论"意与境浑"不等于情景交融

情景交融一般是指创作主体的情感渗透于客体景物而形成的一种情寓景中的艺术形态."意与境浑"则是指诗所描写的自然环境和社会环境,不但能令处身于环境的主体感发、引起某种思想感情,而且能令读者感到这环境与情意之间的因果关系全然可信、自然天成而和谐统一.     

深化小说文本的审美内涵——兼论小说的叙述策略

小说文本深刻的内涵主要来自于作者对生活的深入发掘 ,精选品位高、审美信息量大的题材及对题材进行匠心的艺术处理。小说 ,从本质上说 ,是一种叙事艺术 ,叙述是小说存在的前提 ,是决定小说审美价值的必然因素。串连叙述与并联叙述、省略叙述与双层叙述、延宕叙述与双面叙述等是强化小说意蕴、深化小说文本审美内涵的理想的叙述策略     

民族情商——区域民族经济发展的始动力

本文就民族情商的内涵和特征作了探索性归纳和界定 ,并分析了民族情商与民族经济的关系 ,认为民族情商是区域民族经济发展的始动力。民族情商研究的意义在于提供一个新的视角去分析判断一个民族发展市场经济的内在倾向性 ,这对于帮助我国少数民族摆脱贫困 ,发展民族经济有一定现实意义     

《爵士乐》叙事话语中的历史观照

《爵士乐》是一部历史小说 ,也是一部关于历史的小说。它不但以艺术的方式重写了一段美国历史———“哈莱姆文艺复兴” ,而且还承载着莫里森独到的历史观。破碎的人物形象、爵士乐创作技巧和不可靠的第一人称叙述 ,表面上看起来与历史没有任何关系 ,事实上 ,它们都被纳入了小说家的黑人话语叙事策略 ,并曲折地传递着小说家对历史的思考。     

《一岁等于一生》:叙事的突围与窘迫

苦难与死亡是人类生存中的重要问题。老张斌新作《一岁等于一生》关于苦难的思考与言说 ,突破了对抗 /承受二元对立的既有模式 ,显示了一种新的平民化叙述的可能性。作者立足于个人真实的生存体验 ,选取另类叙事方法 ,尝试对原有文本主题的改造。由于无法挣脱叙述命题自身的遮蔽 ,也导致叙事再次陷入困境     

论冲突在影视剧中的叙事特质

冲突是叙事体影视剧的精髓,既包含了叙事内容,又是叙事手段和叙事技法.冲突的构成和起固都源于生活,为冲突提供了广阔的仅事背景.冲突以其构成的双方贯穿全剧的动作与反动作,为叙事的呈现状态,并且有其自身的审美特征.无论传统的非传统的影视剧,事实上都凭借冲突的展开推动着叙事过程.     

Constructing a Place for Religion and Spirituality in Psychodynamic Practice

A focus on spirituality has become in vogue for the media as well as for professional conferences, journals, and schools of social work. Likewise, our clients are struggling with how to integrate religion and/or spirituality with their therapy. The premise of this paper is that we have a role in assisting our clients with this integration and to consider some of the current postmodern approaches. However, in attempting such an integration it is important to retain certain parameters and guidelines that have been helpful to our clinical work. This paper will examine how to make room for religion and spirituality in psychodynamic psychotherapy and the ways in which constructivism can be helpful in this process. The influences of psychodynamic theories and postmodernism shape the discussion in the following areas: definition of terms, self-awareness, deconstruction of clients' narrative, assessment of strengths and vulnerabilities, and reconstruction of a useful narrative.     

Fate and Agency in Job Loss Narratives

While sociologists have emphasized the social sources of autobiographical narratives, there has been relatively little sociological reflection on the way that autobiographers themselves make selective use of accounts of social forces and pressures to explain their actions. This paper examines the way individuals' use of social pressures as explanations of their behavior are related to the structure of autobiographical narratives as a whole. The paper draws on empirical examples from interviews with people who are unemployed. Focusing on heroic and tragic narrative structures, I argue that the overall narrative structure is shaped by a number of factors, including the events of historical experience, the rhetorical intention of the autobiographer, and the structuring effects of social location.     

郁达夫短篇小说《青烟》的叙事结构

"五四"文学运动中小说创作取得了很大的成绩,这些成绩的取得包含着作家多方面的探索与努力。以郁达夫为代表的"沉沦小说派"在小说的叙事模式方面完全打破传统小说的叙事格局,放弃小说的"趣"———故事性和情节性,注重小说的"味"———以"情调"为动能组成叙事文本的生命整体,给文坛带来一股或清新或幽婉的氛围气,本文即是对这种"情调"结构探索的初步尝试。