阿拉伯语语法推理思维的文化探析

语法是语言的结构方式和组织规则,它兼具人类共性和民族个性.语法规则是人类长期抽象思维的成果和社团约定,它反映着语言社团的文化规约和语言学家的思维方式.阿拉伯语语法与汉语截然不同,与印欧语系语言相似,属于有明显形态标记的形式语法,具有清楚的逻辑推理思维,即遵循概念、判断和推理的基础模式.本文对此现象进行了阐释,并探究其文化成因.     

阿拉伯国家联盟决策机制研究

阿盟采取不同的决策程序和方式来满足成员国复杂的利益关系和要求,其决策机制由多种要素构成,拥有多层次决策机构.阿盟决策机制既具有自身的特点,又存在一定的缺陷.从阿盟决策机制的历史变迁、决策要素的权责分配、决策程序与方式等方面进行分析,有利于系统理解阿盟决策机制的本质,也有助于理解阿盟在阿拉伯国家间以及中阿关系中所能起到的真正作用.     

北京奥运的金牌期待分析

本文从"夺取奖牌"、"关注奥运"和"奥林匹克精神"三个方面探讨了北京市民的奥运金牌期待。年龄、学历、收入、职业和户籍等五个因素对不同人群的奥运金牌期待有显著影响。最后,作者从爱国主义、生活场域及人际沟通等三个方面对不同群体的奥运金牌期待特点作出了解释。     

20世纪20年代末京津地区外报的衰落评析

本文展现了20世纪20年代京津地区外文报纸从北洋军阀统治晚期到南京政府统一全国初期被层层挤压、无法立足的衰落过程,并对后期中国政府和中国人民打击外报的缘由、手段,以及效果进行深入分析。外报的衰落标志着中国民族报业逐步摆脱外国势力,进入一个新阶段。     

陈垣与抗日战争时期的北平辅仁大学

北平辅仁大学作为一所私立天主教大学,在北平沦陷之后弦歌不辍,讲诵如恒,并得以发展。学校师生与日伪周旋,抗敌不屈,延续民族文化生命,抵制日伪奴化教育,因此赢得了"抗日大本营"的赞誉。     

论我国行政诉讼调解的理论革新

行政诉讼调解长期以来一直是一个莫衷一是的热点问题。在行政诉讼法即将修改之际,探讨这一问题具有重要的现实意义。文章总结了现行行政诉讼不适用调解原则的成因、困境,指出我国现行行政诉讼不适用调解原则陷入困境的理论误导的结果,并结合域外相关制度的经验,得出行政诉讼调解不仅是一种国际经验,而且应当奠定在服务行政理论基础之上才能得到正确的说明。     

媒介发展背景下收视注意力变化及其对电视剧创作的影响

媒介发展为大众传播带来巨大变化,影响了收视方式,也影响了观众对电视剧的注意力投入。从传统媒体时代到移动互联网时代,观众的注意力呈现出与收视氛围、收视状态变化相对应的特征变化——投入程度变深,投入时间缩短。观众的注意力从更换率低的、长时间的、无互动性的内容转移到更换频繁的、短时间的、有互动性的、社交式的内容上。在此情境下,电视剧创作必然呈现符合观众与媒介间注意力法则的新趋势——内容长度缩短,情节强度增强,以及对互动性进行一系列探索。     

Mothers' perception of their relationship with their children during displacement: A six month follow-up

The data presented in this work were gathered within the framework of the psychosocial assistance programme for families with children in one of the oldest displacement shelters in Croatia. Over a period of 6 months, the mothers (N = 58) assessed the psychosocial adjustment difficulties of their children and how displacement affected their relationship with their children (N = 109). The study revealed that as time passed in displacement, mothers talked significantly less with their children and were generally more nervous. The most common difficulties manifested by children were appetite disorders, night fears, sleeping disturbances in general, increased sweating, fear of separation from their mother, despondency and general fearfulness. Over time the reported incidence of stress-related reactions in children significantly decreased. However, after a year spent in displacement, 12% of the children still manifested five or more stress symptoms. Children with a higher incidence of disorders had mothers whose adaptation to displacement was poorer and whose relationship with their children was less favourable. Their families were more often separated. Particularly apparent was the importance of providing psychological assistance for mothers and children who are unable to cope with the stress of displacement.     

The Media Abuse of Children. Jake's Progress from Demonic Icon to Restored Childhood Innocent

While scholarly analysis of child protection and the media has grown substantially during the 1990s (Aldridge, 1994; Franklin and Parton, 1991; Kitzinger and Skidmore, 1995), studies have ignored a crucial dimension which forms the focus for discussion here. We wish to suggest that media reporting of children and child abuse may itself constitute an abusive activity. Media presentations of children and childhood, since press coverage of the Bulger case in 1993, have assumed a distinctive and sinister guise which, we argue, fundamentally revises the previously held perception of children and childhood. We suggest that this new understanding of childhood is damaging to children and, because of the impact of such media presentations on the public mood and policy climate, harms their interests. The discussion is in three parts. First, newspaper reporting of the Bulger case is analysed to reveal how coverage challenged the idea of childhood as a period of innocence and replaced it with a perception of childhood as essentially ‘evil’. Second, the characterization of Jake, the central figure in Alan Bleasdale's recent television dramaJake's Progress, is analysed to serve as an illustrative exemplar of this new construction of childhood. Finally, we consider the possible messages conveyed by such presentations to perpetrators and victims of abuse.     

《左传》鲁人赋诗考论

春秋时期,诸侯、卿大夫朝聘会盟、应对酬酢每每赋诗以言其志。与它国相比鲁人赋诗最多,他们把赋诗作为政治和社会生活的交流手段,其用诗方法更加成熟。赋诗是礼乐文明的重要组成部分,鲁人赋诗的昌盛昭示着其礼乐文化的发达程度,“周礼尽在鲁矣”同时又是鲁人赋诗兴盛的重要基础。