辛德瑞拉的水晶鞋与子爵的缎烟盒--也说"灰姑娘情结"与爱玛的悲剧

<灰姑娘>中的辛德瑞拉丢下水晶鞋逃遁而去最终等来了王子和爱情幸福,<包法利夫人>中的爱玛捡到了子爵的缎烟盒后渴望着与某一个子爵一类的男人共同改写婚姻的庸俗无聊,最终走进爱情幻灭自杀的悲剧结局.在男权主宰的社会历史文化传统中,"水晶鞋"和"缎烟盒"这两个语言符号的实际所指是相同的,即女性共同的集体无意识--"灰姑娘情结",以及这一情结所导向的女性在历史的、现实的存在过程中丧失主体性的悲剧陷阱.     

浅议我国“多碎少磨”工艺与装备

为了补救球磨机效率很低而发展起来的“多碎少磨”工艺与装备 ,在我国发展快 ,机型多 ,各有特色 ,效果显著 ,但不能从根本上解决球磨机存在的问题。“碎”和“磨”有不同的特点和工艺要求 ,用“以碎代磨”取代球磨机是行不通的。球磨机更新换代的研究方向 ,应从“磨”上下功夫才行。     

长齿条的加工工艺分析

长齿条由于尺寸太长而无法在通用设备上加工,改装有车齿装置的C630-Ⅱ型车床可同时加工几十根齿条;X63型铣床采用专用铣头后也可加工,两者有不同的优缺点,决定了不同的使用场合.     

Split-plot designs for multistage experimentation

Most of today’s complex systems and processes involve several stages through which input or the raw material has to go before the final product is obtained. Also in many cases factors at different stages interact. Therefore, a holistic approach for experimentation that considers all stages at the same time will be more efficient. However, there have been only a few attempts in the literature to provide an adequate and easy-to-use approach for this problem. In this paper, we present a novel methodology for constructing two-level split-plot and multistage experiments. The methodology is based on the Kronecker product representation of orthogonal designs and can be used for any number of stages, for various numbers of subplots and for different number of subplots for each stage. The procedure is demonstrated on both regular and nonregular designs and provides the maximum number of factors that can be accommodated in each stage. Furthermore, split-plot designs for multistage experiments with good projective properties are also provided.     

关汉卿士妓之恋杂剧的审美观照

本文从六个方面对关汉卿士妓之恋杂剧予以审美观照,并从中反观作者的思想和创作倾向,总结其艺术趣尚对后世的借鉴意义。这六个方面分别是:一、女性性格的独特魅力;二、对封建伦理道德的反叛;三、对声色之好的超越;四、戏剧情节的一波三折;五、戏剧冲突的巧妙设置;六、“大团圆”结局所蕴含的悲剧性。     

罗蒂无镜真理观述评

通过对镜式真理观和符合论中的本质主义和基础主义的否定 ,罗蒂提出了一种无境真理观 ,否认人们的认识有共同基础和普遍公度性 ,主张真理的标准是一致性 ,真理的本质是协同性。无镜真理观虽具有重要的意义 ,然而 ,它不可避免相对主义和主观主义的错误     

真实与虚幻:《达洛维夫人》中的镜像意象

《达洛维夫人》是弗吉尼亚.伍尔夫实验各种独特的写作技巧的首次成功尝试。尽管小说人物貌似不相干,结构松散,但是克拉丽莎与塞普蒂莫斯紧密联系在一起。他们的语言,他们各自的内心独白如同相互在镜中的影像。通过反衬与对照,他们对于生死的律动的意识之流穿越了不同的时间和空间,使得他们从某些方面相互牵连,无法分割,从而证明他们事实上是一体的。     

A Century of Korean Narrative in Chinese Literature

东亚睦邻关系源远流长,近百年来却遭到严峻的挑战。在民族国家的多事之秋,中国文学和中华民族一道承担苦难,思考出路,在关注自己启蒙、救亡、独立和振兴的同时,也关注对自己的命运发生过深刻影响的国际力量,对朝鲜半岛民族国家的关注和认知具有特殊的文化情感和命运体悟。一百多年来,中国文学对朝鲜的认知经历了四个阶段：以朝鲜的亡国为鉴镜,反省危机四伏的中国现状;引朝鲜人民为共同抗敌、休戚与共的战友;在南北朝鲜分裂的局面下,引北方为战友使南方处于缺席状态;在“华风”与“韩流”的互动中,把文学对韩国的认知推向穿透历史、牵连血性的深度。

关键词: 中国文学?朝鲜叙事?鉴镜?互动交流

The harmonious relationship among East Asian countries has a very long history. However, it has faced serious challenges in the past hundred years. In these eventful years for our nation, Chinese literature, like the Chinese people, has endured hardships and pondered ways of extricating the country from its malaise. In addition to being concerned over China's enlightenment, salvation, independence and rejuvenation, writers have also paid considerable attention to important international forces that had a strong influence on their country's fate. Concern over and understanding of the Korean nation had a particular emotional charge and relevance to their own fate. Over the course of a century, Chinese literature's awareness of Korea went through four stages. In the first, Korea's loss of independence served as a mirror of China's own dangerous position, menaced on all sides; in the second, the Korean people were seen as comrades‐in‐arms combating foreign foes; in the third, when the Korean Peninsula was divided, North Koreans continued to be regarded as comrades‐in‐arms while South Korea was not acknowledged; and in the final stage, amidst the interaction between “China style” and the “Korean wave,” Chinese literature's awareness of Korea expanded through a penetrating appreciation of Korean history involving deep ties of courage and uprightness.     

情绪的具身观：基于第二代认知科学的视角

第二代认知科学提出的认知具身化概念旨在强调身体、动作、情境在认知过程中的重要性,并由此引发了认知领域具身性的研究。语言、情绪等人类高级心理过程的具身性日益受到重视。身体、情境在情绪体验理解中的重要性是情绪具身观的核心内容。通过回顾当前对于具身情绪的认识与研究进展,阐释具身情绪的研究意义与价值,并对具身情绪可能的研究前景与研究思路予以展望。     

论集体意向性及其在社会生活中的地位

要深入研究集体意向性,必须先回答四个问题：“意向性”为何物？意向性为什么可以是“集体”的？集体意向性有何种神经生理学基础？“集体意向性”为何重要？意向性是心灵借以指向、涉及或关于其自身以外的事物或事态的结构性特征;关于集体意向性的分析必须摆脱笛卡儿“我思”的幽灵,走出个体主义和还原性的分析,而坚持一种非还原性的整体主义;人脑“镜像神经元系统”的发现为集体意向性的存在提供了神经生理学的基础;自我、语言、规范、制度性事实都必须通过集体意向性而产生,没有集体意向性就没有任何形式的社会生活。