论毛泽东教育思想及其当代价值

毛泽东教育思想是我国教育事业改革发展的指导思想。毛泽东教育思想的主要内容包括：教育与生产劳动相结合的原则;教育教学改革的思想;德、智、体全面发展的素质教育观;教育为人民大众服务的思想等等。毛泽东教育思想对加快我国教育事业的改革发展,培养适应社会主义现代化建设全面发展的高素质人才具有重要的现实意义。     

浅论马克思唯物史观与剩余价值理论之间的关系

唯物史观是一般形态的历史哲学,剩余价值理论是资本主义这一特殊历史形态的历史哲学,它们相伴而生,唯物史观对剩余价值理论的发现有指导作用,剩余价值理论又证明了一般形态的唯物史观。唯物史观和剩余价值理论又从各自的角度论证了共产主义的必然性。     

马克思主义哲学中国化的生存论阐释

马克思主义哲学中国化,需要从马克思主义哲学在生存论意义上展开的现代哲学人类学以及世界历史时代的新方向上进行理解。在信仰的无神论倾向、经验主义及自然主义的哲学样式、流动性的辩证思维、实践思维方式以及伦理价值观上,马克思主义与中国哲学传统都存在着一定的相通性。马克思主义哲学中国化不仅引导、而且也将融入中国文化传统的当代转化,转化的关键在于马克思主义共生主义信仰的内化,并形成能够积极影响人类的新的生存理念。     

重提六个“为什么”的历史根源与现实取向

重提六个“为什么”,是基于国内外对社会主义仍存在疑问、国际上意识形态的斗争从未停息、国内仍存在“资本主义化”论调、“纯而又纯”理论仍有市场的背景。科学回答此问题。就要从理论高度解释六个“为什么”,从历史角度重新申明六个“为什么”,从特殊背景明确回答六个“为什么”。     

Jia’s The Chinese Version

Abstract

The Chinese Character Simplification Programme of 1955–1957 that remains a national standard by force of law in the People’s Republic of China, not only degraded the aesthetic properties of the Chinese written character, but also hindered literacy by means of a haphazard formal reduction of the number of strokes, and by eliminating two-thirds of characters from the lexicon of those allowed for publication. In The Chinese Version painting series by Jia (b.1979), the artist arranges Chinese characters according to formal rather than semantic criteria, in order to generate by means of their juxtaposition, abstract or figurative patterns. Each character may retain its individual meaning, but not its function as a sequential syntagm. This strategy invests the characters with a formal aspect to ‘return’ that which was mutilated by the Simplification Programme. As the Simplification Programme’s formal changes ended characters’ role as image-signs, the artist’s choice to present each work as a painting alludes to their lost image capacity while appearing to imitate the outward aspect of printed characters, thereby implicitly turning against itself the pretext of character simplification for the sake of efficiency.     

Patriarchal capitalism with Chinese characteristics: gendered discourse of ‘Double Eleven’ shopping festival

In this article we consider the Double Eleven shopping festival as a major discursive site where the hegemony of what we call patriarchal capitalism with Chinese characteristics is articulated. The state, the market, the corporations and the media, both mainstream and social media, all played an important role in building up a national spending spree that is deeply embedded in the current class and gender structure of China. The phenomenon of Double Eleven emerged at a time when state capitalism has been overwriting socialist institutions, while patriarchal ideology being further intensified through consumerism. As a consequence, the intersectionality of class and gender becomes increasingly manifest in the Chinese society. We start with a brief overview of the trajectory of gender politics in China since 1949, with specific focus on how the socialist project of seeking gender equality was gradually replaced by the quest for ‘womanhood’ and ‘femininity’. We then discuss, using both secondary sources and our own analysis of news coverage of Double Eleven, why maintaining a high level of consumer demand is of crucial importance for the Chinese state and what the state’s role has been in configuring the hegemonic gender order. A brief section on ideology and discourse lays out the conceptual framework of our analysis. It is at the intersection of a dissipating socialist ethos, emerging economic stagnation and ascending consumerism that the sexist discourse in relation to Double Eleven proliferates, and this is the analytical focus of our empirical section. We elaborate on the theoretical implications of the empirical analysis before concluding.     

In search of African history: the re-appropriation of photographic archives by contemporary visual artists

The digital revolution has fundamentally changed our relationship to archives, by accelerating their “dusting off” and their re-appropriation, particularly in the art world. This article will show the ways in which some contemporary visual artists use new digital technologies to provide new ways of storing, reading and retrieving contemporary African history. Such artists do so by revisiting diverse forms of archives that are mainly photographic, and which were produced during the colonial and independence eras.     

Stereoscopic visions: reading colonial and contemporary African photography

This piece argues for the importance of critical engagements with photographs in order to explore and rethink the past, to reflect on the present and to imagine the future. It provides a brief overview of the articles that constitute the first part of the Social Dynamics special issue on photography in Africa, a collection that contributes to the growing body of scholarship that deepens our understandings of the significance of photography on the continent.     

儒学价值的当代转换与社会主义核心价值体系建设

社会主义核心价值体系是一个有着丰富内涵且结构复杂的系统。社会主义核心价值体系建设必须建立在民族文化传统的基础上,克服中国元素少、只注重文献诠释而忽视对"活着"的传统的考察等倾向。儒学价值的当代转换及其应用于社会主义核心价值体系的建设,应注重从文本到现实,从具象到抽象,再从抽象到具象的互动,这就要求我们必须认清历史发展和文化传统的脉络,使理论具有前瞻性和预见性。继承和弘扬儒学的道德自觉等精华,要以确立现代法权人格为前提,凝练核心价值观应着力于人格的修养与社会正义的互动,儒学传统中的仁爱、和谐、责任、自强等理念可以与公正、民主、信用等价值进行综合创新。