当代中国意识形态转型的历程与观念——由我国私营企业主阶层兴起引发的思考

意识形态是这个时代的哲学主题,人们对这个时代的思考愈深入,就会愈益自觉地汇聚到一个焦点上,这就是意识形态及其转型问题。研究当代中国意识形态的转型涉及这样几个重要问题:当代中国意识形态转型过程中形成哪些社会思潮及其思想论争;意识形态转型有着怎样的理论选择、现实基础,经历了怎样的转型历程与观念变革。中国私营企业主从有到无、又从无到有、再从有到优的历史命运,体现了国家意识形态对私营企业主从批判到允许再到鼓励、从消灭到培育再到引导的理论转变,这一社会历史现象是深入研究当代中国意识形态转型的重要维度,它标示着当代中国意识形态经历了从"革命型"到"建设型"再到"和谐型"的两次历史性转型。     

微信：结群革命与现代生存

在人类的文化基因中,没有任何的人群能够摆脱结群这一人文进程。在现代社会里,人们结群而居的传统方式已经成为往事,居住的结群让我们“分布”到社区里,而原来结群具有的许多功能被碎片化到城市的各种馆站机构中。在结群方式上,微信群又提供了一种结群的革命方式。微信结群基本的群特征有：交流信息是微信群的第一功能,传播专业知识是微信群的第二功能;表达对于事物的意见和看法是微信的第三功能。微信结群在工业化的现代社会,也像城市里的各种馆站,碎片化地呈现了以前结群中的不同功能,把以前的结群中群体聚居分散在各种各样的结群中。这种结群一方面弥补了我们社区聚居中的缺陷,是一种结群革命,但它却进一步强化了社会陌生化的程度。     

论教育含量对政治参与的制约

教育含量对政治参与的制约是一个世界性的问题。没有全民教育含量的增升和整体素质的提高 ,真正的大众参与和高效的民主管理只能沦为空谈。教育含量既影响政治参与的民主意识 ,又影响政治参与的实际效果 ;既影响政治参与的发展进程 ,又影响政治参与的价值目标。唯物史观逻辑地推演出教育含量与政治参与的统一性 ;当代世界民主国家的政治发展也确凿地印证了二者的相关性。在人类社会的未来发展中 ,充足的教育含量是人的全面发展的必要条件 ;广泛的政治参与是人的彻底解放的必由之路     

中国现代文学学科的形成和研究述略

作为学科的中国现代文学于20世纪20年代初现端倪,50年代正式形成,并在20世纪后期得到了长足的发展。数代学者对中国现代文学这门年轻学科的发展作出了重要贡献,他们各自在文学史研究、作家作品研究、文体研究和社团、流派、思潮、创作群体研究方面取得了重要成就。     

中共六大苏维埃政权建设中群众思想的当代价值

中共六大在探索苏维埃政权建设的过程中,更加注重工农群众主体地位的巩固和能动作用的发挥,较为系统地论述了政权建设中的群众思想。其着重从四个方面加以阐述,形成了以实现好、维护好和发展好最广大人民群众的根本利益为政权建设的根本出发点和落脚点;尊重和激发人民群众的主体创造潜能为推动政权建设的内生动力;解决好人民群众最直接、最现实、最关心的民生问题为政权建设的着力点;始终坚持群众思想、践行群众路线为政权建设的根本路线方针等为主体内容的群众思想,对当代政权建设中的群众路线实践具有重要的理论价值和现实意义。     

当代军旅题材电视剧军人形象的变迀

近年来,随着经济的发展和人们思想的解放,越来越多体现和平年代军队建设与军人生活的电视剧出现在荧屏上,一大批阳刚、稳重、坚韧、刚毅的军人形象受到观众喜爱。和平年代,军旅剧中的军人形象发生了许多变化,如人物身份地位普通化、性格塑造丰富化、人物生存状态真实化,这些变化更加彰显了当代军人的真实风采。然而,在军旅剧人物走向大众的同时,也呈现出人物新模式化、人物设置偏颇以及娱乐元素滥用等新问题,阻碍了军旅剧的进一步向前发展。文章结合作品对当代军旅剧中军人形象的变迁以及出现的问题进行分析,以期为后来的军旅剧创作有所启示。     

Jia’s The Chinese Version

Abstract

The Chinese Character Simplification Programme of 1955–1957 that remains a national standard by force of law in the People’s Republic of China, not only degraded the aesthetic properties of the Chinese written character, but also hindered literacy by means of a haphazard formal reduction of the number of strokes, and by eliminating two-thirds of characters from the lexicon of those allowed for publication. In The Chinese Version painting series by Jia (b.1979), the artist arranges Chinese characters according to formal rather than semantic criteria, in order to generate by means of their juxtaposition, abstract or figurative patterns. Each character may retain its individual meaning, but not its function as a sequential syntagm. This strategy invests the characters with a formal aspect to ‘return’ that which was mutilated by the Simplification Programme. As the Simplification Programme’s formal changes ended characters’ role as image-signs, the artist’s choice to present each work as a painting alludes to their lost image capacity while appearing to imitate the outward aspect of printed characters, thereby implicitly turning against itself the pretext of character simplification for the sake of efficiency.     

In search of African history: the re-appropriation of photographic archives by contemporary visual artists

The digital revolution has fundamentally changed our relationship to archives, by accelerating their “dusting off” and their re-appropriation, particularly in the art world. This article will show the ways in which some contemporary visual artists use new digital technologies to provide new ways of storing, reading and retrieving contemporary African history. Such artists do so by revisiting diverse forms of archives that are mainly photographic, and which were produced during the colonial and independence eras.     

Stereoscopic visions: reading colonial and contemporary African photography

This piece argues for the importance of critical engagements with photographs in order to explore and rethink the past, to reflect on the present and to imagine the future. It provides a brief overview of the articles that constitute the first part of the Social Dynamics special issue on photography in Africa, a collection that contributes to the growing body of scholarship that deepens our understandings of the significance of photography on the continent.