评茅盾1949年前的“鲁迅论”

本文集中对茅盾1949年以前有关鲁迅的论述和评价进行了梳理。主要讨论了茅盾＂鲁迅论＂的分期、内容及特点,其中涉及到茅盾在研究鲁迅作品时的几个重要理论术语和提法,指出了茅盾＂鲁迅论＂对鲁迅研究界的贡献和影响。     

现行证据法定形式批判

我国的证据法定形式只有八种,诉讼中证据只能以这八种法定形式存在,不能再包括其他任何形式的证据。这样的证据法定形式存在三个深层次问题：一是证据法定形式呈现封闭性,很多证据无法归入八种限定的法定形式;二是法定证据定义阙如,各证据法定形式内涵外延不确定;三是证据法定形式划分标准混乱,各证据法定形式相互交叉叠床架屋。这种不合理的立法规定导致了司法实践中证据法定形式形同虚设。因此,对现行的证据法定形式进行批判,着力解决上述三个问题,是非常必要的。     

A Feminist Policy Analysis Framework

ABSTRACT

Most policy analysis models, both inside and outside of social work, approach policy in a gender-neutral manner. This fact belies the many ways our society is organized around gender, which is often regulated through policy. This article outlines a model for looking at policies through a gendered lens by framing a set of questions to be asked in a feminist policy analysis. The complexities and underlying issues inherent in such a model are discussed, as well as the model's implicit goals and values. The model provides an important framework for policy analysts and teaching students about policy.     

A Feminist Political Economic Critique of Women and Investment in the Popular Media

From a feminist political economic perspective, this paper examines the relationship between gender and investment in the popular media in three interrelating ways. First, a discourse analysis was used to examine eight popular books on investment for women published in the US. The popular financial literature asks women to solve the problems that they encounter in a patriarchal household by participating in the financial market. Second, Suze Orman was used as a case study to show the commodification process of financial information through the tactics brand differentiation, multi-platform delivery, and creation of niche markets. Third, the consumption of commodities is linked to that of production and distribution by revealing the relations between the gendered production and reproduction in the household, transnational corporations, and financial institutions.     

French Friends,American Allies: Ethnic Dynamics in the Writing of Jack Kerouac

Abstract

The way the scroll text of Kerouac’s On the Road creatively manifests the writer’s unconscious concerns about his dichotomous hybrid French– Canadian–American heritage is analysed. The characters of Gabrielle Kerouac, Henri Cru and Neal Cassady are shown to operate metaphorically to symbolize Kerouac’s tumultuous relationship with the various elements of his genealogy. How the writer’s depiction of, and the protagonist’s allegiances with, these characters, who, respectively, represent French– Canadian maternity, European respectability and American unreliability, betray Kerouac’s covert attempts to reconcile his autobiographical feelings about the dualities implicit in his identity and mirror his efforts to navigate disparate cultural ideologies is examined.     

新世纪中国生态批评与生态美学的发展及其问题域

20世纪90年代开始,生态美学、生态文艺学、生态批评的研究迅速成为中国文论研究中广受关注的前沿和热点问题之一。在经过了萌发和草创阶段之后,目前已进入了学理的探索、丰富和深化阶段。尽管中国生态批评及其理论形态的生态文艺学、生态美学目前尚未完全发展成熟,但理论上的尝试和建设及争鸣已开启了学科建构的新视角、新观点,极大地推动了学科的发展,中国的生态批评和生态美学研究已初见规模,并必将在新世纪中国文论建设中承担起自己的责任。     

明代兼主唐宋派的韩愈古文与《史记》之比较批评

韩愈古文与《史记》之比较批评是韩文批评史中一个重要内容。早期关注点较分散,涉文气、文质、天才与穷而后工等议题,具体论较以文体、句法为主。明中期,兼主唐宋派针对独尊秦汉文法式,袭貌遗神之时弊,开始形成以《史记》为衡量,强调"神髓"、"本色"的比较自觉。这是接续古文统绪之举,是由唐宋以溯秦汉思潮的产物。既为其重要研究方法,所形成的侧重文统和师法的比较理论,又构成其古文理论的核心内容。     

罗蕙锡与凌淑华小说的女性意识比较研究

罗蕙锡和凌淑华分别是20世纪20年代韩中两国颇具影响力的女作家及画家.她们通过小说表现了对封建思想和男权社会制度的批判,对自由恋爱和婚姻自主的追求,对女性独立的自我意识等共同的女性意识.但罗蕙锡着重从启蒙性质的女性主义立场出发暴露女性受到的社会压迫,而凌淑华则从进步的资产阶级知识分子立场出发,揭示了男权社会制度下资产阶级女性生活以及她们的病态和渴求.在创作手法上,她们分别以中国传统绘画的余白之美和写意手法及西方绘画中的光线和色彩搭配描绘环境和背景,使作品审美价值倍增.     

Eastern Sociological Society Presidential Address: Globalizing Gender Issues: Many Voices,Different Choices1

Why are the important gender inequality issues different in various countries around the world? This question is answered using a comparative perspective on extant research about gender inequalities in the regions of the world. Just as there is diversity among individual women, based on their intersecting axes of age, race, ethnicity, class, marital status, sexual orientation, religion, or other characteristics, I argue that there is diversity across countries in their gender inequalities based on intersecting axes of transnational, regional, cross‐cutting, and unique national issues that structure gendered or feminist concerns within any country. Global and regional dynamics are the interrelated foundations on which broad gender inequalities are built. Major transnational dynamics include neoliberal economics, migration, and violence, while regional patterns include nation building and gendered inequalities in education and property ownership. On the other hand, unique national trajectories and cross‐cutting themes, found in a few nations in each region, add much greater variation to those basic inequalities. Some of those cross‐cutting themes are problems generated by health status and health services, the relationship of religion to the state, and war or militarism.     

大连文艺评论百年述评

以1945年和1978年为界,一百年间大连文艺评论发展可分为三个阶段,各阶段风姿各异,但又有着共性,即起点高,特别是始终与中国现代文艺运动的发展同步。