霍桑寓言体叙事艺术管窥

纳撒尼尔·霍桑是美国经典作家,寓言体叙事是其作品中的基本叙事模式,对人性善恶的思考是其作品持久关注的主题.霍桑的寓言体叙事模式与其创作思想十分契合,他在丰富创新寓言体叙事艺术的同时,不断发展其创作思想,由清教传统走向人文主义.霍桑的叙事艺术与其创作思想相辅相成,二者的发展共同推动霍桑的文学创作走向成熟.     

Resistance as Sacrifice: Toward an Ascetic Antiracism

Often described as an outcome, inequality is better understood as a social process—a function of how institutions are structured and reproduced, and the ways people act and interact within them across time. Racialized inequality persists because it is enacted moment to moment, context to context—and it can be ended should those who currently perpetuate it commit themselves to playing a different role instead. This essay makes three core contributions. First, it highlights a disturbing parity between the people who are most rhetorically committed to ending racialized inequality and those who are most responsible for its persistence. Next, it explores the origin of this paradox—how it is that ostensibly antiracist intentions are transmuted into “benevolently racist” actions. Finally, it presents an alternative approach to mitigating racialized inequality, one that more effectively challenges the self‐oriented and extractive logics undergirding systemic racism, rather than expropriating blame to others, or else adopting introspective and psychologized approaches to fundamentally social problems, those sincerely committed to antiracism can take concrete steps in the real world—actions that require no legislation or coercion of naysayers, just a willingness to personally make sacrifices for the sake of racial justice.     

Social cognition,social neuroscience,and evolutionary social psychology: What's missing?

In this paper I argue that something important, and something social, is missing from contemporary accounts of social cognition, social neuroscience and evolutionary social psychology. Contemporary accounts of social cognition focus on cognition directed towards social objects, that is, towards persons and social groups. In contrast, early twentieth century accounts of socially engaged cognition focused upon beliefs and attitudes oriented to the represented beliefs and attitudes of members of social ‘reference groups’ and directed towards both social and non‐social objects. I argue that this earlier conception of socially engaged cognition should be integrated with contemporary research on social cognition, social neuroscience and evolutionary social psychology, since it poses a challenge but also an opportunity for these disciplines.     

中国绘画中的"兴"

“兴”是中国美学中的一个重要范畴,也是中国绘画创作中必须经历的心理过程。这一过程可分为“起兴”、“神思”、“灵感”三阶段。而“养兴”则是绘画前必不可少的准备工作。     

论传统伦理在鲁迅小说叙事中的境遇

在理性伦理层面，鲁迅执着地批判和反抗传统伦理，但在小说叙事伦理中却对传统伦理的诸多方面有所担待，并且充满着不可排遣的紧张冲突，这既是思想、文化转型时代人心秩序的普遍反映，更是鲁迅个体伦理困惑的体现。     

加强大学生心理健康教育迫在眉睫

加强大学生的心理健康教育是培养高素质人才的重要条件之一。当代大学生中存在的心理缺陷问题,令人担忧。本文着重分析当代大学生心理素质的基本状况,影响大学生心理健康的因素和对大学生加强心理教育的基本措施。     

电影叙事视角与观众欣赏心理

在观影过程中,不同的叙事视角决定了观众不同的接受方式和审美效果,二者存在着相互引导与制约的关系.全知视角以貌似客观的故事呈现实行隐蔽的主观操纵,使观众进入"幻觉认同"的世界.另一方面,不同的限制视角则以不同的信息传达,影响和制约着观众的接受视野和观影态度.     

民族性格的多维审视与叙事艺术的多样性探索——艾克拜尔·米吉提小说论

在当代中国民族作家中,艾克拜尔·米吉提有着重要意义。在对当代中国哈萨克民族性格的多维审视中,他的小说体现出鲜明的民族意识、历史意识和启蒙立场。同时,他在小说叙事艺术上的探索,为民族文学以及当代小说的发展提供了重要参照。     

论西部民族地区传统政治心理的现代转型

论述了西部民族地区目前普遍存在的传统政治心理及其消极影响,提出了有利于西部地区社会稳定的现代政治心理以及实现途径,指出构建民族地区政治心理的预警机制和干预机制,能有效促进传统政治心理的逆向转化,为西部地区社会稳定奠定心理基础。     

乾嘉时期戏曲评点理论发覆

清代乾嘉时期是中国传统学术文化由理学迈向朴学之重要转型期,也是中国戏曲评点理论发生转变的关键期.清代戏曲评点在清初顺、康年间达到鼎盛,乾隆以后又迅速走向衰落.较清初而言,乾嘉时期的初戏曲评点在延续中有变化,主要表现在:戏曲叙事结构理论的延续与变异、形式批评的崇尚和反剧场化的艺术追求.这是时代思潮规训和文人戏曲评点家忽视戏曲综合性艺术的"类"特征二者合力的结果,标志着古典戏曲评点日渐走向衰亡.