategies of content moderation where success relies on collective action. Rooted in a general uncertainty and skepticism regarding reporting tools provided by the platform, findings suggest a preference for intervention practices that depend on distributed responsibility and networked activity. Taking inspiration from research on college bathroom graffiti—a parallel discursive environment—this paper employs the feminist theory of relational autonomy to explore the possibilities and limitations of networked intervention to cultivate individual and collective empowerment.     

现代审美主义救赎刍议

现代工具理性文明对个体精神的物化作用催生了审美现代性,其思想的核心是,艺术对现实的否定与反抗作用能使个体产生一种内驱力,去质疑现代异化文明,寻得精神救赎并重新确立自我。然而,审美现代性把启蒙现代性置于绝对对立的位置,缺乏合理性;发轫于现代性中的审美主义却要消解现代性,否定了自身的存在;审美主义变成“精英”空谈,陷入固步自封、“自恋”的怪圈,丧失了对大众的救赎功能;艺术的泛生活化和货币化颠覆了审美主义艺术救赎的主旨。这就注定了审美主义无法实现救赎,现代人在寻求精神自由时无奈地陷入了绝望的境地。