道德与欲望的冲突——论《弗洛斯河上的磨坊》中爱略特的道德观

文章借用雷蒙德.威廉斯的理论,以麦琪的两条情感线路——兄妹情和爱情为轴心,分析她的兄妹情、爱情及其两者的交错发展,揭示贯穿小说的服从、责任、义务、自我压抑的道德观念以及深层次的社会结构意识和情感结构。通过文本分析,管窥爱略特道德观与维多利亚时期的社会环境。     

论舞蹈语言的节奏美

舞蹈语言分为专业性语言、感觉性语言、形象性语言。舞蹈语言充满节奏感,通过语言启发和引导学生、用节奏和舞蹈风格拓展学生的舞蹈动作、用美感训练去强化学生的舞姿美,有可能使“二度创作”完美地呈现在观众面前。     

论拜伦的诗学观

拜伦的诗学思想散见于其诗歌和散文文本之中.拜伦对诗歌目的、任务等一系列问题展开了追问,他特别认识到诗歌的治疗作用;拜伦认为,诗人应采取认真、负责、自然的写作姿态,他尤其发掘了注释作为诗歌文本的延伸功能;拜伦的诗歌批评策略是感悟式的,这导致了其诗学成分中理性的缺失,而这与他作为个性独特、处境困窘的浪漫主义诗人身份有关.     

体育教学中自我效能感的研究

自我效能感是影响个体努力程度和行为持久性的一个重要因素,对成就行为的预测性较高。通过对自我效能感的概念、信息源在体育教学中的运用进行综述,分析自我效能感在体育教学领域研究中的一些问题,并预测自我效能感在今后的体育教学中的研究趋势。     

Moody habitus: Bourdieu with existential feelings

This paper proposes a way of integrating the concepts of habitus and mood. The purpose of this conceptual move is to enrich Pierre Bourdieu's treatment of habitus with a better recognition of its affective aspects. The paper draws on phenomenological studies of psychic disorders and applies the concept of existential feeling to specify what moods are and do. The framing proposed distinguishes between dispositions that function in the foreground and in the background of habitus. Thereby it is possible to regard moods as background dispositions of habitus. This paper also discusses what this idea of moody habitus can do for research in habitus and human practice.     

复兴与借鉴:印度近代启蒙文学

印度近代的启蒙运动是在对传统文化的复兴与变革，对西方文化的排斥与借鉴的复杂矛盾情形中展开。印度近代的启蒙团体梵杜、圣社、青年孟加拉派、罗摩克里希那教会、穆斯林文学社、科学社等都表现了这样的特点。在这样的社会文化背景下，印度近代启蒙文学不同于欧洲近代启蒙文学的进击性、哲理性和展望性，而是表现出柔弱性、政治性和回溯性的特征。对民族文学传统的复兴是印度近代启蒙文学的基调，对西方文学的借鉴使其带上近代色彩。     

Fear of missing out,feeling of acceleration,and being permanently online: a survey study of university students’ use of mobile apps in China

We argue that the usage of mobile apps could be understood in the context of being permanently online. That is, contrary to functionalist theories, the usage of mobile apps is not simply an outcome based on the user’s rational needs and goals but also reflects the new state of being in the online world of the mobile Internet environment. Following this approach, in this study we review the emerging concept of being permanently online, as well as two key influential factors: the fear of missing out (FOMO) and the feeling of acceleration. We then use the survey data collected from university students in Shanghai, China (N?=?687) to examine the relationships between FOMO, the feeling of acceleration, being permanently online, and two types of mobile apps usage (i.e. WeChat and O2O life service apps). The results showed that in controlling for other variables, FOMO, the feeling of acceleration, and being permanently online were significantly related to mobile apps usage. In particular, FOMO was positively related to being permanently online. These empirical findings demonstrate the significance of examining mobile app usage from a new theoretical perspective, and they indicate that this approach deserves further attention in the research on this topic.     

“无弦琴”的哲学解构

自沈约说陶渊明有"无弦琴",并时常"抚弄以寄其意"以来,不断被后人寻章摘句、过甚其词乃至玄化,同时也把它与陶渊明的人品和诗品结合得天衣无缝,于是都不自觉地否定了陶渊明的"性不解音"。其实唐宋文人的"玄解"无弦琴并不是要故作高深,而是借他人之酒杯浇自己之块垒,不料今人信以为真,以致以讹传讹。要还原无弦琴的本色,必须剥去玄学外衣,知人以论世,从其交游交友之道、任真自得之性、人生境界之别、世态人情等方面对"无弦琴"进行哲学解构,陶渊明真乃"性不解音"者,随之也就理解了他的"弄琴"只是率性而为,并无"寄意"。     

大学生计算机焦虑形成的原因与应对策略

计算机网络给当代大学生带来了各种各样的便利的同时,也给大学生带来了新的忧虑———计算机焦虑。计算机焦虑是用户在使用计算机过程中厌恶或害怕计算机,或忧虑未来计算机使用而引起的情绪反应。大学生计算机焦虑的形成与大学生使用计算机的能力和经验、个人认知、自我计算机效能感等因素有关,提高大学生计算机使用技能、帮助他们获取成功经验和恰当运用心理治疗等方法有助于降低或消除计算机焦虑。     

览之有色 扣之有声——论古代文论诗性感觉的隐喻式表达

中国古代文论中大量的范畴、概念、术语都是诗性感觉体验的隐喻式表达。色、声、臭、味等概念，本来是人的感官的日常体验，引之以论文，似乎文学也视之有色，听之有声，嗅之有香臭，尝之有滋味。根源于这种感觉体验趣向，文学审美也有类似诉求。如追求文采飞扬，喜好妙言妙曲，崇尚味外之味，总之要求文学色、香、味俱全。这种体验性的表达最富有原始感觉，也是最富于诗性特征的。