闻一多书籍装帧封面的视觉要素分析

闻一多是现代一位出色的装帧家,装帧作品虽然不多,但精品不少,尤以封面设计作品较为突出。闻一多的书籍封面设计,在视觉要素运用上,文字新颖多变,图形表现兼容并蓄,色彩运用简洁鲜明,为我国现代书籍装帧艺术的发展做出了贡献。     

美的静悟——视觉冲击力与经典工笔画辨析

经典的绘画作品感染并打动观众，是通过视觉这一感官体验来完成的。因此，在今天展览越来越多、展厅越来越大的情况下，有一些人从简单的视觉体验出发，使“视觉冲击力”这一曾经只运用于设计领域的词汇，在绘画中泛滥，进而波及工笔画领域。文章根据中国传统工笔画的品评标准，结合现代工笔画的绘画创作实践，分析视觉冲击力与经典的工笔画之间的矛盾与联系：经典的工笔画具有一定的视觉冲击，但是具有“视觉冲击力”的工笔画不一定就是经典的画作，真正的经典作品必须具有崇高的审美本质，在经过岁月的检验后，才能焕发出像珍珠一样夺目的光彩。     

现代汉语“追累”句式的生成研究述评

"追累"是现代汉语中一种典型的多歧义动结式,有主语指向、宾语指向和施受颠倒三种解读,是汉语研究中的一个热点问题。近二十年来,"追累"句式的生成研究取得了丰硕的成果,但在复合词"追累"的生成方式上仍然存在较大争议。本文以这些争议为线索,对词汇生成论、词汇句法生成论和句法生成论等几种论点进行了评析,最后总结了相关研究所取得的成果并指出了今后有待进一步深入研究的几个问题。     

Spaces of Pride: A Visual Ethnography of Gay Pride Parades in Italy and the United Kingdom

Gay pride parades represent an active site of production of lesbian, gay, bisexual, transgender (LGBT), intersexual and queer identities, featuring a spatial and social articulation of political and human rights claims. While the multiplication of these events in different countries suggests the existence of a coherent and cohesive community which shares the same collective identity beyond national borders, different patterns in the organisation, part-taking and social and political connotations given to these events can be observed in different contexts. By means of a comparative visual ethnography of Italian and British Gay Pride Parades, this article investigates how the creation, mobilisation and challenge of quasi-normative LGBT identities occur within the spatial context of gay pride marches. It is argued, in particular, that while gay pride parades are sites in which the socio-political status quo can be successfully challenged, participants are also faced with the possibility of falling prey to dynamics of identity commodification and homonationalism which may ultimately deprive their claims of their subversive potential.     

Young people's orientations to the future: navigating the present and imagining the future

This article discusses the findings of the Imagine Sheppey project (2013–2014) which studied how young people are ‘oriented’ towards the future. The aim and approach of the project were to explore future imaginaries in a participatory, experimental, and performative way. Working with young people in a series of arts-based workshops, we intervened in different environments to alter the space as an experience of change – temporal, material, and symbolic. We documented this process visually and made use of the images produced as the basis for elicitation in focus groups with a wider group of young people. In this article we discuss young people's future orientations through the themes of reach, resources, shape, and value. In so doing, we reflect on the paths that our young respondents traced to connect their presents to what is next, what we call their modes of present–future navigation. We explore the qualities and characteristics of their stances within a wider reflection about how young people approach, imagine, and account for the future.     

数量体现述式的系统功能语法研究

系统功能语言学中的系统语法是体现性语法，语言被视为意义资源系统，而非封闭自足的规则系统。系统语法和阶与范畴语法的一个变化就是体现述式的引入，体现述式是对层际或层内体现关系的一种建模由操作项和操作符构成。系统功能语法主要识别了插入、排序、重合、扩展、预选等五种体现述式，本文基于系统功能语法对数量在体现过程中的体现述式进行跨语言的探索研究。      

摄影中的“新纪实”与“超现实”话语——以塞巴斯提奥·萨尔加多和杰瑞·尤斯曼为例

摄影是“自然之笔”与现实相对应。塞巴斯提奥·萨尔加多用镜头记录了真实的社会生活,其作品所表现的个体与群像在纪实品格外凸显出强烈的视觉美感和深刻性,形成了“新纪实摄影”风格;而杰瑞·尤斯曼的“超现实摄影”与前者相异,他用纯熟的后期暗房合成技术,通过底片叠加创造出现实中不存在的幻景,在具体与抽象之间拓展了作品的精神内涵和时空维度。文章以两位摄影大师为例,从三个维度来比较“新纪实摄影”与“超现实主义摄影”：“标记符”与“象似符”;“视觉寓言”;审美欲求。     

小说的影像阐释及其意义解读

小说的影像阐释是当代影视剧生产的重要源泉,在视觉文化主导的今天,小说的影像阐释不仅使小说进入文字阅读和视听感知结合的“共读”时代,而且为影像作品提供了丰富的内容和形式。同时,小说的影像阐释已经对当代作家的小说书写、小说生成方式及小说传播形态产生了意义深远的影响。     

异中见同、同异互动、求同存异——Fillmore & Kay的构块语法理论研究的哲学思考

本文从认识论的角度研讨Fillmore & Kay的构块语法理论,尝试提出语言学研究的"同异律"--异中见同、同异互动、求同存异.我们认为,同异律是人们的认识规律在语言学研究中的反映.对一种语言现象的研究,应当在观察其特殊性的基础上归纳其内在的普遍特征,然后用普通的语法规则对这种现象做出合理的解释.