恩施州非物质文化遗产的保护与教育——以宣恩县高罗乡小茅坡营苗寨民俗村为例

以湖北省保存较好的典型的苗族聚居地“小茅坡营苗寨民俗村”为例,研究了教育对非物质文化遗产保护的现状、作用及意义。并提出了以学校为阵地、社会为摇篮、开展具有民族特色的素质教育以保护恩施州的非物质文化遗产的建议。     

生产性保护模式下传统工艺类非物质文化遗产创业之路研究 ――以重庆土家族吊脚楼营造技艺为例

以重庆土家族吊脚楼营造技艺为例，探讨如何在生产性保护模式下开辟传统工艺类非物质文化遗产的创业之路。重庆土家族吊脚楼营造技艺目前存在传承人数量减少、实用价值减弱等问题。通过分析发现，问题产生的原因可以概括为修建难度大、社会需求少、城市建设发展、人民经济条件改善。对此，文章提出了开辟旅游市场、餐饮市场、文化市场的生产性保护建议。     

重庆市纺织类非物质文化遗产的发掘整理与活态保护

纺织类非物质文化遗产是重庆丰富多彩、独具特色的民族历史文化中一个重要的组成部分。在田野调查和文献研究的基础上探究重庆市纺织类非物质文化遗产的发掘整理与活态保护，按照纺织产业链的顺序，梳理并对重庆市的国家级、市级和区县级三级纺织类非物质文化遗产项目进行分类。基于重庆市纺织类非物质文化遗产保护的现状，提出重庆市纺织类非物质文化遗产的活态保护模式，以期通过对纺织类非物质文化遗产进行系统发掘整理、研究、利用和活态保护，使其重新焕发生机。     

‘Between underground and over ground: narratives on the identity of women insurgents in Assam’

ABSTRACT

The Assam Movement (1979–1985) has been a turning point in the politics of Assam in India that has raised the question of identity and at the same time triggered the struggle to self-determination by the insurgent organization United Liberation Front of Asom (ULFA). This paper aims to take identity as the point of departure to mark the transition of women’s role from the Assam Movement into their underground roles in ULFA. In such narratives of hero-making and patriotism, under-representation of women’s strategic involvement and self-sacrifices in the insurgent outfit often leaves the lives of the women members misrepresented and fails to highlight the in-betweens of life and death. This paper pushes the idea of identity assertion in Northeast India beyond citizenship and questions the way women’s presence in the insurgent organization gets narrated, documented, and established. Oral histories are crucial sources of data for this study.     

‘It was better when it was worse’: blue-collar narratives of the recent past in Belgrade

Based on oral history research conducted among networks of blue-collar workers in Belgrade, Serbia, this article develops three interrelated arguments regarding workers’ appraisals of the recent past (1980–2014). Firstly, although the tumultuous years of late socialism and post-socialism in Serbia have been represented by scholars as a series of ruptures, I suggest that for blue-collar workers the boundaries between socialism and post-socialism and pre-conflict and wartime eras are blurry. Secondly, despite the conditions of war and economic collapse, blue-collar accounts of the 1990s in Serbia are not universally negative. Some individuals experienced upward social mobility, strongly influenced by class and gender positioning in late socialism. Female workers who had experienced hardship during the 1980s were often better equipped to navigate 1990s ‘economies of makeshift’. Thirdly, social dislocation associated with neoliberal economic reforms since 2000 disproportionally affects blue-collar workers, reshaping narratives of late socialism and the 1990s (sometimes inducing workers to overlook or downplay coercive aspects of the Milo?evi? regime). The accounts of this diverse group of (former) workers highlight that social class, gender and generational cohort condition the rather divergent ways in which the last three decades were experienced, are remembered and continue to be reevaluated in Serbia.     

当代中国少数民族口头文学理论研究史述评

中国少数民族口头文学理论的产生和发展与现代民族国家叙事话语的演进紧密关联。在七十余年的发展历程中,其主体性已初步建立。面对着主流诗学的不重视,少数民族口头文论有着“失语症”的趋向。打破“少数民族VS汉族”“书面文论VS口头文论”“主流VS边缘”等二元对立思维习惯,以中国多民族文化互动交融为视野,展开少数民族口头文论相关研究,是建构中国文论话语实践之重要表征。     

红河哈尼梯田文化景观的形与神

在2013年6月世界遗产委员会第37届会议上申遗成功的“红河哈尼梯田文化景观”向世界展示了其“突出普遍价值”、独特性和唯一性。文化景观类型的世界遗产不仅包括外在的、有形的物质要素,而且蕴含内在的、无形的文化内涵,两者密不可分。物质要素是文化景观的“形”,文化内涵是文化景观的“神”,文化景观形神兼备、以形传神。文章从“森林-村寨-梯田-水系”四素同构的景观系统解析了红河哈尼梯田文化景观物质要素的“形”,以梯田稻作为核心的农耕文化为切入点分析了其文化内涵的“神”,并分析了两者之间的关系。在此基础上,剖析了红河哈尼梯田文化景观之所以列入世界遗产的最根本原因。通过解读红河哈尼梯田文化景观的本质,可以为其保护、可持续发展提供参考依据。     

浓缩生长因子治疗复发性口腔溃疡的疗效观察

目的：观察应用浓缩生长因子凝胶治疗复发性口腔溃疡,对患者疼痛消失的时间及愈合时间的影响。方法选择136例复发性口腔溃疡患者,随机分为实验组71例及对照组65例。实验组应用浓缩生长因子凝胶涂抹溃疡表面,3次/天;对照组用金因肽（重组人表皮生长因子）喷于溃疡表面,3次/天;比较两组溃疡愈合情况。结果疼痛消失的时间实验组3.25±0.32天,对照组4.61±0.54天,两组比较差异有统计学意义（P＜0.05）;溃疡愈合时间实验组5.15±0.74天,对照组6.81±0.78天,两组比较差异有统计学意义（ P＜0.05）。结论浓缩生长因子凝胶治疗复发性口腔溃疡可以缩短疼痛和愈合时间,具有应用价值。     

“桥头堡”视域下云南地缘文学、文化研究格局的构建与实践

在“桥头堡”视域下来探讨云南文学、文化的传承问题时,我们需要考虑引入“地缘学”视角,系统研究、总结云南古代、现当代的文学、文化资源与经验,构建古今勾连、文学文化研究结合、民族性时代性世界性兼顾的连贯融和、具有立体感的云南文学、文化研究格局,改变目前云南地域文学、文化研究忽略地缘特质,学科、古今没有很好结合的不足,从而为传承云南优秀文化、促进文化强省战略的实施做出更大的贡献。     

黎族传统染料靛蓝

通过查阅大量参考文献资料和实地走访调查,收集记录了黎族传统靛蓝染料植物的种类,靛蓝的传统加工方法、染色过程及靛蓝染色的科学原理等内容,探讨天然靛蓝染料在传统文化传承中的作用.