江淹游览诗论析

江淹在泰始年间作有多首游览诗。这些游览诗流丽中带有峭拔之气,语言简约清新而带有复古之气,景物描写融壮美与优美于一体。与鲍照、谢朓二人的游览诗相比,江淹游览诗在总体风格、语言艺术、景物描写等方面兼具二人的特点,体现了他在从元嘉诗歌发展到永明诗歌的诗风转化过程中的承上启下作用。     

浪漫主义时期钢琴音乐的演奏风格及艺术特色

本文通过对浪漫主义时期几位重要钢琴作曲家演奏创作风格的分析,归纳出该时期的钢琴音乐具有情感性、炫技性、民族性、标题性四个特性,力图较为宽泛地对这一重要时期的钢琴音乐有一个概括性的认识。     

电影《武训传》的批判对郭沫若的重大影响——谈郭沫若的学术品格与学术风格的转变

郭沫若原来对武训的评价是持论公允的,兼顾了武训其人,把握了历史但又没有全部把握历史的两个侧面。经过文艺上的批判运动,郭沫若的学术品格、学术风格发生了两种转变:由原来的知识分子传统的代表者向主流文化的代表者转变;由人民本位的陈述立场向官本位的陈述立场转变。这是"左倾"政治对文化、学术的挟持和强制性要求的极不正常的产物。因此,我们探讨《武训传》批判对郭沫若学术品格、学术风格转变的影响,不仅有利于我们研究郭沫若,而且有利于整个中国现当代文学的研究。     

文学史论楚辞兴起因缘之回顾探讨

今日台湾常见之九种中国文学史著作,在分析、探讨楚辞兴起之因缘时,有七种忽略了屈原对于“楚辞体”创造之重要地位,有一种对此论及之比重较少,只有王忠林等编写的《增订中国文学史初稿》对此论述得最为扼要、全面。结合当代楚辞研究的相关成果,反恩文学史针对此一议题之处理,有两点不容忽视：其一为楚辞名义问题,牵涉到作者采用的是广义或狭义的定义;其二为“南北之辨”,则是如何看待楚辞与南、北文化之间的渊源。     

女同文学叙事比较——以霍尔和邱妙津的同性恋代表作为阐释文本

英国20世纪初的女作家拉德克利夫·霍尔的《孤寂深渊》,是英语文学中的第一部女同性恋小说,被誉为＂女同性恋者的圣经＂。《鳄鱼手记》是当代台湾著名女同性恋作家邱妙津最成熟的小说之一,突破了之前同题材作品情欲规避的传统,在台湾女同性恋文学史上具有开拓性的意义。霍尔和邱妙津本身都是同性恋者,这两部都源自于作家本人切身体验的作品,通过不同的母题、叙事风格和叙事策略,展现了在不同文化环境中的女同性恋者应对男权与异性恋社会的方式的差异性。     

Gender identity and lexical variation in social media

We present a study of the relationship between gender, linguistic style, and social networks, using a novel corpus of 14,000 Twitter users. Prior quantitative work on gender often treats this social variable as a female/male binary; we argue for a more nuanced approach. By clustering Twitter users, we find a natural decomposition of the dataset into various styles and topical interests. Many clusters have strong gender orientations, but their use of linguistic resources sometimes directly conflicts with the population‐level language statistics. We view these clusters as a more accurate reflection of the multifaceted nature of gendered language styles. Previous corpus‐based work has also had little to say about individuals whose linguistic styles defy population‐level gender patterns. To identify such individuals, we train a statistical classifier, and measure the classifier confidence for each individual in the dataset. Examining individuals whose language does not match the classifier's model for their gender, we find that they have social networks that include significantly fewer same‐gender social connections and that, in general, social network homophily is correlated with the use of same‐gender language markers. Pairing computational methods and social theory thus offers a new perspective on how gender emerges as individuals position themselves relative to audiences, topics, and mainstream gender norms.     

Televisual pregnancy beauty

Theorizing the contours of televisual pregnancy beauty, this essay demonstrates how televisual stylistics construct and communicate a political ideology of pregnancy. When the crime dramas Bones and In Plain Sight incorporated their star actors’ pregnancies, they produced different televisually styled portrayals of pregnancy; these medium-specific portrayals play an important role in how pregnancy itself is culturally conceptualized. Although pregnancy beauty, the commodification and sexual objectification of the pregnant and postpartum body, has been analyzed in ways that link it to post-industrial, neoliberal, capitalist, and patriarchal forces, this analysis demonstrates how televisual style sets the scene for this broader discourse. Specifically, I contend that the costuming, blocking and staging, cinematography, and editing determine how the pregnant body appears, and this then communicates a clear ideology to viewing audiences. Through these two case studies, I analyze contrasting televisual styles and argue that while Bones’ style disciplines the pregnant body and In Plain Sight’s style welcomes the pregnant body, both styles enact a televisual pregnancy beauty that commodifies pregnancy.     

汽车化的城市居民生活方式

汽车化引起城市居民生活方式的巨大变化,主要表现在居住方式、购物方式、出行方式、休闲方式四个方面。在我国汽车化迅猛发展之际,考察、分析和评价这些新的生活方式,有重要的现实意义。     

中国报告文学文体特性的历时考察

历时性考察中国报告文学文体特性的形成、变异和发展．可以见出报告文学文体特性由一些基本元素组成一定结构,其内涵在发展中相继呈现,其中有深化和丰富,也有异化和扭曲,似乎完成了一个“正-反-合”的过程。政治制导是报告文学文体特性发生偏离的最主要的原因。     

《二十四诗品》之典雅、清奇及其与孟浩然诗风

学术界一般认为《二十四诗品》（简称《诗品》）与孟浩然诗风关系密切。这是有道理的,但相关的具体论证还很不够。笔者以为,《诗品》中的《典雅》《清奇》二品与孟浩然诗风关系尤密。本文即先对《诗品》中《典雅》、《清奇》两品作具体研究,进而对孟氏诗风与此二品的关系作多方面的具体分析,从而对《诗品》与孟浩然诗风的密切关系予以确证。