浅析生态化的外语教学环境

本文指出教育生态学是探讨和揭示教育生态系统的基本规律的学科,对于构建和谐、兼容的教学环境有着重要的意义。     

浅论舞蹈与音乐的关系

本文从舞蹈的起源、二者在感官上的统一性、在节奏上的联系等角度论述了舞蹈与音乐之间的密切联系和相互关系。     

以就业为导向的计算机基础教学解析

计算机基础课程是整个大学阶段所有专业的必修课程之一,而在计算机基础教育方面,并未跟上当前信息技术发展的主流方向和趋势,远远不能达到目前市场对高技能人才的计算机能力要求。教学内容停滞、教学方法和考核方法过于保守等问题日益突出。因此,计算机基础的教学目的应从过去的应试教育转变为对计算机的操作技能和理解能力的培养。文章通过对计算机基础的教学方式、教学内容和考核体制这三方面的探讨,阐述了计算机基础教育改革的必要性,以及相关的方法和措施。     

Gender identity and lexical variation in social media

We present a study of the relationship between gender, linguistic style, and social networks, using a novel corpus of 14,000 Twitter users. Prior quantitative work on gender often treats this social variable as a female/male binary; we argue for a more nuanced approach. By clustering Twitter users, we find a natural decomposition of the dataset into various styles and topical interests. Many clusters have strong gender orientations, but their use of linguistic resources sometimes directly conflicts with the population‐level language statistics. We view these clusters as a more accurate reflection of the multifaceted nature of gendered language styles. Previous corpus‐based work has also had little to say about individuals whose linguistic styles defy population‐level gender patterns. To identify such individuals, we train a statistical classifier, and measure the classifier confidence for each individual in the dataset. Examining individuals whose language does not match the classifier's model for their gender, we find that they have social networks that include significantly fewer same‐gender social connections and that, in general, social network homophily is correlated with the use of same‐gender language markers. Pairing computational methods and social theory thus offers a new perspective on how gender emerges as individuals position themselves relative to audiences, topics, and mainstream gender norms.     

小议歌曲在法语教学中的运用

音乐能够调节情绪、激发兴趣,促进理解、增强记忆。法语歌曲较好地融合了语音、语言和文化知识,如果选择恰当、教学设计合理,在遵循法语语言知识的学习和各项语言技能训练的前提下,将法语歌曲作为语言学习的辅助材料,既可增加教学内容的趣味性,又可提高教学方式的灵活性。     

医学英语中“计算机网络图式教学模式”的构建

大学医学英语教学改革的一个重要问题就是改革传统的教学模式,建立基于计算机网络的医学英语教学模式.现以图式理论为依据,结合计算机网络的教学手段,从多媒体网络视角探讨"计算机网络图式教学模式",以期对外语教学实践提供新的教学模式和思路.     

从文化视角看中国的“新民乐”

作为传统音乐与现代音乐相结合的一种新音乐形式,中国"新民乐"受到社会各界人士的广泛关注.它的出现,在一定程度上顺应了社会发展的某种客观规律,其是非曲直应放在社会文化背景下去讨论和探究.中国"新民乐"在自身发展的同时,应注意对本民族文化信息的传递,符合民族文化发展的长远利益."新民乐"的发展尚有待于进一步完善,以及文化界和音乐理论界的关注与指导.     

论“於菟”的音乐与文化内涵——黄南州同仁县年都乎乡祭祀仪式音乐田野调查

青海是多民族聚居地区,一些地区至今仍然保存着先民的宗教仪式、仪轨,这种传承与沿袭下来的远古文化的"活化石"折射出一个民族的历史演变、文化传承、宗教信仰以及社会结构等等.从黄南藏族自治州同仁县年都乎乡年都乎村的"於菟"舞音乐中,我们可以更好地诠释原始祭祀乐舞中仪式音乐的本真和所蕴舍的文化内涵,以及阐释信仰、仪式、仪式音乐三者之间的互动关系.     

Wang Ming-hui and Blacklist Production: the Third World/Asia turn of Taiwan’s new music production

ABSTRACT

The paper discusses the music group ‘Blacklist Production’ (also known as Blacklist Studio) that was established in the late 1980s when the Martial Law was lifted in Taiwan, and the group’s original works of music. It investigates the music composition and thinking process of Wang Ming-hui, the founder of Blacklist Production, and analyses two albums produced by the music studio, Songs of Madness (1989) and Lullaby (1996), as a way of reconsidering and reflecting the feeling process and limitations of the nativist ideology from 1989 to 1996 that took shape in Taiwan’s society. In addition, the paper also explores Wang’s musical practices through which he has tried to answer the question of ‘how to express thoughts with music’. Through the historical analysis of musical works and interviews with Wang Ming-hui, the paper suggests that ‘Taiwan’s New Music Production’ brought up and practiced by Wang and Blacklist Production is embedded with the possibility for Taiwan’s culture and imagination of modernity to ‘turn’ the referent point to the Third World/Asia.     

Disability,personalisation and community arts: exploring the spatial dynamics of children with disabilities participating in inclusive music classes*

This paper uses personalisation and the capabilities approach to explore inclusive music classes for children with disabilities in Scotland. It provides a unique insight into the impact of participation through the voices of the disabled young musicians, their parents and tutors. The study highlights the power of inclusive spaces to transform lives, to build confidence and contest disabled identities. It engages in the spatial dynamic of opening up inclusive spaces, as well as exposing emerging tensions in the liminal space that is created through movement between safe and supported spaces and the antithesis, spaces that disempower and marginalise. The findings suggest good practice around personalisation, when conceived of from a social justice perspective, as a template for working with other marginalised groups and in other professional settings.