鲁迅与波德莱尔的话语共鸣

《野草》和《巴黎的忧郁》是鲁迅和波德莱尔的散文诗集,两位伟大的作家选择了相同的文体,运用象征手法,选择特有的意象,表达时代的抑郁和苦闷。由此形成了两者的话语共鸣,体味出新的审美典范。散文诗以其特殊的话语形态表达作者的心理情感及其想像空间,鲁迅与波德莱尔一方面具备写作散文诗的特质,另一方面时代也促成了他们选择这样的话语形态,由此透过两位大作家的文字,我们体味到两者文本之中的话语共鸣——精神的忧郁、心灵的苦闷;同时也体味到世界文学的共鸣。     

数字媒介时代文学中图像符号的叙事

在21世纪的数字网络媒介语境中,用图像符号进行叙事表达渐成主导。文学文本中的图像符号的功能也在扩大,有的图像符号在文学文本中主要起装饰美化和引发读者兴趣的作用,有的图像符号的叙事功能已经无法被语言文字取代。图像符号作为文学的辅助性符号,与语言符号一同在文学文本中组织叙事,这不但影响了文学文本的形态和审美,对文学的形态、形象和意蕴也产生了重大影响。     

‘Being called sisters’: Masculinities and black male nurses in South Africa

This study contributes to an understanding of the geographies of masculinities, by demonstrating how black South African male nurses negotiate hegemonic masculinity through citing masculine gendered acts. The research draws on qualitative data gathered from interviews with 15 black male nurses aged between 26 and 50 years who have worked in the paediatric, trauma, orthopaedic, oncology and midwifery fields for a period of not less than two years. It is argued that the colonially imposed hierarchies of race, gender and occupation merge with culturally specific pre‐existing African masculinities, and that this informed how the black male nurses experienced their gender identity in the occupation. The study demonstrates how, because of their career choice, the gender identities of the male nurses were positioned as marginalized and subordinate to the modes of a hegemonic masculinity, a gender identity only available to them momentarily. In this context, it was found that the modes of gender performativity in which the nurses negotiated and subverted their subordinate and marginal status was with the complicity of patients and other healthcare workers. This upheld the more generally assumed hegemony of masculinity in the hospital workplace. The study traces these experiences to the discourses of black masculinities during South Africa's pre‐colonial, colonial and apartheid eras and in the present day. In doing so, this study contributes to an understanding of the geographies of masculinities by demonstrating the locally specific modes of masculine performativity through which black male nurses negotiate their gender in South Africa.     

Quantifying the similarity of 2D images using edge pixels: an application to the forensic comparison of footwear impressions

We propose a novel method to quantify the similarity between an impression (Q) from an unknown source and a test impression (K) from a known source. Using the property of geometrical congruence in the impressions, the degree of correspondence is quantified using ideas from graph theory and maximum clique (MC). The algorithm uses the x and y coordinates of the edges in the images as the data. We focus on local areas in Q and the corresponding regions in K and extract features for comparison. Using pairs of images with known origin, we train a random forest to classify pairs into mates and non-mates. We collected impressions from 60 pairs of shoes of the same brand and model, worn over six months. Using a different set of very similar shoes, we evaluated the performance of the algorithm in terms of the accuracy with which it correctly classified images into source classes. Using classification error rates and ROC curves, we compare the proposed method to other algorithms in the literature and show that for these data, our method shows good classification performance relative to other methods. The algorithm can be implemented with the R package shoeprintr.     

“I am a fat baby,who moved to a fat child,who moved to a fat teenager,who moved to a fat adult”: Women’s reflections of a lifetime of body and weight concern

The present study explored how women aged 50–65 years reflect and make meaning of a lifetime of body and weight struggles. Seven purposefully selected women with longstanding body image challenges participated in interviews and reflected on their perceptions, thoughts, and emotions around their body and weight since childhood. Findings revealed consistent and consuming concerns about the body; prevalent body-related self-conscious emotions; influential social experiences that impact physical self-perceptions; and enduring impacts of weight bias, stigma, and discrimination. Collectively, these findings provide support for the stability of body disturbances and highlight the need to explore the unique body-related narratives of women in midlife.     

公共视频监控图像信息利用与保护的基本法律问题与立法规制

在智能化和法治化的新时代,公共视频监控图像信息综合应用已成为社会治理社会化、法治化、智能化和专业化的重要方式。公共视频监控系统成为政府部门和社会组织保护公共安全以及公民人身、财产安全的技术项目。公共视频监控图像信息的技术手段和法律属性需要以立法形式加以规定。公共视频监控图像信息综合应用需要在权利保护的法律制度中进行,尤其是视频监控图像信息公开使用与信息安全、隐私权保护之间的法律制度设计。因此,公共视频监控图像信息的法律规制工作应对法律主体、基本原则、权利体系、法律监管、法律责任做出明确规定。     

经典剧作的对外传播与中国国家形象建构

经典剧作是我国优秀传统文化的代表,是中国人民智慧的结晶,也是中华民族优良品德的集中体现。做好经典剧作的对外传播,有利于将客观、真实的中国介绍给世界,消除个别国家对我国国家形象的误解,对于我国的社会主义现代化进程和在国际社会树立良好的大国形象,具有积极的推动作用。     

“载道”的乌鸟——辞赋中的乌意象论略

由于地区和时代风俗的不同,人们对乌鸦的喜恶或有差异。但乌鸟意象作为中国文学中较为复杂的意象之一,却一直为文人墨客所喜爱。此意象不仅涵义丰富,而且在辞赋中又和其在诗词中有显著的区别。唐前,辞赋中的乌鸟是作者借以表达"出"、"处"生存观念的寄托,乌意象亦随辞赋作者表情达意的需要"出""处"儒道两家,其中《神乌傅》正反映了作者在"出"、"处"间的徘徊和抉择。有唐一代,乌意象的灵异祥瑞成为辞赋书写的重要内容。宋以降,辞赋中的乌鸟渐渐摆脱了其作为祥瑞之兆的使命,而被赋予了更多的儒家道德品性。此时的乌意象集忠、孝、仁等儒家大加称扬的道德于一身,堪称"奉行"儒家伦理道德的典范。而明代《孝乌赋》,凸显乌鸟意象的"孝"德,是彰扬乌意象孝行的典型作品。     

“根”文化背景下的人性呼唤——以小说《春去春来》为例

文化作为一个民族或者一个团体的生活方式,应该有共同遵守的价值标准。在中国,道德根文化影响着民族的生活方式。路一凡生活在特定的环境中,受到道德根文化的熏染,具有君子之德。他性格的形成具有两方面的原因:周围智者的教化,秀美山水的滋养。由此造就了他肉身欲求与精神欲求和谐一体的美,锤炼了他的文化自信。     

中国古代建筑艺术中的凝视

中国古代建筑非常重视"象",但"象"大多依循程式,述而不作。因建筑之"象"既是视觉的社会建构之物,也是社会的视觉建构中介。"象"致力于成为生产"凝视"的欲望机器,而"象"的生成与传播又建基于由"礼"衍生的"数"、"位"、"文"。因此,它们分别担当了建筑凝视中的形塑机制、结构技术、话语背景角色。