中国古代文论中的“灵感”说

同西方“灵感”说的神赐灵感观念相比 ,中国古代文论中的“灵感”说更注重结合作家具体的创作实践感受 ,来揭示创作灵感的突发而易逝的特点以及它对作家创作想象活动的催发作用。古人论创作灵感现象还进一步透过灵感现象的表现特征而揭示它的产生原因 ,“积之在平日”是灵感生成的必要前提 ,而“得之在俄顷”则是积蓄在胸的作家与客观外物心物交感的必然结果。     

孕育于古老蛮荒的一枝奇葩──梅山歌谣初探

梅山歌谣是湖南省中部娄底地区的新化县和益阳地区的安化县一带的一种民歌体裁,历史悠久,风格独特,而且影响巨大。梅山歌谣起自远古,经过发展变迁,形成了多种类型,表现出多方面的艺术特色．     

English and discourses of commodification among tourism workers in the Himalayas

In this article, I investigate commodification discourses and ideologies of English from the perspective of Nepali tourism workers. Drawing data from interviews with porters and trekking guides in Nepal, I argue that English is not seen as merely a transactional means to convey meaning; it works in combination with the traditional form of labor and care in the local economy, establishing itself as a powerful tool to establish closer interpersonal relationships, enhance such interpersonal relationships for economic gains and commodify local identities and cultures in the tourism market. The interview and ethnographic details show that language learners are agentive and capable of making sense of their actions by positioning themselves variously in terms of ethnicity, economic class and job category. These workers think that tourists' linguistic and financial resources are the empowering tools that enable them to travel to locations that they want. They also want to empower themselves with English skills and translocal imaginaries to travel and see the world beyond their immediate reach. Repertoires in English are considered as instruments to mediate their imaginaries and the foreign worlds they want to be part of.     

Young Norwegians and their views on climate change and the future: findings from a climate concerned and oil-rich nation

Young people represent the future, but little is known about their attitudes towards climate change, one of the most serious issues facing the world today. The purpose of the present study is to contribute with improved and new knowledge of young Norwegians’ understanding of and attitudes towards this issue, with a special focus on perspectives of the future. Of particular interest is the influence of divergent framings of the climate question in Norway, due to conflicting interests between the petroleum industry and climate concern. The young people's voices are elicited through two different surveys undertaken during the fall of 2013, one national (Norwegian Citizen Panel) and one local (School survey conducted among high-school students). The study generated both quantitative and qualitative findings, stemming from closed-ended as well as open-ended questions. The data were handled through a mixed methods approach, combining quantitative and qualitative analyses. The results show that the voices tend to be oriented towards the opinion that Norway has a responsibility to help poor countries as well as a duty to prevent climate change and that the country should reduce its oil production. We further observe that young Norwegians have an optimistic view of the future, based on a pronounced belief in technology and science.     

傅山的艺术思想与"四宁四毋"

傅山提出“四宁四毋”,究其内因,既与他所处的时代及他的政治立场有关,更与他的思想观念有关,本文即从傅山的艺术思想入手,重点分析其“异端”思想和地域文化观念,以求探寻其与“四宁四毋”之间的联系。     

论黑格尔艺术美定性的伦理内涵

黑格尔的“美就是理念的感性显现”这一美学论断本身包含了艺术美的定性过程。理念是真是美也是善,要符合道德的要求。因此,艺术美的定性也必然地显示出深刻的伦理内涵。黑格尔在理想的定性中对这一问题进行了辩证的阐述。理想的定性,单就它本身来看,表现为“神性—伦理”的演化,也就是伦理内涵的演化;就动作或情节来看,表现为伦理实体在“情况—情境—情节”,伦理内涵表现为这一过程中发生的分化、冲突及其艺术价值。黑格尔艺术美定性的伦理内涵昭示了艺术的伦理道德价值,这在当前伦理观念发现剧烈变化、艺术创作中的伦理道德底线一再下降的时期,无疑具有很好的现实意义。     

电视的艺术创造潜力分析

电视具有三大功能:信息传播功能、新闻纪实功能、艺术表现功能。长期以来,电视的信息传播功能和新闻纪实功能得到了理论界和业界的广泛重视,但对电视的艺术表现功能认识曾一度陷入矛盾和怀疑。电视具有形象性的艺术特征,其语言结构、思维方式、独特的时空表现艺术都使电视表现出鲜明的艺术特征和巨大的艺术创造潜力。     

The educational attainment of second-generation mainland Chinese immigrants in Taiwan

The social status and well-being of political immigrants’ children are seldom touched upon in literature. This paper focuses on the impact of refugee experience on the relative educational attainment of second-generation immigrants in Taiwan. In contrast with the results in van Ours and Veenman (J Popul Econ 16(4):739–753, 2003) and Riphahn (J Popul Econ 16(4):711–737, 2003) who showed that second-generation immigrants lag behind their native counterparts, this paper’s principle finding is that the father’s immigration status can help his children achieve a higher educational qualification than native Taiwanese after controlling the relevant determinants of educational attainment, including parental background and the neighborhood where the interviewee grows up. In addition, women born in the earlier cohort benefit more by their fathers’ immigration status than their male counterparts do. However, Taiwanese schooling advances across generations are impressive, whereby the gap in schooling attainment between second-generation immigrants and native Taiwanese is found to decline over time.

"昙花一现"的美丽——朦胧诗回眸

朦胧诗是新时期文学的第一个诗歌潮流,它是一代人生命体验的艺术折光,凸现了自我意识,带来了诗歌审美的嬗变和精神重建的要求。朦胧诗的诗人们呼喊人道主义和要求人的尊严、价值等的启蒙主题,以及大胆借鉴西方现代派的艺术手法的探索精神,无疑是一座崛起的丰碑,已经深深烙在人们心里。然而,朦胧诗由于不可避免的局限性和精神危机,在更为激进的新生代诗人的一片打倒声中,走向消亡。     

大学英语视听说翻转课堂教学模式的构建与实施

“翻转课堂”,即将知识传授和知识内化的顺序颠倒安排。知识传授由学生在课前自主完成,知识内化则放到课堂上实现,即从“课堂授课听讲+课后完成作业”转变为“课前自主学习+课堂协作探究”。从分析当前大学英语视听说的教学现状入手,阐述了以TBLT为基础的英语视听说翻转课堂的构建与实施,并进一步指出这种新型教学模式所带来的优势和挑战,以期为大学英语视听说教学更为合理、有效地利用翻转课堂模式提供一定的借鉴和参考。