“围城”中的“历史人”——论李梅亭与霍华德·科克形象的伦理悖论及镜鉴意义

《围城》与《历史人》都是著名校园讽刺小说.其代表人物李梅亭与霍华德·科克都是生活在动荡时期相对平静的大学校园“围城”中的高级知识分子,他们在日常生活中言与行的矛盾、表与里的抵牾,在职场生涯中道貌岸然的显性身份表象与其庸俗无聊、滑稽可笑的隐性角色扮演形成的伦理悖论,无疑具有强烈的喜剧效果和深刻的反讽性质.由于人物所处经济、政治、文化背景不同,其伦理悖论又各具特点,李梅亭身上散发出陈腐的朱熹式伪道学气息,霍华德·科克则是在激进外表下包裹着极端利己主义.李梅亭与霍华德·科克形象蕴含的伦理悖论在知识分子中具有一定典型性,其形象既为历史存照,也对今天重塑大学灵魂、重塑知识分子健全人格具有一定镜鉴意义.     

斯大林的"民族"定义对中国的"民族识别"影响研究

斯大林关于民族的定义一直影响着中国的民族工作,特别是在20世纪50年代全国上下展开的民族识别中,它成为了识别族群身份、划分族群族属的重要标准。但是,现在在回顾历史的过程中,我们不得不重新思考这个问题。     

民族文化元素在偶动画艺术创作中的应用

本文探讨了偶动画艺术创作与民族文化之间的关系,阐述了民族文化元素在偶动画创作中的具体应用方式。从题材、内容、风格等多个方面着手,探究如何以创新的思维方式与偶动画表现形式相结合,创造出更多具有影响力的国际性偶动画作品。     

中国现代经典长篇小说的审美构成与艺术贡献

中国现代经典长篇小说的审美构成源自于文学经典审美构成的四个要素,即审美性、时代性、典范性和永恒性,以之审视中国现代长篇小说的经典性及艺术贡献将使我们对中国现代长篇小说的历史地位有更为清晰的认识。     

Commentary on 'Managing the process of change in residential child care: A consultancy approach'

This paper draws on a ten month British study completed in April 2001 investigating service responses to women of South Asian background who had attempted suicide or who self-harmed. The scope of the study is briefly outlined and an analysis of perspectives documented in the study is presented, drawing on research interviews with 18 staff from a variety of health and social care disciplines and with seven survivors of attempted suicide/self-harm. The implications of this analysis for improving practice are considered. Attitudes surrounding attempted suicide and self-harm are discussed. The issue of ‘race anxiety’ is also discussed. The factors seen by workers as contributing to South Asian women's attempted suicide are considered, with a particular focus on the difficulties caused in the delivery of services by common-sense accounts of cultural issues. Current approaches to the delivery of services to South Asian women are identified and analysed, showing how their current organisation can lead to circularity in referral systems and consequent non-intentional neglect of the needs of this client group. It is urged that proper consideration be given to the support and professional supervision of staff in this complex area of work.     

“信息乐园”对当代社会伦理的冲击和反思

信息网络开辟了人类新的时空隧道,掀起一场全人类信息化的思想"冲浪", 其中不乏新的机遇,也难免迷乱和冲突.加强网络信息伦理教育,提倡网民"自省"、"慎独" 以及完善网民信息行为的赏罚机制,能加强"信息乐园"的道德建设.     

关于少数民族非物质文化遗产保护实践的反思——以中国瑶族盘王节为例

自2003年联合国科教文组织在巴黎第三十二届会议通过<保护非物质文化遗产公约>以来,非物质文化遗产的申请和保护工作就在我国如火如荼地展开,以此为契机,各种旅游文化节应运而生.本文以"中国瑶族盘王节"这种将非物质文化遗产保护与经济、旅游开发相结合的模式为例,试图阐明以政府主控的旅游文化节给本民族"精神家园"可能带来的危机,以及非物质文化遗产主体的"迷失",主体或"缺场"或"失语",这为非物质文化遗产的保护工作带来了挑战,值得我们深刻地反思.     

Supervision of students in social care education: practice teachers’ views of their role

This paper presents findings from research about how practice teachers in social care education in Ireland view their role, in particular what elements they prioritise and what they see as relatively unimportant. The aim of the research was exploratory, seeking to discover commonalities and differences in how practice teachers saw their role in the supervision of social care students. Q methodology was used to compare the participants’ viewpoints. Twenty practice teachers, from varying practice backgrounds and levels of experience, sorted statements outlining aspects of the practice teacher’s role, during individual interviews. Analysis indicates participants had two ways of conceptualising the role. One focuses within the agency, prioritising students’ awareness of the clients using the social care service and policies as guiding practice. The second encapsulates a broader view of learning beyond the agency, focusing on the practice teacher assisting the student to integrate theory with practice and using reflection as a learning tool. Conclusions are drawn in relation to social care education.     

Students’ conceptualisations of critical reflection

Critical reflection involves the identification of deeply seated assumptions about the social world and the individual’s connection with it; however, its scope and practice are contested. While ambivalence about its definition remains, critical reflection is described as a threshold concept in social welfare and social work education. This study investigated students’ conceptualisations of critical reflection by analysing the ‘learned’ critical reflection curricula of five core units in an Australian University. A content analysis of 162 assignments submitted by 86 students in 2013 and 2014 was conducted. Findings revealed students conceptualised critical reflection as a process that raised self-awareness, supported the application of theory in practice and, reinforced aspects of their professional identity. However, students adapted the process to fit their purpose and, when personal views clashed with professional practice, rather than examining the tensions that emerged, students privileged professional practice and silenced their personal views. Students did not engage with critical reflection to foster social change; rather their utilitarian approach positioned them to demonstrate competence in professional procedures. These findings highlight the influence of the contexts within which critical reflection is practised and informs the further development of the authors’ pedagogy.     

论李商隐诗的艺术特色

李商隐是我国晚唐时期杰出的诗人,他的诗,在比兴寄托艺术手法的运用上比前代诗人有很大发展,所以在唐代格律诗中大量用比兴寄托的手法,而且通体专用比兴,力求寄意的深隐与情味的隽永。李商隐在总结前代艺术经验加以开拓的创新方面,卓然自成流派,其诗从情意、辞采和声韵等方面表达了诗的艺术特点,在我国古典诗歌的整个传统中,独具特色。