“和谐”与“斗争”——对90年代以来散文发展的思考

散文热从 90年代已经成为一种引人注目的文化现象。其背后的主导力量有二 ,一是商业文化的发达 ,市民阶层的崛起 ;二是知识分子传统的社会情结在起作用。二者既对抗互补 ,又相生共容 ,从而生成了一个活跃多元的文化空间     

后新时期的商业大众类知青小说分析

商业大众类知青小说在后新时期知青小说中占据着压倒性的数量优势,池莉、叶辛、晓剑等许多作家都是这类小说的创作者.它主要重视性、寻宝、谋杀、侦破、奇风异俗等常规性猎奇要素,偶尔也会运用狂欢要素和三角恋等古老原型,表现出了强烈的娱乐性和刺激性.这种特征也渗透到政治权威类和纯文学类知青小说中,具有着强大的影响力.此类小说的后果是将历史娱乐化、肤浅化,使历史真实被享乐性需求所覆盖,也造就了主体的自欺态度,它同时使作家被物质欲望所俘获而无法超越时代,使文学成为刺激品,进而也使读者失去精神的深度而碎片化.     

Everyday tragedy and creation: Translated from the French by Karen Isabel Ocaña

In this essay, Michel Maffesoli exalts the poetry of the everyday, and a way of being that, paradoxically, opens one up to life through rituals that smack of a quest for divine nothingness. ‘Everyday Tragedy and Creation’ traces a series of connections: between Benjamin’s particular form of empirical mysticism and the notion of messianic time, the vitalism of Nietzsche (and tangentially his rediscovery of the Greek notion of tragedy and destiny), that of Bergson with his concept of duration, as well as the sociological hermeneutics of Dilthey. In the course of his discussion, Maffesoli invokes Verlaine, Rimbaud, street theatre and Eliot, and proposes a Zen-like approach to everyday happiness. More generally, Maffesoli rejects the temporality of modernism and drama and celebrates instead the ‘non-time’ of the tragedy of living in the present within a medium of communal images and practices.     

教育可寻租下的高等教育机会平等问题探讨

随着经济社会的发展，能否接受高等教育越来越成为衡量公民是否有机会实现社会地位升迁的重要因素。但高等教育作为一种有限的稀缺资源，如何有效地分配关系着高等教育机会平等的研究内容。本文认为，在精英型高等教育模式向大众型高等教育模式转变的过程中，教育的可寻租性导致了有差别的机会平等的丧失，也可能导致共享平等机会的降低。     

《天问》主题新论——兼说屈原精神痛苦的原因

神话传说所叙述的内容曾经被一定群体的人们当做历史真实来看待.这些内容曾经是大众知识(有时甚至可以称为常识)的重要组成部分.屈原在<天问>中对神话传说的否定和批判,实际上是为了证明大众知识的虚妄,并维护屈原唯我独醒的自我评价.屈原成功地否定了大众知识,但他并没有建立起自我认可的知识体系,破而未立,有为无守,这是他精神痛苦的根本原因.     

A Feminist Political Economic Critique of Women and Investment in the Popular Media

From a feminist political economic perspective, this paper examines the relationship between gender and investment in the popular media in three interrelating ways. First, a discourse analysis was used to examine eight popular books on investment for women published in the US. The popular financial literature asks women to solve the problems that they encounter in a patriarchal household by participating in the financial market. Second, Suze Orman was used as a case study to show the commodification process of financial information through the tactics brand differentiation, multi-platform delivery, and creation of niche markets. Third, the consumption of commodities is linked to that of production and distribution by revealing the relations between the gendered production and reproduction in the household, transnational corporations, and financial institutions.     

我国流行文化研究述评

进入21世纪以来学界对流行文化问题的研究十分活跃。文章尝试梳理这些研究成果,在对流行文化研究内容、研究方法、研究课题、研究热点进行分析后认为,流行文化研究紧跟时代发展步伐,学者努力解决社会发展提出的新问题,取得了不俗的成绩。同时,流行文化研究也存在一些不足,诸如对策研究简单、缺乏对流行文化现象背后的文化特质、传播机理的研究等。帮助青年在享受文化多元选择的同时,选择和接受健康、积极、乐观向上的科学文化和社会主流文化,学界仍要孜孜不倦地努力。     

Feminist Discourse and the Hegemonic Role of Mass Media

There has been a notable cultural trend in which feminist concerns are conveyed through many popular culture texts in South Korea since the early 1990s. Many different social groups and organizations have been engaged in the formation of feminist discourse in popular culture, among them the mainstream media. To broadly address the role of media in incorporating feminist discourse within the dominant ideology in specific socio-economic contexts, the research sought to identify the ways in which feminist discourse was generated and/or assimilated into the dominant ideology in newspaper content about the messages in the two television dramas Lovers (1996) and The Woman Next Door (2003) and other socio-cultural phenomena surrounding the dramas. Newspaper content became more favorable to the sexually liberated female characters and acknowledged changing gender roles as a current socio-cultural trend. However, it never questioned the nuclear family system itself—which occupies the hegemonic realm in patriarchal capitalist society.     

论鲁迅的"黑色幽默"

鲁迅常以冷静从容的幽默笔法叙述一些沉重、悲惨乃至残酷的场面或事物 ,这种笔法具有现代“黑色幽默”的性质。此种黑色幽默用于正面的人或事 ,未免不够严肃或慎重 ,但另一方面也表现了鲁迅对残酷现实的愤激之情 ,显示了他“敢于直面惨淡的人生 ,敢于正视淋漓的鲜血”的勇气     

文学的“狂欢”与文学研究的“复调”

随着文学的“泛化”和大众文化研究的兴起 ,文艺学科面临着危机与挑战。文章阐述了文学及文学研究的现状 ,分析了危机意识生发的原因 ,并力图提出有操作性的应对策略