跨文化交际中的时空观念差异

不同文化背景的人,由于受不同文化传统的影响,其思维方式不同,在人际交往中的时间观念(如时间顺序排列、时间取向、遵守时间的态度)和空间观念(如对体距的认识、对个人领地的态度等)也存在差异。这些差异往往容易被人们忽视,从而影响交际的正常进行,甚至导致交际的失败。因此,在交往中我们应该正确对待文化差异,自觉排除文化差异的干扰。     

科技传播研究:“普及范式”和“创新范式”

国内科技传播研究在近几年渐见繁荣之势。为了促进科技传播研究在国内更好地发展，文章讨论了已得到一定发展的“普及范式”和正在发展中的“创新范式”，认为面向未来知识经济的发展，需要推进“创新范式”的科技传播研究。     

THE PARTICIPATION DIVIDE: Content creation and sharing in the digital age

This paper looks at the prevalence of creative activity and sharing in an age when the barriers to disseminating material have been considerably lowered compared with earlier times. The authors use unique data to explore the extent to which young adults create video, music, writing and artistic photography, as well as the prevalence of sharing such material online. Findings suggest that despite new opportunities to engage in such distribution of content, relatively few people are taking advantage of these recent developments. Moreover, neither creation nor sharing is randomly distributed among a diverse group of young adults. Consistent with existing literature, creative activity is related to a person's socioeconomic status as measured by parental schooling. The novel act of sharing online, however, is considerably different by gender with men much more likely to engage in it. However, once internet user skill is controlled for, men and women are equally likely to post their materials on the Web.     

公共权益合理避让问题评议——以新闻传播的视角

公共权益避让是现代司法的重要理念，新闻传播活动中也涉及到公共权益的避让问题。公共权益的合理避让会促成社会诸权益的关系和谐，达到司法保护的平衡，进而实现社会民主与公正。在新闻传播活动中，公共权益的避让应注意遵循长远平衡、定时平衡和弱势保护的原则，以达到公共权益避让的良好效果。     

STTEPping in the right direction? Western classical music in an orchestral programme for disadvantaged African youth

This article looks at STTEP, an outreach project currently housed at the University of Pretoria, which concentrates on the teaching of western orchestral instruments, plus background areas such as music theory, to disadvantaged children and youth from a variety of townships around Pretoria, South Africa. STTEP’s direction can well be described as ‘right’ – pupils are already surrounded by all kinds of global phenomena, and their formal music studies in western classical music are not making them forget their roots. In fact, the contrary has been found to be the case and some interesting cultural fusions are already seen – always a sign of a living culture.     

当代社会招呼语分析

招呼语是人们生活中最常用的交际口语.在中国,招呼语的得体使用已成为个人修养和风度的标志,并能够使运用人维系正常的社交关系.本文着重分析了当代社会招呼语的类型和招呼语运用时的影响因素,并探讨了招呼语所显现的民族文化心理,以及它在日常交际中不可忽视的沟通功能.     

Attracting Micro‐Enterprises To Learning

Micro‐enterprises, i.e. firms with less than 10 employees, are traditionally the hardest to engage in learning; they are also least likely to participate in such measures as business advice and guidance provision and initiatives to support information communication technology (ICT) adoption. Through a community‐based initiative initially targeting parents (unemployed or employed) to participate in ICT, 30 micro‐enterprises were attracted to learning for the first time. These companies had carefully avoided similar initiatives taking place locally, which emphasized business success and growth; they had only participated in this ICT skills training because of their children. The paper takes a case study approach to evaluate the reasons for participation, explores barriers and implications for those organizing similar activities, and calls for a more holistic view of owners and managers of small firms as fathers, mothers, etc. rather than just as ‘entrepreneurs’.     

道德与道德教育

通过对道德含义的剖析 ,指出道德属于关系范畴 ,并从道德起源的角度阐明道德产生的一般条件 ,进而指出我国当前道德教育存在的一些问题 ,得出道德教育应选择的途径。     

《光纤通信》实验教学改革探讨

针对以前光纤通信实验教学中存在的问题 ,本文对当前光纤通信实验教学内容及其课程安排的改革进行了探讨 ,并对今后光纤通信实验教学提出了几点建议     

Imagined Memories

Most discussions of popular music on the Internet focus on the utopian potential of new file-sharing technologies, yet applications that reproduce existing inequalities also deserve attention. Webcasting is the streaming (transmission) of digital video to multiple recipients in cyberspace. Paul McCartney's Webcast from the Cavern was a landmark case. It was a digital package staged for reproduction, and yet it felt live; in this article I explore why and offer a two-part explanation. The first part is that "live'-ness is based on an increasingly false opposition to recording, but, because that opposition still remains, Little Big Gig could seem live by adopting some trappings associated with it. The second part is that Internet use is mediated by daily life and computer users brought their own desire to the Webcast, in particular desires to see a Beatle play in the Cavern. Webcasting is an unanticipated use of the Internet that is being used to support corporate interests. With its widespread publicity, Little Big Gig helped naturalize that process.