The Romance of Surrogacy1

This article seeks to demonstrate and analyze the cultural and emotional work surrogate mothers collectively engage in on the largest surrogacy support website, http://www.surromomsonline.com . Surrogate mothers’ online stories and discussions frame contract surrogacy as a “labor of love.” Women often describe their surrogacy as a “journey” of shared love; they hope for a lasting relationship with the couple they carry for. This article explores how the language of love, learned and internalized through online communication with other surrogates, creates both a cultural conceptualization of surrogacy and a ground for action. Love and altruistic giving are consistent with close interpersonal rather than market relationships; surrogates hope for a long‐term friendship with their couple. Surrogacy journeys, however, not infrequently end in disappointment; surrogates feel betrayed when couples cut ties. As a result of collective learning, surrogates’ discussions increasingly articulate the position that love, even when unreciprocated, can lead to repeated giving; love is noble and ennobling. Surrogates find appreciation and support in their online surrogacy community where they agree that giving life is a moral good. This stance has contributed to a renewed enthusiasm to bear children for others.     

以政务诚信引领全社会诚信建设的对策与思考

国务院颁布《社会信用体系建设规划纲要（2014—2020年）》后，各省、市分别结合本地的特点制定了信用体系建设规划纲要，将全社会的诚信建设纳入规划。针对社会诚信建设的需要，在分析我国当前社会诚信缺失的基础上，提出了加强政务诚信建设，通过政务诚信建设示范引领全社会诚信建设的对策建议。     

杜甫亲情诗的情感特征和情感渊源

杜甫的亲情诗不仅数量多，而且颇有个性色彩，其情感的广阔性、深重性、真挚性非常鲜明。这一特色的形成，一方面是因为杜甫深受儒家文化尤其是儒家传统伦理道德观的影响，另一方面，也与其漂泊的人生经历和每况愈下的健康状况有关。     

在丛生的意象群落中呈现诗魂--读段光安的诗

段光安是对诗的创作规律有深切领悟的一位中年诗人，把强大的生命之火注入到丛生的意象之中，使意象成为诗人主观情思的对应物，这是段光安诗性思维的明显特征。丰富的生活积累，勤奋的艺术追求，对诗歌把握世界的方式的独特见解，感受着诗歌这一崇高的生命形式的呼唤，使他的眼前展开一道通向诗歌天国的云梯。     

诗社参照下的南宋词社活动特点

相较于诗社,词社活动明显有疏离政治的倾向,词社是在随意地结集中逐渐规范发展起来的。到了南宋晚期,词社活动已较为成熟,词社集中切磋句法、传授词艺,对词派的形成有着直接的促进作用。     

And I Still Love Them: On Touching Loss

In this article, the author performs a re‐membering practice that incorporates a relational materialist theory. It traces the disturbances that follow in the wake of three deaths in her family. Written in an autoethnographic voice, the article is a polyphonic composition of the narrative therapy approach of re‐membering entangled with the spacetimematter of silence, speaking, sitting, staying, presence, absence, loss of momentum, dreams, trees, books, cardiac pace‐makers, writing, breath, ashes, murmuring, suffering. Thus, the dispersed agencies of bodies, human and non‐human, reinvigorate a linguistic practice and the author's personal and professional life.     

苏轼词中用典及其文体学价值刍议

用典是中国古典诗词一个重要的特点，诗词中频繁用典素有掉袋书之称，在宋词中用典，往往成为作家才学的展示手段，典故使词在内涵上增添了许多文赋的色彩。它成为苏轼“以文为词”的突出表现——苏轼词中典故对于以文为词具有深刻的文体学价值。     

情感与欲望之间——论"花儿"情歌的基本文化特征

“花儿”情歌的内容,始终游走于情感与欲望之间。本文以此为出发点,简要分析和阐述“花儿”情歌的基本特征。     

青海回族"花儿"的爱情观赏析

作为口承语言民俗文化重要组成部分的“花儿”是青海各个地区的回族人民共同创造、共同享用的一种精神、生活文化 ,也是他们喜怒哀乐、爱情观、审美价值观等的真情表白。它具有深厚的艺术性 ,广泛的群众基础。本文试图通过对青海回族“花儿”的描述 ,对他们的爱情观作一粗浅的表述 ,以期为今后的“花儿”研究奉献微薄的力量     

论回族爱情叙事诗的悲剧美--以《马五哥与尕豆妹》为例

作为回族民间文学重要组成部分的爱情叙事诗,由于具有鲜明的民族特色和独特的艺术风格,在长期的传播中赢得了回族及周边各族人民的喜爱。同时,它又以粗犷、直率、沉郁的语言抒发了一种悲壮的感情,令人回味无穷。文章欲以在西北农村广泛传唱的“花儿”体叙事长诗《马五哥与尕豆妹》为例,试图利用社会人类学的功能理论来尝试性的分析回族爱情叙事诗的悲剧美。