试论电视剧创作与当代中国核心价值观的构建

电视剧参与建构和传播核心价值观具有必然性,这种核心价值观包含和谐的社会关系、家庭关系以及人与自然的关系,建构和传播的方法是运用"中和原则"和塑造"卡里斯马"型人物。     

对教育部戏剧戏曲学专业(1990年～2012年)立项项目的统计分析

本文以1990年至2012年间的教育部社科基金戏剧戏曲学专业的立项项目为研究对象,从立项数量、立项课题分析、立项项目所在单位等方面进行研究,看到了20多年间戏剧戏曲学的研究内容和研究方法逐渐向纵深方向的立体式发展趋势,体现了近20年来戏剧戏曲学立体式的发展局面和发展过程。这些立项项目在这一学科研究中存在不足与可待发展的地方。     

论中国戏曲的文化背景和生存环境

中国的戏曲和世界上其他国家和民族的戏剧相比有着自己独特的表现方式,这与中华民族的整体文化是一致的,并且和戏曲的生存环境有直接的关系。本文拟从文化背景和生存环境两方面探索中国戏曲的一些特征。     

"Having it Ally ": Popular Television (Post-)Feminism

This article analyzes the impact of the built environment on the narrative development of two contemporary television series, 24 (2001–2010) and Alias (2001–2006). The analysis begins with the primary sets used in 24 and Alias, paying particular attention to the ways that these sets establish the series within the genre of espionage dramas, and to the ways that they establish a particular set of gender relationships. This is followed by an examination of broader spatial concepts, showing how the two series negotiate the gendered boundaries between the domestic sphere and the professional sphere. By highlighting the connections between architecture, space, and gender in these series, this essay will demonstrate how the analysis of on-screen spaces can reveal the ideologies of individual media texts and the genres of which they are a part.     

Confucianism in the Chinese media: an analysis of the revolutionary history television drama In Those Passionate Days

This paper explores the relationship between revolutionary history television dramas and the social context in which these dramas are televised in China with In Those Passionate Days serving as an example. Specifically, the paper focuses on the construction of the hero in the drama and the ways in which audiences' interpretations of the drama are indicative of a contemporary revival of Confucian values and practices in Chinese society. The audience is people born after 1980 as this generation is often related to a new generation in China that values independence and hedonism, unlike their parents. Based on a reception analysis of the 1980s-generation viewers of the drama, the paper shows that In Those Passionate Days in the participants' views is structured around the Confucian values of benevolence, qing, and filial piety – values the viewers also found desirable and practiced in their daily lives. The study concludes with the view that the media is key to promoting historically grounded values and practices that legitimize the leadership of the state and provide a moral code for social relationships in contemporary China.     

中国相声的艺术本体新辨

相声是中国喜剧的典型代表,一直被定位在“语言的艺术”,事实上它不单纯是一种语言艺术,其艺术本体介乎表演艺术和叙事艺术之间：是听觉艺术,也是视觉艺术;其戏剧情境极具开放性,表演元素兼容并服务于叙述元素;它包含了叙述体和戏剧体并存的两种结构;相声演员将叙述者和角色集于一身。总之,相声成为兼容了戏剧体和叙述体成为典型的兼体艺术——“叙述体戏剧”。     

通往完美社会的暴力——邦德戏剧暴力主题深层探源

爱德华·邦德是20世纪50年代以来英国最受争议的剧作家。他戏剧创作的最大特点是对暴力的描写,血淋淋的暴力场面让观众嘘声一片,触目惊心。文章从新现实主义戏剧的影响、作者特定的人格底蕴和独特的社会秩序观入手,对邦德戏剧创作中的“暴力”主题进行深层探源,发现邦德的创作意图不是为了描写暴力,而是意在通过暴力引发人们的思考,找到解决社会问题的途径来构建完美社会。     

建立独特审美品格的民族戏剧学——写在《中外民族戏剧学研究》一书出版之际

《中外民族戏剧学研究》立足于少数民族戏剧的创作与表演进行探讨,既有详实的文献梳理也有扎实的田野调查。该著作中提出的"民族戏剧学"是对现有的"戏剧戏曲学"学科概念的革新,笔者希望通过该著作的出版,进一步谈谈对"民族戏剧学"的学科建设在学科界定、研究内容与方法等方面的思考。     

Endless Interrogation

This paper takes a revisionist look at the first episode of Prime Suspect (1991–2006)—hereafter known as Prime Suspect (1)— in what was to become a cycle of dramas, conceptualised, and in the first instance, written by Lynda La Plante, based upon the female Detective Chief Inspector character, Jane Tennison. Critical attention has hitherto tended to shift away from Brunsdon's (2000) ground-breaking work on Prime Suspect (1)'s “equal opportunities discourse” toward critiques which emphasise its noir, hardboiled and literary, traditions. The paper thus seeks to rehabilitate Prime Suspect (1)'s televisual—rather than derived—lineage, in an adapted form of dramatised documentary practice. By using insights drawn from Kristevan psychoanalytic analysis I undertake an analysis of the programme in order to demonstrate how the masculine police series drama genre may be not only intervened, but is ultimately deconstructed by, the abject female body.     

抗战时期重庆戏剧期刊的演进及其影响

作为传播戏剧的重要载体之一,抗战时期重庆的戏剧期刊见证了抗战戏剧创作、戏剧理论批评、抗战戏剧运动发展的全过程,在分布时段、编辑、作者、刊物的审美取向和内容上都具有鲜明的演进特点。可以说,抗战时期重庆戏剧期刊是同期全国戏剧发展演变最为直接,也是最重要的历史见证者,推动了戏剧运动的发展。