论认知隐喻观的理论阐释力

人类对隐喻的研究经历了一个漫长的历史阶段,隐喻理论的解释范围不断扩大。从古希腊的修辞观到对语言本体进行解释的语法隐喻以及语法化研究,从语言和思维相结合的概念隐喻到完全彻底的认知隐喻观,所有这些都对隐喻的研究做出了重大贡献。但一直以来在这些研究的背后,缺乏一种具有统一解释力的理论,即共性。从认知的角度出发我们可以发现,认知域之间的叠加和互动是各类隐喻最基本的工作原理,是隐喻的基本思维方式,是隐喻的共性;另一方面,隐喻的内容又是因民族和文化的不同而有所差异,这是隐喻的个性。     

大数据驱动下的影视文本创作 和生产模式变革

大数据正以其对规律和趋势的分析预测功能,对人们生活和影视内容生产产生日益深刻的影响。数据化思维是贯穿当下影视生产创作的重要思维形态,延承的正是传统数据化思维的基本认知过程。大数据驱动下的互动参与生产模式主要体现在,借助于受众行为数据分析,可以对导演、故事、表演、影像、剪辑和声音等影视元素进行选择,并在此基础上进行生产或再生产。这些将推动影视内容生产在技术和观念上不断变革。     

论私密信息侵权归责原则的适用

《个人信息保护法》规定侵害私密信息致人损害适用过错推定原则,《民法典》将私密信息当作隐私权的保护对象,隐私侵权属于一般侵权行为,根据《民法典》适用的是过错原则。故个人信息权益与隐私权不可避免会发生重叠保护,亟待厘清。其中,因侵害私密信息构成侵权时,个人信息处理者的财产损害赔偿责任与精神损害赔偿责任适用过错推定原则;反之则适用过错原则,但为充分保护信息主体的合法权益,应降低信息主体对过错要件的证明标准。为了避免精神损害赔偿制度的滥用以及平衡信息主体与侵权主体之间的利益,应在对精神损害的“严重性”有所要求的同时降低对其认定的标准。     

Distributed intervention: networked content moderation in anonymous mobile spaces

Given recent public focus on the use of digital tools to engage in discrimination and harassment, online platforms have come under increasing scrutiny to address online incivility. Many of these efforts have been critiqued for relying too heavily on technical tools or burdening individuals with the responsibility for reporting inappropriate actions. This research examines practices of digital bystander intervention on the anonymous localized mobile app Yik Yak. Through an analysis of the firsthand experiences of college students in the United States, this research identifies and investigates practices of networked intervention—that is, strategies of content moderation where success relies on collective action. Rooted in a general uncertainty and skepticism regarding reporting tools provided by the platform, findings suggest a preference for intervention practices that depend on distributed responsibility and networked activity. Taking inspiration from research on college bathroom graffiti—a parallel discursive environment—this paper employs the feminist theory of relational autonomy to explore the possibilities and limitations of networked intervention to cultivate individual and collective empowerment.     

Male dominance and sexism on YouTube: results of three content analyses

This study conceptually and empirically extends a study by Wotanis and McMillan in which the authors claimed that female video producers are underrepresented on YouTube and receive much more negative (including hostile and sexist) feedback than male YouTubers. Using quantitative content analysis, this study supported the claim of female underrepresentation. Among the top 100 most subscribed YouTube channels in nine different countries (N = 900 channels), with a statistically significant proportion of only 25%, female video producers were strongly underrepresented. Additionally, a second content analysis of N = 2,400 video comments directly replicated the original study’s main quantitative results. This analysis confirmed that the popular female US comedy YouTuber Jenna Mourey (“JennaMarbles”) received much more negative (including hostile and sexist) feedback than her male counterpart Ryan Higa (“nigahiga”). However, a third content analysis of N = 6,000 video comments from five other pairs of comparable comedy YouTubers did not reveal that women’s videos generally attract a larger number of negative video comments. Possibly, women attract more negative comments only if they display their sexuality (like Jenna Mourey) or address feminist topics, but not if they conform to gender role expectations. Future research directions and practical implications are discussed.     

民事责任归责问题的理论思考

民事责任的归责是指民事行为人违反法定义务或约定义务后,依什么为根据来使行为人承担强制性的不利后果。民事责任的归责基础是民事违约行为或违法行为对他人的权利或利益造成了损害。民事责任的归责基础和归责要素是两个既有区别又有联系的概念。由行为、损害、过错、因果关系、主体的特殊角色的不同组合构成了民事责任归责要素的内容。确定民事责任的归责原则需考虑以下规则:合理性规则、公正性规则、可操作性规则和逻辑性规则。     

论无效婚姻过错赔偿制度

20 0 1年婚姻法建立了比较完整的无效婚姻制度 ,这是婚姻家庭法领域的一项重大的进步。但我国目前的无效婚姻制度仍有不足之处 ,本文所述的无效婚姻过错赔偿责任就是其一。本文主要分析设立无效婚姻赔偿责任的必然性和可能性、构成无效婚姻过错赔偿责任的条件、损害赔偿的范围、无效婚姻过错赔偿责任与财产分割的关系和赔偿请求权的行使     

新闻传播学中刻板印象研究综述

“刻板印象”这一概念引入中国已有20年。在这20年中,我国新闻传播学界对刻板印象的研究主要集中于四个方面：媒介内容中的刻板印象、使用刻板印象的原因及其效果、刻板印象的突破和“反用”、具体媒介工作流程中的刻板印象。当前我国新闻传播学界在刻板印象与媒介关系的研究中似存在如下两个尚待解决的问题：首先。对什么是“刻板印象”的界定有待廓清与统一。仅从媒介内容归纳刻板印象的内容,多少有误用概念之嫌,既不能全面揭示特定时段中刻板印象的内涵,也无助于深入探索媒介与刻板印象的复杂关系。于是,如何在廓清概念的基础上,揭示刻板印象与媒介的复杂关系,也就成了当前另一个需要进一步深入的问题。     

基于联贷联保的供应链融资模式与策略研究

供应链融资模式实现了中小企业与银行的双赢。针对供应链上游的中小供应商在面临资金约束时,采取与下游核心企业达成协议结为联贷联保体的供应链金融模式,通过构建供应链金融期望利润函数,分析各供应链主体的最优策略,并进一步讨论银行贷款利率、供应商生产量等决策变量之间的相互关系及其对供应链利润的影响。     

大学生危机教育刍议

大学生危机教育,是一个由对"非典"的反思提出的崭新课题,目的在于引导学生直面自然和社会的危机,提高应对能力。作者阐述了大学生危机教育的内容,即危机意识教育、应对危机的知识与技能教育、心理健康教育、法律与纪律教育、社会责任感教育和民族精神教育,并提出了实施的基本途径。