文学史家的追求永远在路上——重读《现代文学三十年》（修订版）

重读《现代文学三十年》（修订版）发现：它除了通过史料剪裁与话语机制来表达自己的文学史观之外,还有一个比较突出的特点是细部处理得非常好。史料充实,史识史见切中肯綮。同时,它又是一部充满矛盾与困惑的著作,究其原因,这是一部充满问题意识的作品,具有某种开放式、召唤式结构,在传递知识的过程中,还引领作者去思考现代文学史上还有很多问题需要继续探索。     

从清水江文书看清代贵州苗侗地区货币流通中的几个问题

通过对清水江文书中典型契约文书的梳理,对清代贵州苗族侗族地区货币流通中的银两成色、平砝标准和银钱比价关系等问题进行了初步考证。清代贵州苗侗地区的货币流通经历了从规范到失序,然后又趋于规范的过程。清代中期银两成色与平砝标准的混乱,以及银价的剧烈上涨扰乱了木材市场与土地市场秩序,加剧了苗侗社会矛盾。     

《祭侄文稿》审丑艺术研究

从感性学的角度看,长期以来,《祭侄文稿》研究的力度明显倾向于审美的一端．而从审丑维度剖读《祭侄文稿》,全篇有肥笔太过和用笔失误太多等的“缺陷”。但颜真卿用情感节奏驾驭书写节奏,用书写节奏表现情感节奏,凭借章法布局与情感节奏巧夺天工的融会而化丑为美,《祭侄文稿》堪称艺术丑表达的典范。     

论波斯细密画的伊斯兰合法性

波斯细密画以苏非神秘主义哲学思想为自己的绘画理念和理论基础,以心灵之眼即“悟眼”去觉悟所画对象的“本真”状态,被画物没有远近大小之分,也没有明暗阴影,也不表现夜色。细密画的宗旨是描绘真主创世的“蓝本”,注重被画物的普遍性与共性,因而呈现出浓厚的程式化特征。在色彩运用上,细密画以“崇高原则”为本,描绘真主眼中色彩斑斓的世界。同时,细密画画家借由俯瞰视角——被视为真主俯瞰世界的神的视角、借由苏非神秘主义中“人主合一”的学说,让自己的个体精神消融在真主的绝对精神中,从而也获得了伊斯兰合法性。由此,在反对偶像崇拜的伊斯兰文化中,细密画获得了其宗教合法性,成为伊斯兰世界的一朵艺术奇葩。     

和而不同——当代语境下的工笔重彩发展情境

当代工笔重彩是传统工笔重彩在现代文化和审美经验下变革发展的新形式,是从传统形态向现代性转型的新的艺术语言形式。在当代语境下工笔重彩的发展呈现出多元实践和多方探索的情况。文章在材料制作、色彩表现、装饰性方面对当下工笔重彩进行分析研究,探讨工笔重彩在当代语境下的发展变革所逐渐形成的"和而不同"的面貌。     

Kids Talking About Race: Tween‐agers in a Post‐Civil Rights Era

Our research examines how American children understand and talk about how race matters in their everyday lives. We draw on interviews with 44 middle school children who attend schools in an integrated county‐wide system and find that while some use color‐blind rhetoric, most children in our study know that race matters, while they offer alternative accounts for why and how. Some explain race as social inequality, while others offer cultural accounts of racial differences. Our analysis suggests that for white children, gender matters; more girls describe racial inequality than boys. For children of color, class seems to be key, with middle‐class children giving cultural explanations, including negative evaluations of others in their own racial group. We use an intersectionality framework to analyze the alternative and complex narratives children give for their own experiences of race and race relations between peers.     

Older Women of Color: A Feminist Exploration of the Intersections of Personal,Familial and Community Life

SUMMARY

This paper examines the lives of older U.S. women of color who represent racial and ethnic heritages that have a history of unequal access to sources of economic and political power in this country. These women exemplify women with vastly different cultural traditions, but are similar in that they face discrimination as women of color. The combined impact of age, gender, and racial and ethnic background is neglected within our discussions of older women. This paper contributes to our understanding of older women of color by examining the personal, familial, and community aspects of the lives of older women of color. This exploration challenges feminist gerontologists to bring the discussion of this intersection to the center as we explore and seek to comprehend the reality of older women's lives. This scrutiny creates a space for the discussion of both the threats faced by women of color in their unique juncture as old, female, and of color as well as an illumination of the strengths manifested by these women. Further the need to embrace a feminist gerontological framework when practitioners work with these populations is addressed.     

中国传统色彩研究——论紫色

本文阐述了色彩在中国传统文化中的不同地位,并着重分析了人们崇拜紫色的原因和表 现。     

英语颜色词的心理联想意义

将颜色词分成基本颜色词和实物颜色词,探讨了基本颜色词在中西方文化中的联想意义。     

建筑色彩的视觉量化分析

针对传统色彩理论存在的缺陷提出新的见解。色彩运用中只习惯于依赖直觉判断进行创作的手法,不利于建筑色彩设计的准确性,应代之以科学的态度处理色彩问题。将复杂的色彩关系量化,形成相对明确的色彩组织层次及组织原则。针对不同建筑的性质,将色彩系统与建筑风格联系起来进行分析,使内容与形式完美结合,以利于创作出优秀的建筑作品。