大学理工科学生口语交际和沟通能力探析

对3所大专院校,共计250名理工科学生的口语交际与沟通能力进行了问卷调查。本文以调查为基础,对他们的口语交际与沟通能力的现状做了较为细致的分析,提出了有针对性的建议与方法,旨在为高校更好地培养人才提供科学的参考与依据。     

大学生就业思想政治教育的新思路探析

大学生就业是社会普遍关注的热点问题。开展大学生就业的思想政治教育,对大学生就业进行合理、有效引导需要创新思维,以建立多渠道、分类别、聚合力、重实践的科学体系。     

突发公共事件应急管理宣教育对策研究

应急管理宣传教育水平的高低直接影响着应急指挥管理水平,因此应急管理宣传教育日益受到重视。目前在突发公共事件应急宣传教育中存在诸多问题,针对问题提出今后改进应急管理宣传教育工作的一些建议以及在应急管理宣传教育实施过程中应该遵循的原则。     

百年中国共产党独特性的解释进路、表现向度与生成逻辑

和其他政党相比较,中国共产党具有不同于一般政党的独特样态,它们集中诠释着党的独特优势和优良品质。党的独特性蕴含在党的历史使命与行动价值之中,同时也通过具体的政党行为映现出来。党的独特性主要表现为具有彻底的自我革命性、博大的人类情怀、超越自我的牺牲精神、高度的政党纯洁性以及非凡的红色政党气质等。党的独特性的生成具有复杂性,是内在与外在因素、历史和时代环境以及国内和国际条件等共同作用的集合体。党的独特性源于无产阶级政党的特殊基因,是对党的百年政治实践的能动反映,是党持续拓展政党功能的集中显现,更是党有效应对百年复杂世界体系的结果。     

舞剧《妈勒访天边》带给文化创意产业的思考

文化创意产业是世界创意经济的一部分。作为文化创意产业,它在很大程度上影响、改变着我们日常工作、交往、休憩、娱乐以至内在心理世界的活动方式。文化创意产业的发展,是整个文化创意机制、文化传播构成与文化参与的行为活动方式的全面创新。     

Identity work in female‐led creative businesses

This study explores the identity work carried out by three female owner‐managers in creative industry businesses, identified in Government reports as a discriminatory industrial sector for women in the UK. Through the development of narratives by the owners and other participants, observation of practice and review of online and offline materials, three cases emerged. These showed overlapping, different identities developed and performed through identity work. Each presented rational and logical persona as business leaders despite observation showing extensive use of intuition and gut feeling in both creative and entrepreneurial aspects of the business. Intuition and gut feeling were seen as inappropriate at work as they belonged to the home sphere, emotionally based and therefore automatically unreliable. While occupying male stereotypes and avoiding the female realm of emotion at work, these women expressed femininity through their emphasis on the maternal, ‘being a good mother' as a desired ideal being embedded in work as well as home practice.     

At the intersection of globalization and ‘civilizational originality’: cultural production in Putin’s Russia

ABSTRACT

This special issue originates from a transnational collaboration of scholars in philology, comparative literature, social theory, sociology, anthropology, ethnography, and media studies. The collection strives to advance a research agenda built on the nexus of three intellectual and academic domains: post-Soviet ‘Russian cultural studies’, the research paradigm put forward by Cultural Studies, as well as empirical methods developed in sociology. The collection illustrates the importance of expanding the experience of Cultural Studies beyond its established spheres of national investigation, while it also speaks to the necessity to re-evaluate the hegemony of the English-language academic and cultural production on the global scale. The collection offers insights into the gamut of cultural practices and institutional environments in which Russian cultural production happens today. It shows how cultural industries and institutions in Russia are integrated into the global marketplace and transnational communities, while they also draw on and contribute to local lives and experiences by trying to create an autonomous space for symbolic production at personal and collective levels. Through diverse topics, the issue sheds light on the agency, i.e. practitioners and participants, creators and consumers, of Russian cultural production and the neoliberal practices implemented on creative work and cultural administration in Russia today. The Introduction outlines the development of academic studies on Russian cultural practices since 1991; describes main political developments shaping the cultural field in Putin’s Russia; and, finally, identifies the Cultural Studies debates the editors of the collection find most productive for investigations of Russia, i.e. the instrumentalization of culture and culture as resource. Relocated in an analysis of a post-socialist society, these conceptualisations seem increasingly problematic in a situation where local and federal policies governing cultural and creative work focus simultaneously on marketization and on nationalism as the main tools of legitimizing the federal government.     

意会认识论的研究新路径：意会认知与创造思维比较研究

通过意会认知与创造思维的比较研究可以看到,意会认知是人在认识过程中产生创造性认知的过程,这种从模糊到清晰的认知过程是创造思维的基本形式。对意会认知与创造思维三种具体形式的内在关联进行分析可以看到,直觉思维是意会认知的＂不知之知＂,即直觉与意志、情感等非理性因素相结合是产生意会认知的基础;灵感思维是意会认知＂无意识性＂重要表现,即意会认知与无意识的个人体悟有关;顿悟思维是意会认知＂心理论证＂的基础,即对客体本质进行深入洞察并在主观上产生认可。     

Commentary on 'Managing the process of change in residential child care: A consultancy approach'

This paper draws on a ten month British study completed in April 2001 investigating service responses to women of South Asian background who had attempted suicide or who self-harmed. The scope of the study is briefly outlined and an analysis of perspectives documented in the study is presented, drawing on research interviews with 18 staff from a variety of health and social care disciplines and with seven survivors of attempted suicide/self-harm. The implications of this analysis for improving practice are considered. Attitudes surrounding attempted suicide and self-harm are discussed. The issue of ‘race anxiety’ is also discussed. The factors seen by workers as contributing to South Asian women's attempted suicide are considered, with a particular focus on the difficulties caused in the delivery of services by common-sense accounts of cultural issues. Current approaches to the delivery of services to South Asian women are identified and analysed, showing how their current organisation can lead to circularity in referral systems and consequent non-intentional neglect of the needs of this client group. It is urged that proper consideration be given to the support and professional supervision of staff in this complex area of work.     

动态能力理论视角下企业社会责任行动提升的研究

企业承担相应的社会责任已经取得了学术界和业界的基本认同,在我国当前的社会环境下,通过履行相应的社会责任既有助于企业经济目标的实现,也符合政府提倡建立“和谐社会”的社会总目标的要求。文章从动态能力理论视角出发,对于动态能力,企业社会责任态度,以及企业社会责任提升的关系进行了研究分析,建立了三者之间的关系模型框架。研究表明动态能力通过企业社会认知水平和组织价值观的影响作用,促进了企业社会责任态度的形成,进而能够提升该企业的社会责任行动水平。