用舞蹈审美的方式谈谈京剧中的做、打艺术

京剧与舞蹈都是伴随人类社会生活中产生的,作为艺术的两种表现形式有很多的共同与不同,本文旨在通过一个侧面来欣赏京剧的表]艺术,来展现京剧的审美特征。以舞蹈的审美方式用形、神、乐、劲、律五方面来谈谈京剧中"舞蹈"(做、打)的审美艺术。     

论南丰傩舞的表演特色及其音乐意蕴

江西南丰傩舞渊源流长,历史悠久,遗存了大量的远古文化信息,是多元宗教、祭礼仪式、民俗、音乐、舞蹈及面具艺术的复合文化体。其傩舞表演既保留了古代傩舞的特征韵味,又融合了近代民舞的娱乐形式;其傩乐既传承了古傩礼俗精华,又随着时代变化有所创新和发展。在社会不断进步的今天,既要正确地认识它,更要积极地传承、保护它。     

民族地区高校舞蹈类专业教学资源的开发与利用

从一定意义上讲,高校之间的竞争就是教学资源开发与利用的竞争。民族地区高校舞蹈类专业教学资源的开发与利用有着先天的不足：教师资源短缺,教材资源缺乏,创作与表演实践教学资源贫乏、数字化资源匮乏。针对该现状,本文对其开发与利用对策逐一进行了探讨。     

同仁年都乎村土族“於菟”仪式舞蹈的文化蕴涵

年都乎村每年定期举行“於菟”仪式。“於菟”舞蹈虽然单一,舞蹈动作具有非情节性,但却充满象征性,为“於菟”仪式最终目的服务。舞蹈构成“於菟”仪式的主干部分,是人神关系得到交流、强化,民众凭借神灵威力达到村落“洁净”的核心。“於菟”舞蹈是集体创造的成果,被民众共同认可,超越舞蹈本体,成为一种神圣表达,具有稳定性和规范性。     

Researching youth culture and popular music: a methodological critique

In this article I argue the need for critical evaluation of qualitative research methodology in sociological studies of the relationship between youth culture and popular music. As the article illustrates, there is currently an absence of critical debate concerning methodological issues in this field of sociological research. In the first part of the article I begin to account for this absence by illustrating how early research on youth and music rejected the need for empirical research, relying instead on theories and concepts drawn from cultural Marxism. The second part of the article illustrates how the legacy of this early body of work in youth and music research manifests itself in current research which, although empirically grounded, is characterized by an almost total lack of engagement with methodological issues such as negotiating access to the field, management of field relations and ethical codes. Similarly problematic is the uncritical acceptance on the part of some researchers of their insider knowledge of particular youth musics and scenes as a means of gathering empirical data. In the final part of the article I focus on the issue of insider knowledge and the need for critical evaluation of its use as a methodological tool in field-based youth and music research.     

新疆撒拉族民族社会学调查

文章在田野调查的基础上,运用民族社会学的方法,通过对新疆聚居的撒拉族群体的生活现状、习俗、家庭 结构等方面的调查,较为完整地描述和分析了新疆撒拉族的社会现状,并对导致新疆撒拉族与其他民族之间文化 互动调适的因素作了些思考。     

《弥勒会见记》与中国戏曲——古代维吾尔族戏剧与中国戏剧之刍议

分析回鹘文戏剧<弥勒会见记>、西域乐舞杂艺等的流传,以及维吾尔散曲家的成就,可见古代西域的戏剧歌舞文化同中国戏曲的形成与发展联系密切,并作出了不可磨灭的贡献.     

African American Family and Parenting Strategies in Impoverished Neighborhoods

This article considers how qualitative insights can inform quantitatively-derived neighborhood effects theories. Neighborhood effects theories argue that inner-city areas lack social and economic resources that promote the social mobility prospects of African American children. Consequently, children who grow up in impoverished neighborhoods are at risk for dropping out of school, bearing children prematurely, and engaging in delinquent activities. Qualitative studies, however, identify family and parenting strategies that buffer children from the risks associated with inner-city residence. When these practices are used, children are more likely to complete high school, forego premature childbearing, and participate in prosocial activities. Insights from qualitative studies expand on neighborhood effects theories by identifying variations in child social mobility prospects and the processes by which conventional outcomes are achieved. More specifically, qualitative studies focus attention on important factors that permit children to succeed, despite social and economic obstacles.     

“期待视野”下的学前教育专业舞蹈教学

接受美学是以读者为研究中心的文学理论,将此理论应用于舞蹈教育并提取接受美学中的“期待视野”作为全篇理论依据,探究此理论下的舞蹈教学期待属性,分析学前教育专业舞蹈课的特殊性与其对应的期待视野,并借助“视野融合”观点从“教学内容”、“师资建设”、“应用环境”、“评价反馈”四个层面展开讨论,透视学前教育专业舞蹈课的教学策略。     

中国古代女乐及其对中国舞蹈艺术的贡献

中国古代女乐的产生 ,使中国古代舞蹈由自娱性舞蹈向表演性舞蹈发展 ,这种发展趋势必然对后世的舞蹈产生相当大的影响 ,为中国舞蹈的发展奠定了坚实的基础。