县城城市空间形态演进的规律和发展趋势——以闻喜县城为例

论文选取闻喜县城城市作为研究对象,以城市建设用地和城市空间演进作为切入点,从城市外部形态和内部形态两个方面,着重总结现代闻喜城市形态演进的功能与格局等特征,总结城市空间形态演进历程中存在的基本规律,并结合当前闻喜城市空间形态发展存在的问题,对未来闻喜城市空间形态发展提出建议,进而提出中小城市应通过传承和优化城市空间格局的手法来进行人居环境营建.     

个人信息网络侵权责任形式的分类与构成要件

对传统侵权责任及其构成要件的相关概念和理论问题,学界一直存在分歧和模糊之处,对其进行反思和澄清,便于更加准确地理解其含义,也便于网络侵权责任的顺利界定与运用。以侵权责任的一般构成要件为基础,结合个人信息网络侵权的特点,着眼于具体责任形式,在分类研究的基础上,来确立个人信息网络侵权责任的构成要件,具有较强的理论与现实意义。     

蔡元培音乐美育思想主要内涵及其具体实践

蔡元培先生是我国近代音乐教育的积极提倡者和实践者,其音乐美育思想主要内涵包括:以提高国民素质为目标的普及音乐思想,东西方音乐融合创新思想,重视挖掘民族传统音乐思想,重视音乐美育的社会作用思想等。同时他注重身体力行,在北京大学等地实践其音乐美育教育的思想。     

中古赋论批评形态之类型、特征与影响

中古赋论论题广泛、内涵博赡,以重"情"尚"丽"迥别于两汉赋论的依"经"立论。而且,中古赋论批评形态也非常丰富。在汉代批评形态甚为单调的情状下,中古出现了诸如赋序、史传、笔记、选本以及赋学专论等形貌各异的批评形态。它们呈显状貌繁富、表述随感漫议、行文外呈骈俪、内蕴情感,存在状态渐显独立品格的特征。尤其是赋序批评、笔记批评及选本批评的演进历程表明它们在古代赋论批评形态学史上具有示范作用与生发意义。     

对中国特色社会主义道路自信的思考——基于跨越“卡夫丁峡谷”的视角

跨越"卡夫丁峡谷"理论是马克思和恩格斯在研究东方社会发展道路时提出来的,在该理论的指导下,中国共产党领导中国人民在社会主义建设中有效地利用了资本主义的文明成果,实现了跨越式发展,走上了一条令人自信的中国特色社会主义道路,并被世界其它社会主义国家视为实现跨越式发展的典范。     

Applying an Ecological Framework to Understanding Drug Addiction and Recovery

ABSTRACT

A new conceptual model of drug addiction and recovery, the Acculturation Model, is presented, with “addiction” and “recovery” understood as distinct sociocultural phenomena with their unique prescribed behaviors, rituals, symbols, and language that serve to construct and consolidate a cultural identity. The model suggests that individuals in recovery from drug addiction will need to make a cultural transformation in order to maintain sobriety. Examples of specific rituals that may help facilitate movement from addiction to recovery are detailed.     

The Importance of Form in Skinner’s Analysis of Verbal Behavior and a Further Step

A series of quotes from B. F. Skinner illustrates the importance of form in his analysis of verbal behavior. In that analysis, form plays an important part in contingency control. Form and function complement each other. Function, the array of variables that control a verbal utterance, dictates the meaning of a specified form; form, as stipulated by a verbal community, indicates that meaning. The mediational actions that shape verbal utterances do not necessarily encounter their controlling variables. These are inferred from the form of the verbal utterance. Form carries the burden of implied meaning and underscores the importance of the verbal community in the expression of all the forms of language. Skinner''s analysis of verbal behavior and the importance of form within that analysis provides the foundation by which to investigate language. But a further step needs to be undertaken to examine and to explain the abstractions of language as an outcome of action at an aggregate level.     

POLITICIZING MEMORY

This paper argues that hegemonic memorial ceremonies are typically based on the practice and discourse of de-politicization of the ‘Israeli condition’. Three mechanisms serve such de-politicization: rendering death meaningful; idealizing the fallen and focusing on their transcendental as opposed to their corporeal side and the sanctification of time. Ceremonies featuring these mechanisms are paradigmatic events that perpetuate the hegemonic model of bereavement in Israel. Ceremonies deviating from these practices function as an opposition to static collective memory by acting as extra-paradigmatic sites of memory (Lieux de mémoire). This paper analyzes the Hallal (Hebrew for both ‘fallen’ and ‘void’) ceremony (Tzavta Theatre, Tel Aviv, 2009), that serves as an ‘alternative’ Remembrance Day ceremony. Drawing on the ethnography of ceremonies, we claim that this ceremony is an extra-paradigmatic event on account of its subversion of the de-politicizing mechanisms.     

“奴隶社会”是对马克思原著的误读

在《（政治经济学批判）序言》中,马克思明确扼要地提出了“经济的社会形态演进的几个时代”的思想,经典表述了马克思经济社会形态理论。传统教科书和我国学术界一般认为《序言》中“古代的”生产方式表征的就是奴隶社会。但是,通过大量研读马克思原著,我们发现,用“奴隶社会”来表达亚细亚社会与封建社会之间的社会形态是对马克思原著的误读。     

黎族传统民歌的音乐形态刍议——以《黎族传统民歌三千首》为基础的分析

民歌的音乐形态主要指民歌的曲调在旋律、节奏、调式、结构、体裁、风格等方面的形式或表现。海南黎族民歌的曲调俗称"唱调"或"歌调",主要以衬词、内容、流行地域、曲调长度等来命名。由于族源、人口迁徙和社会发展等原因,黎族民歌的音乐形态既有与大陆中原音乐相一致的形式或表现,又呈现出自己独特的一些特征。