试论「～と会う」和「～に会う」的用法和区别

在学习和运用日语过程中 ,格助词是比较难以准确掌握和运用的 ,人们往往习惯从格助词本身去分析其语法功能。从动词词义决定其格助词在句子中的构式的角度看 ,格助词 [と ]表示行为动作的共同主体 ,格助词[に ]表示行为动作的承受者。进一步说 [～と会う ]所表达的这一 [会う ]的行为动作是双方共同的行为动作。[～に会う ]所表达的这一 [会う ]的行为动作是单方面的行为动作 ,另一方是这一行为动作的承受者     

20世纪三四十年代宁夏水利建设述论

20世纪三四十年代 ,宁夏地方当局等推出一系列水利建设措施 ,这既意味着宁夏水利事业的近代化开始初露端倪 ,也促使宁夏平原农田引黄灌溉得以延续 ,并对宁夏地方经济的恢复、初兴与抗日战争等具有促进作用     

浅析影响大学生英语自主学习能力的因素

本文对影响大学生英语自主学习能力的相关因素加以分析。     

高较辅导员队伍建设的目标定位思考

加强大学生思想政治教育，关键要加强辅导员队伍建设。建设一支高水平的辅导员队伍，必须走职业化、专业化和专家化之路。实现辅导员队伍职业化是推进辅导员队伍建设专业化和专家化的前提；专业化是辅导员职业化的升华，是辅导员走向专家化的基础；专家化是职业化和专业化建设的最终目标。     

顾客第一论

“顾客第一”有其特定的内涵,它充分体现社会主义企业的根本目的,因而是企业所有经营观念中的一个根本性观念,也是企业生产经营的一个根本指导思想。企业要实现其双重目的,促进物质文明和精神文明建设的发展,并树立各种现代经营观念,就必须坚持顾客第一。     

张岱的艺术范畴论

张岱是明清之际学术文化史上一位在史学、文学、艺术诸方面都卓有建树的杰出人物 ,特别是在文艺 -美学方面 ,其见解深刻而条贯 ,贡献尤为突出。本文从第一手资料入手 ,对张岱的艺术范畴理论做了较为系统、深入的考察 ,认为张氏是一位充分理解了艺术中各对立范畴相生相济、对立又统一的辩证关系并将之自觉应用于艺术实践过程的理论家和作家。他对诸如实在与空灵、生与熟、雅与俗等基本范畴的分析 ,都有相当深度 ,充满了辩证精神 ,有相当高的理论价值 ,是中国文艺—美学思想史不可忽视的宝贵遗产 ,对今天的文学 -艺术创作与研究仍有较高的借鉴价值。     

北魏王国国史案的背后——一场特殊形态的华夷文化冲突

北魏王国史上有一个国史案问题,本文从中华文化史学视角揭示国史案背后的华夷文化冲突。文章就"从邓渊到崔浩"、"崔浩的‘国史案’"、"崔浩其人"、"说中华史家之实录传统"四个方面展开讨论。     

Virtual Interpersonal Touch and Digital Chameleons

We studied the characteristics of hand touch with a mechanical device that approximated a handshake, and we then examined the effect of handshake mimicry on assessment of a partner. Two participants interacted with a force-feedback joystick that recorded each of their hand movements individually. The two participants then greeted one another by feeling the recording of the other person’s movements via the force-feedback device. For each dyad, one of the participants actually received his or her own virtual handshake back under the guise that it was the other person’s virtual handshake. Results demonstrated three significant findings. First, for any given participant, a metric that took into account position, angle, speed, and acceleration of the hand movements correlated highly within individuals across two handshakes. Second, across participants, these metrics demonstrated specific differences by gender. Finally, there was an interaction between gender and mimicry, such that male participants liked people who mimicked their handshakes more than female participants did. We discuss the implications of these findings and relate them to theories of social interaction.

Arranging sensations: smell and taste in augmented and virtual reality

The development of digital taste and smell underscores the importance of cultural dimensions of bodily perception in augmented reality (AR) and virtual reality (VR) devices. This can be seen in Vocktail and Season Traveller, two digital devices incorporating taste and smell. Vocktail is an AR technology that augments the experience of drinking water, or even air, through the electrical stimulation of tastebuds and the manipulation of color and smell. Season Traveller is a VR game in which the user moves through four seasonal landscapes. It uses wind, odor, and temperature in addition to the more standard audio-visual displays. The cultural dimensions of these devices can be examined using phenomenological terms. They instigate perceptual circuits, and call on and create sedimented habits. Although VR and AR are often thought of in terms of their similitude to reality, understanding Vocktail and Season Traveller this way illustrates the world-creating dimension of multisensory devices. These technologies structure and shift thresholds of taste and smell, reworking past perceptual styles and habits to develop new perceptual experiences. In so doing, Season Traveller and Vocktail throw to the fore questions about the conditions according to which people exercise their senses in digitally dominated environments.     

论道德目的论与道德工具论

道德目的论与道德工具论是两种关于道德性质、功能、作用等的伦理学说和道德价值理论。道德目的论以道德为目的 ,认为道德本身即具有内在价值和目的善 ,道德工具论以道德为某种更高目的的手段 ,认为道德只具有外在价值和手段善。二者各有所长亦各有所短 ,但都未能科学地解决人与道德的关系问题 ,犯了割裂目的与手段的错误。新道德应当超越道德目的论与道德工具论的对立 ,实现道德目的与道德手段的辩证统一。