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There is a wide range of media representations of disability, but not just because of the societal stigma. They are a function of norms of journalism as well as biases among people with disabilities themselves. This article is a contribution to the issue of social representation of persons with disabilities from a Romanian perspective, which will help to witness the transformation of the general perception of persons with disabilities by seeing the evolution of the terms used to name disability in crucial years of the socio‐political development of Romania (1989, 1990 and 2003). The existence of different categories of representations will reveal the evolution of society, which switched from a culture of protection to a culture of promotion for people with disabilities. 相似文献
22.
颐和园是一座绝无仅有、举世无双的清代皇家园林,它的景观艺术代表了中国皇家园林文化对世界的观念,它的建造艺术是这个国家文化风格、文明程度的体现,是中华民族哲理智慧《周易》的结晶。这主要体现在颐和园造园艺术的三个方面:(1)阴阳互补、阴阳结合的园林选址;(2)以《周易》八卦卦象方位布局的结构;(3)依地形层层升高对世界结构想象的园林设计,从下到上依次为水底龙王世界、水面码头、桥、岛屿世界、岸边世俗社会界、官府朝廷界、艺术界、神仙菩萨界、佛界、佛教世界四大部洲组成的景观设计。 相似文献