文化批评的意义与局限

文化批评的兴起有多方面的原因,其存在的合理性与现实价值显而易见。但是,作为一种批评方法,文化批评不过是为文学批评打开了一个新的窗口;而任何窗口都是有局限的,文化批评也必然会遮蔽一些东西。当下流行的文化批评因审美尺度的缺席而走向非文学化,并导致批评与创作的亲缘关系的解体。因此,文化批评的自我检讨已势在必行。     

杨嗣昌旅游理论述论

杨嗣昌的旅游理论是比较系统的 ,它主要包括以下四个方面 :旅游资源的配置理论、风景名胜的评价理论、旅游观赏的审美理论、民俗旅游的开发理论。他同王思任、袁宏道、袁中道等人一起 ,代表了晚明时期我国古代旅游理论发展的一个新的阶段。     

寻找"有意义的另一个人"--论审美活动中的从众心理机制

审美活动是一种社会的行为.审美活动中的社会影响不仅体现在欣赏者审美观念形成的历史过程中,而且也体现在每一个具体的审美进程中.社会促进是影响个体审美进程的一个重要方面,而相比于社会促进,从众行为对审美主体的影响要更广泛而普遍、全面而深刻.导致审美从众的既有外部的原因,也有内部的原因.审美从众的社会心理机制是暗示和感染.     

“以美育代宗教”:中国美学的百年迷途

百年以来,“以美育代宗教”始终被以蔡元培为代表的几代美学家奉若神明。然而,百年后的今天却必须要说:“以美育代宗教”,20世纪中国美学成也在兹,败也在兹。新世纪中国美学必将从跨越“以美育代宗教”的失误开始,从而实现自身新的发展。     

沈从文"湘西世界"的接受研究

沈从文构筑的“湘西世界”在建国后长期被主流话语忽略和批判,后来随着“沈从文热”在海内外升温,“湘西世界”逐渐成为瞩目和神往的对象。这个世界是否“桃源”的争论经历了一个由否定到肯定的过程。“桃源”情结是沈从文和读者共有的,是人类对理想家园的追寻和期待。审美经验沟通了作者和读者,“湘西世界”成了沈从文和读者自我救赎和抵抗异化的虚拟天地。     

The relationship between presenteeism and job satisfaction: A mediated moderation model using work engagement and perceived organizational support

Research on presenteeism has largely focused on its prevalence, determinants and consequences on the health of both employees and organizations. To date, few studies have examined the influence of presenteeism on workers’ attitudinal and motivational responses. Based on the Effort–Recovery Theory, this study evaluates the mediating effect of work engagement in the relationship between presenteeism and job satisfaction. Building on previous work, this study also proposes to consider perceived organizational support as a moderator of the work engagement–job satisfaction relationship. Presented in the form of a mediated moderation model, the results of bootstrapped regression analyses show three main results. First, presenteeism is negatively associated with work engagement and job satisfaction. Secondly, work engagement is one of the factors through which presenteeism influences job satisfaction. Thirdly, perceived organizational support moderates the association between work engagement and job satisfaction so that, at a low level of work engagement, feeling supported by the organization makes a difference on job satisfaction. Overall, this research is part of the limited number of studies that have focused on the interplay existing between presenteeism and its consequences in terms of job attitudes.     

当代生活与艺术之死:第二、第三和第一世界

当今所谓的艺术,主要是受20世纪七八十年代以来发展并在全球范围内扩散的美国式“艺术”观念所支配,而再也不受德语的“艺术”或法语的“美的艺术”体系所支配。自从现代主义诞生以来,艺术的历史使命的减弱或者消失已经成为事实,但从全球范围而言,“艺术的终结”这一论断仍有些夸大其词。因为在第一世界的艺术死亡之后(这里存在更多的是文化),第二和第三世界的艺术还生长着。艺术从根本上说还不是一个媒介事件和现象,而是一个同我们每个人相关的东西——不管它是不是商品。     

五四小说语言：从工具性到本体性

从强调白话的实用意义到关注白话的美学品格,从工具层面的思想传输,到本体层面的价值呈现,五四小说语言的变革不再是被动选择,正逐步向语言的本质靠近,从而直接亲近了时代,亲近了大众,亲近了生活的原生态感受.五四小说开创了从工具性到本体性的新的语言之道,但也存在误区.这一历史进程还有很大的研究空间,深入考察不仅是论题的需要,对于今天再造文学语言的诗性辉煌也不无裨益.     

The positive transmission and aesthetic reconstruction of Chinese contemporary films and television works to contemporary college students

The varieties and different form of contemporary films and television works have brought a great impact to the group of college students' ideas and behaviors. The works are the textbook of outlook on life, the guide of values, the leader of outlook on beauty, to contemporary college students. This paper points out that the contemporary film and television works play an important role in the ideological and political education of contemporary college students. For positive transmission and aesthetic reconstruction of Chinese film and television works from the perspective of ideological and political education, one needs to do the following things: to explore new ways of aesthetic education in the Internet era through film and television aesthetic education; Refusing to cultivate the one-dimensional personality in the media age by film and television aesthetic education; To build a new type of film and television aesthetic education system, for a new breakthrough in film and television art classroom, so as to promote the all-round development of contemporary college students in moral, intellectual, physical, beauty, labor.     

新世纪冯至《十四行集》研究的回顾与反思

检视新世纪冯至《十四行集》的研究，从内外结合的版本研究、现代解诗学的实践、审美现代性范式以及比较研究四个方面，回顾近十多年研究成果，辨析和反思研究观念与研究方法，展望《十四行集》研究的可能学术增长点。