清纯下女、"藐姑仙子"或"畸形的恶兽"——中国现代留日作家小说中日本女性的三个类型

1912至1936年间，尤其是1920年代，中国现代留日作家小说中塑造了大量个性复杂多样的日本女性形象。在中国文学史上这是第一次大规模地塑造以日本现实为基础的日本人形象．并占据了日本题材小说创作的主流地位，具有重要的开拓意义。     

天使与妖妇——谈《战争与和平》中的两类女性形象

“天使”与“妖妇”是男权社会中在男性作家笔下经常出现的两种不同的女性形象。托尔斯泰在《战争与和平》中塑造了娜塔莎和艾伦这一组相互对立的人物形象。这两种形象都体现了男权社会的男性们对女性的期待、仇恨、恐惧和丑化，是不真实的人物形象，表现了作者对女性的男权中心主义偏见。     

播音主持有声语言形象感的音声创造

播音主持语言具有音声性的特点,认真分析播音作品中语言的形象感,并通过词语的语音要素用恰当多样的声音将其表现出来,创造出丰富可感的声音形象,可以充分调动受众在视听过程中的各种心理功能。本文细致分析不同文体的播音作品,并对各种文体提出音声创造中的不同要求。     

新中国成立之初的外交形象塑造

面对驱除旧中国屈辱的外交形象和赢得国际社会理解与认同的要求,新中国提出了主动塑造外交新形象的思想,设计了新的外交形象的基本内涵,规定了塑造者的基本素质,确立了塑造的基本原则,对外交形象作了全新的塑造,使新中国获得了并不完全与国力相称的良好的外交形象。     

Pluralism and Universality of Environmental Discourse: The Dilemma Between Damage Caused by the Japanese Macaque and its Protection

Abstract:  The subject of this paper is to describe the complexity of relations between man and wild monkeys, which causes difficulties in forming a social consensus related to their conservation and management. To present how the relations are in everyday life, and how they are simplified in universal discursive spaces, interviews and a questionnaire survey have been conducted. As a result, it is clarified that there are three kinds of discursive spaces, that of politics, natural science, and residents. People who share the land with wild monkeys have various terms and stories about their relations with monkeys. The monkeys have various values in the discourse of residents, including many troubles. The existence of monkeys is vivid and close, and can be described as "accessible" nature. However, in discussion of politics or natural sciences, there is less diversity in monkeys' values. In these discursive spaces, monkeys are described simply in the framework of "distant" nature, and wild monkey issues are constructed as a "pest animal issue". The simplified protocol between accessible and distant nature makes the wild monkey issues simple. And the attitudes of residents are shown as controversial through the contradiction between simple-complex issues. In conclusion, this contradiction cannot be solved only by filling the gap between accessible and distant nature with social consensus, but also by connecting the two and enhancing the dynamism of society as a whole.     

在传统的祭坛上——《白鹿原》女性形象评析

陈忠实的<白鹿原>是我国当代长篇小说创作中不可多得的含义深刻的作品,它体现了作者对传统道德文化回归的深切渴望,但同时又流露出作者对传统道德伦理的矛盾心态.小说中田小蛾等女性形象的塑造正是这种矛盾心态的体现,作品一方面表现她们在伦理道德束缚之下的不幸命运,一方面又以传统的道德伦理为准绳来审视和评判她们,使她们成为回归传统、重塑道德的理所当然的牺牲品.     

现代女性步履的真实文本——茅盾笔下的女性形象与同时代女作家创作的比较

本文通过对 2 0世纪 2 0至 30年代现代女作家小说创作和茅盾小说中的新女性形象特征的比较分析 ,提出文学史上的男性主体作家 (从数量上来说 )中 ,取现实主义的客观、严峻态度进行创作的部分作品 ,有可能成为女性文学创作与研究的鉴本     

失衡的人性:论张爱玲小说中的男性形象

张爱玲继承中外人学的思想潮流,深入意识底层写"破坏"中的男性形象.通过描写精神空虚的失势遗老,浮华于乱世中的纨绔子弟,颓败灰暗的夹缝人物以及极度压抑心理崩溃的一批典型男性形象,集中体现出该时代男性在大破坏的时代背景下,个体社会价值的普遍缺失,导致人性中动物性欲求的极度张扬,社会属性的隐退扭曲,以及由此引起的人性失衡.     

论动物福利法的基本理念

“承认和维护动物福利,认可和维护动物的自然权利,尊重生命、善待动物、不虐待动物,保护动物福利也是保护人的利益,人与动物和谐相处,将科学精神与人文精神相结合”,这些是动物福利法的基本理念。动物福利法确认的是“动物的权利”,而不是“动物的人权”,更不是法律确认了动物是人。尊重生命是善待动物、不虐待动物的思想基础,不虐待动物是尊重生命的起码要求。科学精神是动物福利法的基础,人文精神是动物福利法的灵魂。只有形成并贯彻科学精神与人文精神相结合的理念,才能在一个汇集多种文明、多种主义、多种观念的多元化的当代社会,启动和推进动物福利立法。     

What's wrong with sociology? Its public image

In response to editor Stephen Cole's question—"What's wrong with sociology?"—the answer is nothing that cannot be overcome by clearer communications and better public relations. The problem is that the field is not held in high esteem by college administrators, legislators, and the public. Many see us as rebels of the 1960s, political liberals, and impractical thinkers with a penchant for jargon. Even our research is derided by some as a waste of money. The solution consists of strategies for overcoming our poor public image. Seven strategies for doing so are discussed: (1) Write clearly. (2) Write for a mass audience. (3) Seek board positions. (4) Strengthen our identity. (5) Teach sociology in high school. (6) Develop academic partnerships. (7) Emphasize outcomes: increase in tolerance and research skills.