教育可寻租下的高等教育机会平等问题探讨

随着经济社会的发展，能否接受高等教育越来越成为衡量公民是否有机会实现社会地位升迁的重要因素。但高等教育作为一种有限的稀缺资源，如何有效地分配关系着高等教育机会平等的研究内容。本文认为，在精英型高等教育模式向大众型高等教育模式转变的过程中，教育的可寻租性导致了有差别的机会平等的丧失，也可能导致共享平等机会的降低。     

《天问》主题新论——兼说屈原精神痛苦的原因

神话传说所叙述的内容曾经被一定群体的人们当做历史真实来看待.这些内容曾经是大众知识(有时甚至可以称为常识)的重要组成部分.屈原在<天问>中对神话传说的否定和批判,实际上是为了证明大众知识的虚妄,并维护屈原唯我独醒的自我评价.屈原成功地否定了大众知识,但他并没有建立起自我认可的知识体系,破而未立,有为无守,这是他精神痛苦的根本原因.     

A Feminist Political Economic Critique of Women and Investment in the Popular Media

From a feminist political economic perspective, this paper examines the relationship between gender and investment in the popular media in three interrelating ways. First, a discourse analysis was used to examine eight popular books on investment for women published in the US. The popular financial literature asks women to solve the problems that they encounter in a patriarchal household by participating in the financial market. Second, Suze Orman was used as a case study to show the commodification process of financial information through the tactics brand differentiation, multi-platform delivery, and creation of niche markets. Third, the consumption of commodities is linked to that of production and distribution by revealing the relations between the gendered production and reproduction in the household, transnational corporations, and financial institutions.     

我国流行文化研究述评

进入21世纪以来学界对流行文化问题的研究十分活跃。文章尝试梳理这些研究成果,在对流行文化研究内容、研究方法、研究课题、研究热点进行分析后认为,流行文化研究紧跟时代发展步伐,学者努力解决社会发展提出的新问题,取得了不俗的成绩。同时,流行文化研究也存在一些不足,诸如对策研究简单、缺乏对流行文化现象背后的文化特质、传播机理的研究等。帮助青年在享受文化多元选择的同时,选择和接受健康、积极、乐观向上的科学文化和社会主流文化,学界仍要孜孜不倦地努力。     

Feminist Discourse and the Hegemonic Role of Mass Media

There has been a notable cultural trend in which feminist concerns are conveyed through many popular culture texts in South Korea since the early 1990s. Many different social groups and organizations have been engaged in the formation of feminist discourse in popular culture, among them the mainstream media. To broadly address the role of media in incorporating feminist discourse within the dominant ideology in specific socio-economic contexts, the research sought to identify the ways in which feminist discourse was generated and/or assimilated into the dominant ideology in newspaper content about the messages in the two television dramas Lovers (1996) and The Woman Next Door (2003) and other socio-cultural phenomena surrounding the dramas. Newspaper content became more favorable to the sexually liberated female characters and acknowledged changing gender roles as a current socio-cultural trend. However, it never questioned the nuclear family system itself—which occupies the hegemonic realm in patriarchal capitalist society.     

论鲁迅的"黑色幽默"

鲁迅常以冷静从容的幽默笔法叙述一些沉重、悲惨乃至残酷的场面或事物 ,这种笔法具有现代“黑色幽默”的性质。此种黑色幽默用于正面的人或事 ,未免不够严肃或慎重 ,但另一方面也表现了鲁迅对残酷现实的愤激之情 ,显示了他“敢于直面惨淡的人生 ,敢于正视淋漓的鲜血”的勇气     

文学的“狂欢”与文学研究的“复调”

随着文学的“泛化”和大众文化研究的兴起 ,文艺学科面临着危机与挑战。文章阐述了文学及文学研究的现状 ,分析了危机意识生发的原因 ,并力图提出有操作性的应对策略     

大众传媒与中国现代通俗小说创作

20世纪中国现代大众传播不仅影响了中国现代通俗小说的发展,还影响了现代通俗小说的审美状态.从报纸、出版业、电影艺术等不同方面,现代大众传播催生了中国现代通俗小说的产生,影响了中国现代通俗小说的发展走向、表现形态,使之更具有了大众性.但是,它也带来了中国现代通俗小说的"新闻化倾向".     

作为"制作"的通俗文学生产 --一种批判性考察

如果纯文学生产是以独创性为特征的"创作",那么通俗文学生产则是以标准化为特征的"制作"。通俗文学生产是一种为市场消费而进行的生产,受到商品交换逻辑的支配,受到现代社会的大众群体需求的制约,这是导致通俗文学生产成为"制作"的原因。通俗文学生产的特征为计划性、标准化、复制性。     

明代"通鉴"类史书之普及与"按鉴"通俗演义之兴起

明代"通鉴"类史书相当普及,它既是对宋元两代推崇、研习《通鉴》之风气的承续与发扬,同时又与明代统治者的重视与提倡密不可分。"通鉴"类史书之普及,直接导致了明代中后期通俗历史教育的风行和"按鉴"通俗演义的兴起,它们有效地推动了历史知识的民间化和长篇章回体历史小说的产生。