简论壮族五大文化遗产

南方稻作民族人文始祖洛甲及布洛陀、洪水育人神话盘古兄妹、左江花山崖壁画、歌圩的女儿、歌仙刘三姐、全国篇幅最长的民间抒情长诗《嘹歌》,及壮族原生态民歌,是广西壮族五大文化遗产。文化遗产是建设先进文化的民族根基,抢救文化遗产与建设首府先进文化密切相关。     

水粉风景画写生教学浅议

本文就水粉风景画写生教学的相关问题加以浅议。     

Scrutinizing an algorithmic technique: the Bayes classifier as interested reading of reality

ABSTRACT

This paper outlines the notion of ‘algorithmic technique’ as a middle ground between concrete, implemented algorithms and the broader study and theorization of software. Algorithmic techniques specify principles and methods for doing things in the medium of software and they thus constitute units of knowledge and expertise in the domain of software making. I suggest that algorithmic techniques are a suitable object of study for the humanities and social science since they capture the central technical principles behind actual software, but can generally be described in accessible language. To make my case, I focus on the field of information ordering and, first, discuss the wider historical trajectory of formal or ‘mechanical’ reasoning applied to matters of commerce and government before, second, moving to the investigation of a particular algorithmic technique, the Bayes classifier. This technique is explicated through a reading of the original work of M. E. Maron in the early 1960 and presented as a means to subject empirical, ‘datafied’ reality to an interested reading that confers meaning to each variable in relation to an operational goal. After a discussion of the Bayes classifier in relation to the question of power, the paper concludes by coming back to its initial motive and argues for increased attention to algorithmic techniques in the study of software.     

Improved estimation methods for unrelated question randomized response techniques

The randomized response technique (RRT) is an important tool, commonly used to avoid biased answers in survey on sensitive issues by preserving the respondents’ privacy. In this paper, we introduce a data collection method for survey on sensitive issues combining both the unrelated-question RRT and the direct question design. The direct questioning method is utilized to obtain responses to a non sensitive question that is related to the innocuous question from the unrelated-question RRT. These responses serve as additional information that can be used to improve the estimation of the prevalence of the sensitive behavior. Furthermore, we propose two new methods for the estimation of the proportion of respondents possessing the sensitive attribute under a missing data setup. More specifically, we develop the weighted estimator and the weighted conditional likelihood estimator. The performances of our estimators are studied numerically and compared with that of an existing one. Both proposed estimators are more efficient than the Greenberg's estimator. We illustrate our methods using real data from a survey study on illegal use of cable TV service in Taiwan.     

Identity Work,Techniques of Neutralization,and Deviance: Exploring the Relationship Among Older Adult Gamblers

This study investigates the value of techniques of neutralization in understanding how people involved in marginal to widely deviant behaviors perform identity work. Based on 33 in‐depth interviews with older adult gamblers, we show how techniques of neutralization are used to align personal and social identities. We describe the techniques of neutralizations our participants use along a continuum of gambling involvement, showing how techniques differ in variety and content and are contingent on larger narratives about appropriate behaviors, identities, and selves operating in contemporary society. Our research helps to refine sociologists' understandings of relationships between levels of involvement in deviant behaviors and identity work.     

Establishing a new scopic regime: the new landscape painting of Mao’s era

ABSTRACT

After 1949, with ‘serving the people’ established as the basic guideline of art, the reform of traditional landscape painting, which had been appropriated by the cultural elites for thousands of years, was put on the agenda as well. Beginning from the early of 1950s, there were continual debates on the reform of traditional Chinese painting within the art field, through which many artists gradually reached a consensus on the development direction of Chinese painting. At the same time, stimulated by the large-scale xiesheng movement sponsored by the government, Chinese landscape painting changed dramatically in subject, theme, and brushstroke technique, and developed a new style which has its own signifying system. Blending both Chinese and western drawing skills, the new landscape painting successfully created a unique scopic regime, which can establish an organic relationship between personal aesthetic experience and collective historical experience. As a prominent cultural achievement of Mao’s era, the new landscape painting embodies the cultural politics and the technologies of the self at that time.     

近现代中国画论与民族精神之考释

从新文化运动到抗日战争爆发之前,关于中国画的论争成为一个突出的文化景观。各种派别的论者对于绘画整体功能的认识相当一致,并不约而同地将其上升到国家、民族复兴的高度。抗日战争时期,各画种都为民族救亡作出了积极贡献,文艺家们的画学思想中关于民族复兴、民族精神的倡导更加鲜明有力。当代关于中国画体现民族精神的提法与近现代史一脉相承,并融入了民族文化复兴的主流。     

文人书画起源问题研究

文人书画艺术是中国古代精神文明成果的集中展示形式之一,在一定的历史时期,对于中国书画艺术的健康发展起 到了积极的推动作用。书画艺术同源发展,但文人之书与文人之画的发展却有先后之别。文人书画的出现与封建经济的发 展,文学艺术的深刻影响,士人阶层的出现,篆刻艺术的发展,新材料的运用,审美观念的变革等均密切相关。探索文人书画 的起源对于正确认识文人书画的是非功过,特别是对现当代各级美术教育有着重要的参考意义。     

康有为绘画改良思想刍议

康有为是中国近代史上伟大的思想、政治改良者．他在绘画上也提出了一些变革的主张．在强调绘画的功用，提倡西洋画，贬抑文人画方面都有鲜明的论点，虽有失偏颇．但给当时沉寂的中国画坛刮来了新风．并冲击、影响了中国的绘画技法和美学观念。     

功能派翻译理论与中文电影片名的英译

德国功能派翻译理论认为,翻译的策略和方法与文本类型相关,并由译文预期的目的或功能决定。电影片名属于呼唤型文本,其主导功能就是通过某种特定的方式为观众提供信息,达到吸引观众的目的。中文电影片名翻译成英语时,必须考虑中英电影片名各自的命名特点以及电影片名的感染功能,恰当运用音译、直译、增减译法、改译、重新拟定等各种翻译方法,以达到吸引英语观众的最佳效果。