论人与游戏的关系在现代哲学论述中的两次转向

分析了人与游戏的关系在现代哲学论述中的两次转向:第一次是指康德与席勒等人将游戏带入理性驾驭之下的"人玩游戏";第二次是指尼采、海德格尔、伽达默尔等人的不受理性支配的"游戏玩人".从人与游戏关系的两次转向中,我们对人的存在和游戏的本质有了更深刻的理解和思考.     

Intermezzo: play trajectories in mixed reality worlds

Abstract

Drawing on the work of Steve Benford, Gabriella Giannachi, Oliver Grau and Mark Hansen, this article explores the paradigms of mixed reality worlds in order to try to establish how aesthetic illusion is negotiated in the shift from a culture of representation in which art is formed by a fixed gaze and perspective which audiences interpret privately, to a culture of participation that offers audiences multiple opportunities for interaction with the work and each other. This analysis is important because it investigates the interfaces between real and virtual through an analysis of convergence culture and play. It will be argued that the work of Blast Theory and 1927 demonstrate how the development of digital and mobile technology has revived contemporary cultural interest in play as a dynamic that allows societies and communities to communicate and connect, evaluating their realities and imagining new ones, especially through a re-imagined positioning of the body. In this sense, play has become a practice strongly related to processes of social and cultural innovation.     

Home Futures: Living in Yesterday’s Tomorrow? Home Futures,An Exhibition by the Design Museum,London in Partnership with IKEA Museum,Almhult – 2018-9

ABSTRACT

Home Futures, the major exhibition at the Design Museum, London, and IKEA Museum Sweden, explores the trajectory of radical domestic visions from the 1960s—but it seems that the future was closer in the 1960s than now.     

Between play and the quotidian: inscriptions of monstrous characters on the racialised bodies of children

Abstract

Despite critiques pointing out that racism has become normalised in early childhood settings, relatively little attention has been paid in such contexts to the everyday practices in which racial inequities are made. In seeking to interrogate the ways in which racism roosts in the routine, this article interrogates quotidian responses to children’s playful activity, drawing on data generated in an ethnographic study in a London-based nursery. The article argues that the imaginative characters players embody become ‘fixed’ on particular children – when these characters coincide with reified assumptions about the raced, classed, and gendered body – whilst serving as mobile resources for others. Such reification, which is a concentration of complex historic and contemporary social relations in the political economy, is not only harmful and unjust but limits understandings of racialisation and inequity.     

豫南影戏的生存现状与保护对策

豫南影戏作为宋代中原皮影脉络的延续,具有极高的艺术价值与研究价值,其中的罗山皮影被列为国家级非物质文化遗产。由于时代的发展,影戏市场萎缩,艺人经济社会地位逐渐走低,以愿影为主的演出方式对影戏传承产生了负面影响,豫南影戏后继无人,生存状况堪忧。应调动当地的政府、教育界和艺人等多方面力量,担起保护豫南影戏的责任。     

论小说的游戏精神

小说是游戏的和小说是载道的,这一直是小说观念中纠缠不清的两种观点。文章从小说创作中的游戏精神和欣赏中的游戏精神来论述小说的本性是游戏性的。游戏的真实比模仿的真实更接近世界的真实;小说欣赏中的游戏精神使小说的文学性得以呈现。     

复合改性水玻璃粘结剂砂热芯盒法的试验与探讨

采用复合改性水玻璃粘结剂进行热芯盒法模拟试验和生产试验，试验结果表明，只要有合适的固化催化剂和合理的混砂及射制工艺，4#粘结剂砂完全可以取代树脂粘结剂砂进行热芯盒法制芯。     

全真教对马致远杂剧思想内容的影响

全真教对马致远的杂剧思想内容影响较大,主要表现在:马致远的杂剧借助于全真教的教义主旨,重新阐释君权神授的思想,在消极悲观情绪中流露出对儒家正统观念无可奈何的思念之情;表达人生如梦、仙隐合一的人生虚无观念;推崇背离家庭亲情伦理关系的极端苦修思想;宣扬极端的禁欲主义和出家苦行的思想,以此来表达对现实的不满和反叛之情。     

也谈台词与动作:谁是戏剧的根基

戏剧的本质特征是演员表演 ,是属于剧场的艺术 ,只有舞台演出方可让剧本创作具有生命活力。一个剧本既要有文学性 ,也要有剧场性 ,两者须相辅相成 ,才能相得益彰 ;戏剧的两个重要元素———台词与动作 ,是相互为用、相互支持的。然而 ,动作比台词更有表现力、形象性和直观性。台词也是一种动作 ,要求它富于动作性 ,是为了强化表现能力。剧作家的流派、风格以及剧本的体裁样式各异 ,动作的表现手法必然随之不一 ,但动作永远不会消失 ,永远是戏剧的根基     

西方后现代主义诗歌的渊源及其特征

迄今后现代主义诗歌不是一个具有确切内涵和统一标准的概念 ,但后现代主义诗歌仍具有某些共同的精神特征和创作特色。我们首先应该在与现代主义诗歌的比较中来理解和把握后现代主义诗歌。庞德与威廉斯是跨越了现代主义与后现代主义两个时代的诗人 ,通过他们的思想和创作 ,我们可以理解什么是后现代主义诗歌。后现代主义诗歌的基本特征是 :意义悬置、平面化与零散化、拼贴与反讽性复制、即兴式写作与表演式创作、语言游戏与语言实验、东方化情结等